MRC Culture on TV Blogs

This year's Academy Awards show was an unwatchable train wreck of BLM virtue-signaling and bad lighting. A freshman film student could have produced a better show than this mess.

Even in a pandemic, we can always count on The Oscars. Or rather, we can always count on The Oscars to give us a night of insufferable political preaching. And Sunday night’s ceremony delivered political rantings in record time.

Marvel’s The Falcon and the Winter Soldier has been a mixed bag of action sequences and blatant political messages. The Disney+ series ended things with a bang by making one last racial jab at audiences and Captain America fans.

While the George Floyd murder trial ended in a guilty verdict for Officer Derek Chauvin this week, the firefighters of ABC’s Station 19 just found out about Floyd's death in the April 22 episode, "Get Up, Stand Up." A grief counselor was brought to the fire station to give professional counseling and preach critical race theory to the firefighters.

CBS's cop drama S.W.A.T. signaled to its audience this week that those who question critical race theory and the Black Lives Matter agenda are really white supremacists. 

Apparently, writers for the NBC sitcom Kenan have been in a coma for a year and have no idea what happened to schools across the country as a result of teachers' union strong-arming during the pandemic. The show so thoroughly failed to "read the room," as it were that it actually created an episode praising public school teachers who refuse to teach until they get more pay.

Network television has officially jumped the shark in its desperate efforts to defend the domestic terrorist organization Black Lives Matter. This week on CBS's court drama Bull, an earnest defense attorney actually said with a straight face that BLM is "not opposed to the police."

Marvel’s latest series The Falcon and the Winter Soldier has proved to be the polarizing propaganda the media hoped it would be. Now on its penultimate episode, the Disney+ series is stepping things up by asserting that nothing's changed in 500 years and no black man should want to be Captain America.

If it weren’t for cliches and stereotypes, there would be little to note about Netflix’s Dad Stop Embarrassing Me, which began streaming on April 14, a series of eight half-hour episodes. Comedian/actor Jamie Foxx tries to make a comeback on the small screen but mostly fails to be amusing or entertaining.

The April 15 episode of ABC’s Grey’s Anatomy, titled “Sign O’ the Times,” was chock-full of BLM propaganda.

Anyone who thought Law & Order: Special Victims Unit was finished with kowtowing to Black Lives Matter will be severely disappointed. The latest episode of the NBC drama reminds that there’s always time to scold the police, just like there’s always time to call new voting laws racist.

It’s been a while since we’ve been treated with a mean-spirited, hateful vanity card from CBS’s “King of Sitcoms” Chuck Lorre, and after card #667 aired after Thursday's episode of Young Sheldon, we now know why. Because, as Lorre claims, he’s been such a victim of “anger,” “meanness,” “censorship,” and clickbait by “ass&*&#s” (Psst…I think he means us) that he’s had to censor…

Another show from Hollywood, another liberal lecture on transgenderism. This time it’s ABC’s A Million Little Things, and the lecture is that a transgender woman is the “same person” as a man who became paralyzed in a tragic accident, because neither of them had a choice in their circumstances- him being in a wheelchair and her being “born in a man’s body.”

New Amsterdam must be gunning for a GLAAD Media Award nomination with its latest episode: “The Legend of Howie Cournemeyer.”