MRC Culture on TV Blogs

They’re on a roll and they can’t be stopped! NBC’s ultra-liberal high school drama Rise is in its sixth week and they aren't showing any signs of slowing down their obvious leftist agenda.

CW’s Black Lightning finally comes to the close of a mostly uneventful yet still obnoxiously SJW first season. The latest comic-book series decides to end on a low note with a "Make America Great Again" reference from the bad guy. I guess the only real supervillain in media nowadays is Trump.

What is it lately that makes the Hollywood left work Supreme Court Justice Ruth Bader Ginsburg into ordinary, even rather boring, sitcoms? It happened again in the April 16 episode of CBS’s Man With a Plan titled “King for a Day.” This time it is because a liberal mom doesn’t want her daughter playing dress up like a princess.

After a lengthy hiatus, CW’s Supergirl has finally returned to fight for truth, justice, and the social justice way. Sure enough, the most recent episode does not disappoint with a reminder on how hard black men have it in America. At least we’re back on schedule.

It’s a timeless tale in the world of Hollywood entertainment. One can’t seem to escape the constant attacks on prayer and Christianity across a wide variety of television shows, but it appears the attacks are becoming more frequent lately. NBC’s time travel drama Timeless took its turn in Sunday’s episode, “The Kennedy Curse,” as a main character takes credit for answering his mother’s prayers…

In an interesting twist that was at times humorous (It’s funny because it’s true!) while at others insulting, HBO’s hit comedy Silicon Valley flipped the script on gays and Christianity and admitted to the hatred Christians endure, especially on the left coast, by having a gay character come out of the closet as a Christian.

Showtime’s Homeland has already shown how they're relating the show to the Trump administration this season. Now they've show their true colors by finally reaching the end goal: invoking the 25th Amendment. Yes, I’m sure that forcibly removing the first female president will definitely show President Trump a thing or two.

No show suffers from Trump Derangement Syndrome more than CBS’s The Good Fight. In addition to the episode titles, which are simply the number of days President Trump has been in office, almost every episode features a fake, absurd news segment on the President. In Sunday’s episode, “Day 450,” the Democratic National Committee interviews ten law firms with the goal of finding the best strategy to…

It’s rare to see Hollywood depict Christianity or Christian prayer in a good light, but CBS’s Young Sheldon came close this week. Still, they had to add some snark at the end, as well as twist the meaning of prayer all together. But it was nice to see a mother praying over her family in the midst of an emergency, while even her atheist son is comforted and asks her to keep praying.

NBC’s new comedy Champions already had a swing and a miss regarding feminism. Now it’s back trying to deal with the topic of diversity. And by talking about diversity, I am of course referring to the shaming of white people. Unfortunately to some liberals, that’s the same thing.

In the April 12 episode of ABC’s Grey’s Anatomy, titled “Beautiful Dreamer,” ICE comes to Grey-Sloan Memorial Hospital looking for Dr. Sam Bello. It’s the usual kind of story painting the DACA student as extraordinary and the ICE agent as the bad guy for enforcing the law.

I would like to say that the April 11 episode of Fox’s Star, titled “Dreamers,” included a surprise random plot twist but the fact is that this show seems to thrive on random plot twists. In this episode, a character randomly discovers that he is an illegal alien.

NBC’s Law & Order: Special Victims Unit has been particularly biased for this season, and the latest episode is no exception. Not only do we experience some full-on propaganda for transgenders in the military but a Twitter jab at the president as well. It’s about time I suppose.

In the April 11 episode of Fox’s Empire, titled “Sweet Sorrow,” Becky decides to get an abortion even though her baby’s father doesn’t want her to do so. She justifies her selfish decision by using the same old tired trope that generations of feminists have used – "my body, my choice."