BLM

CBS’s new police drama, Training Day, debuted Thursday night with the episode titled “Apocalypse Now.” Based on the 2001 movie with the same name and using the movie’s director (Antoine Fuqua) as a producer, the show diverges with its portrayal of a badass older police investigator who pursues justice by unapologetically playing outside the rules.

The lead New York Times editorial for New Year's Eve aiming to wrap up 2016, “Take a Bad Year. And Make It Better,” marked a triumph of liberal emotion over reason. The editorial voice of this eminent newpaper reduces itself to a Woody Allen caricature of an urban liberal wimp tormented by dictator Trump and his racist fellow citizens, but without the virtue of actual humor.

ESPN's Howard Bryant capped off a year of flag-fear and injection of racial politics into sports with his column in the magazine’s last issue of 2016: “Fight of Our Times – In a year of great victory and great unrest, the legacy of Muhammad Ali has never felt more vital. But will athletes continue to rise up in 2017?” Bryant is known for his BLM-style rants against the alleged epidemic of racist…

"Woke" white people making snide remarks about accusations of police brutality seems to be a theme this week. Tuesday’s episode of Fox’s Scream Queens titled “Blood Drive” included an anti-cop throwaway line at the beginning of the show. 

For all those who loathe the vapid lives of self-obsessed 20-somethings… you are not in luck with TBS’s new dark comedy Search Party. While I admire the show for attempting to take a “satirical” turn on Millennials in a serious situation, Search Party seems to greatly overestimate our tolerance for these kinds of people. 

Thursday’s New York Times was in panicky mode over President-elect Donald Trump, especially from an immigrant and minority perspective, with the paranoia on fully display in “Trump Win Has Blacks, Hispanics and Muslims Bracing For a Long 4 Years." This purported “news” story even recycled leftist Van Jones cries of “Whitelash” -- as if an African-American president didn’t actually win a second…

CBS’s Blue Bloods addresses the growing police brutality hysteria plaguing the U.S. by showing an investigation into the NYPD is nothing more than a PC anti-police witch hunt.

Saturday’s New York Times anti-Trump roundup included an ironic compliment to the Trump campaign, which has freed journalists to label (Republican) politicians as liars and racists. Times editorial board member Brent Staples perversely celebrated “The Election That Obliterated Euphemisms.” The text box: “Donald Trump made it impossible to avoid the word ‘racist.’” Staples certainly didn’t.

The politicization of ESPN the Magazine is complete, as the October 31 NBA Preview issue features a cover story interview of NBA star Carmelo Anthony by sportswriter turned Black Lives Matter! cheerleader Howard Bryant, “The truth according to Carmelo Anthony.” The cover shot featured Anthony in radical chic mode, sporting a black beret and unleashing a font of ‘60s-tinged cliches about the…

The New York Times can’t stop slobbering over 13th, a Black Lives Matter-style documentary by activist Ava DuVernay that takes a conspiratorial left-wing view equating prison labor as black slavery. Hard-left controversialist Van Jones and Castro-loving Communist Angela Davis feature in the flick, though NYT’s Cara Buckley doesn’t bring those names up in her press-release style laudatory…

DJ Khaled hosted the BET Hip Hop Awards, which were recorded September 17, 2016, and aired on that network Tuesday night. He remarked the show would be about “real lyricists, talking about real issues.” As you might guess, the real issues were all about the election and Black Lives Matter narrative.

In Netflix’s Original Series Luke Cage, Marvel Televisions and ABC Studios have introduced the first mainstream black superhero who is a hoodie-wearing avenger for social justice in Harlem. The thirteen episode series is peppered with racial issues. The tone is set in the very first episode when a handout to pedestrians reads: “Stay Harlem. Stay Black.” Along the way, biblical quotes are used to…

The front of Friday’s New York Times Arts section featured the paper’s politically correct movie critic Manohla Dargis, “From Shackles to Prison Bars,” a review of activist filmmaker Ava DuVernay’s documentary “13TH.” It’s no surprise that left-wing Black Lives Matter propaganda moved her to tears: Dargis is preoccupied with race, valuing racial bean-counting in movies over artistic excellence…

Comedy Central is out with a new adult animated comedy called Legends of Chamberlain Heights that airs on Wednesday nights after South Park. The show is about three freshman basketball bench warmers - Grover, Milk, and Jamal - and their antics in their quest to become “legends" at their high school. The result is quite possibly the most disgustingly foul-mouthed, outrageously offensive,…