BLM

Pro-BLM NBC sitcom Brooklyn Nine-Nine took on the issue of fake hate hoaxes that waste police detectives' time and resources. Unfortunately for the audience, the "hate hoax" the writers cooked-up was cops faking hate against themselves.

Freeform’s “sitcom” grown-ish aired the second of their two-part BLM-themed episodes on Thursday, and it was just as awful as the first, this time focusing on woke (whack?) terms such as “white fragility,” continuing to depict the police as brutal bullies out to hurt black people, and justifying and making light of looting, rioting and arson.

After scrapping the first four episodes in the wake of last summer's George Floyd protests, the NBC "sitcom" Brooklyn Nine-Nine's final season finally premiered with a new episode promoting Black Lives Matter. The entire episode implies that it is rare for cops to not be corrupt, racist villains and that most are secretly bad people. 

In Sunday's episode of Paramount+’s Evil, aptly titled “C is for Cop,” it’s racist cops and white privilege that constitute this week’s evil entity.

ABC’s A Million Little Things has added to the count of 127 episodes on television that have pushed Black Lives Matter since George Floyd’s death with their third week of BLM-themed episodes. In Wednesday;s episode, “Not Alone,” one character claims that black Americans must wear an “armor” that gets heavier “every time another innocent black person is killed.”

Finally, a cop show highlighted violence committed against police officers by radical activists. Unfortunately for viewers, the show pretended that the radical activists trying to kill, maim and injure cops are really white supremacists who frame innocent BLM-type protesters.

New York Times Patrick Healy, a former political reporter now the paper’s deputy Opinion editor, issued a strange piece as part of a special section: “How Conservatives Think About George Floyd’s Death and BLM.”  Healy found another reason to lecture conservatives about how wrong they are about Black Lives Matter and the rioting and looting that accompanied anti-police protests in the…

At this point, the CW should really consider changing the name of their sports drama All American to All Propaganda. This is the fourth week the show has shoved a pro-BLM, anti-cop narrative down our throats, but now America as a whole, as well as those who support the police, are getting thrown into the blame game, as they claimed America has always been against black people…

Season three of The Chi was purposefully devoid of the police, even while a major storyline revolved around the disappearance of a black woman, and one episode featured a disturbing scene showing what sex trafficked and drug addicted young women endure. The season four premiere changes all of that when a 15-year-old is the victim of police brutality during the May 23 episode, “Soul…

Law and Order: Organized Crime pushed the Black Lives Matter narrative again this week, claiming  that police officers randomly kill innocent young black men without consequence.

There's been an onslaught of leftist, BLM-themed stories on television lately. When we get served a liberal lecture one week, we barely get a breather before the next episode hits us with more. Case in point, ABC’s A Million Little Things, which last week claimed police are “just looking for a reason” to kill people of color. This week, we’re told that history books “whitewash this…

The CW’s high school football drama All American picked up where it left off last week, dealing with the aftermath following the shooting death of an innocent, young, black woman, Tamika Pratt, by police. And if you thought the show couldn’t possibly have any more disdain for the police than they did before, you’d be very wrong, as they claimed the police system is “predicated on […

It’s clear at this point that CW’s Batwoman’s mission is not to fight crime but to fight the police. We’re up to now four episodes condemning the police system, and this one may be the most brutal yet.

NBC's Law and Order: Organized Crime opened this week's episode with an over-the-top scene of New York City police officers crushing the bones in an innocent, unarmed black man's hand.