BLM

Most of us know that Hollywood is a liberal propaganda machine, but it isn’t often that you’ll catch someone in Hollywood admitting that they’re trying to influence viewers with their political agenda. But, Kendrick Sampson, who plays Nathan on HBO’s Insecure, did just that in an interview on The Real on Friday, December 10.

Leftist billionaire George Soros is at it again. One of his organizations funneled millions into a radical leftist group seeking to defund the police. Soros’s Foundation to Promote Open Society gave at least $4 million to the Community Resource Hub for Safety and Accountability (the Hub) between 2019 and 2020 through the “dark money” group New Venture Fund (NVF).

Following up on his 10,000-word expose last month during the trial of Kyle Rittenhouse over shootings in Kenosha, Wisconsin during a race riot, New York Times reporter Charles Homans delivered 1,600 more words of paranoia over "mostly white armed paramilitaries" in the aftermath of Rittenhouse’s acquittal, “In Rittenhouse Verdict, Paramilitary Groups See Vindication.” Just as he did…

Was CNN watching the same trial the rest of America was? Apparently not, because the “Facts First” network abandoned truth for their politically convenient narrative on Friday, calling the Kyle Rittenhouse case an ultimate example of “white vigilantism.”

Joy Behar has praised murderous communist dictators, yet she has no sympathy for a teenager who’s on trial for murder because he shot people attacking him. On today’s The View, the co-host and her peers cruelly mocked Kyle Rittenhouse’s tearful testimony that he acted in self-defense, with Behar scoffing it was the “worst acting” she’d ever seen and Ana Navarro sneering the teen would…

Tuesday’s episode of The Resident on Fox returned to the Black Lives Matter trope of the racist cop quick to pull his gun on innocent black men.

On Monday's front page, The New York Times featured a whopping 4,600-word profile on activist “educator” Andrea Kane, the black former superintendent of Queen Anne’s County Public Schools in Maryland. Even by the paper’s liberal standards, education reporter Erica Green’s obsequious perspective was cringeworthy in its lack of journalistic rigor.

In the midst of endless liberal BLM propaganda constantly pouring out of Hollywood, there’s thankfully a bright beacon of hope shining from CBS’s NYPD police drama Blue Bloods, which isn’t afraid to persist in defying Hollywood standards and telling it like it is. Friday’s season premiere episode “Hate Is Hate” was no exception and was a welcome change of pace as the show illuminated the…

This week, FX's American Horror Story turned its terror plotline on the LAPD when a bloodthirsty chemist used a killer pill on cops.

The New York Times has uncovered still more “culture wars” it will try to convince you were started by conservatives, this time in schools: “The School Culture Wars Over Masks, CRT and Gender Identity.” Sarah Mervosh and Giulia Heyward collected anecdotes from fraught school board meetings around the country as the school year begins, including the controversy over accommodating…

Pro-BLM NBC sitcom Brooklyn Nine-Nine took on the issue of fake hate hoaxes that waste police detectives' time and resources. Unfortunately for the audience, the "hate hoax" the writers cooked-up was cops faking hate against themselves.

Freeform’s “sitcom” grown-ish aired the second of their two-part BLM-themed episodes on Thursday, and it was just as awful as the first, this time focusing on woke (whack?) terms such as “white fragility,” continuing to depict the police as brutal bullies out to hurt black people, and justifying and making light of looting, rioting and arson.

After scrapping the first four episodes in the wake of last summer's George Floyd protests, the NBC "sitcom" Brooklyn Nine-Nine's final season finally premiered with a new episode promoting Black Lives Matter. The entire episode implies that it is rare for cops to not be corrupt, racist villains and that most are secretly bad people. 

In Sunday's episode of Paramount+’s Evil, aptly titled “C is for Cop,” it’s racist cops and white privilege that constitute this week’s evil entity.