Hollywood is all about serving up gallons of the LGBT agenda Kool-Aid. And come November, viewers will get to sample the new trans-flavored offering in The Danish Girl.
The Danish Girl is the true story of a married Danish man who stands in last minute as a female for his wife to paint. He becomes fascinated with feeling like a woman and decides to trade in his loafers and ties for stockings and silk and becomes his alter personality, Lili Elbe. And just like the “stunning and brave” Caitlyn Jenner, the character Lili Elbe has been hailed as a historical transgender pioneer.
“It’s just one of those good pieces of zeitgeist and good fortune,” Tim Bevan, co-chair of Working Title tells The Hollywood Reporter. “It’s something that Tom Hooper had on his radar for some time, but the timing couldn’t have been better.”
Timing does seem to be everything, especially when looking at the year 2015 as a whole. This year has seen an unprecedented obsession with gender fluidity and sexual preference. From the Supreme Court creating a constitutional right out of thin air to same-sex marriage to “zucchini” being an object of affection in deciding your gender preference, The Danish Girl fits in perfectly.
The anticipated release of The Danish Girl finds itself socially accepted on a long list of Hollywood’s efforts to push and normalize the transgender/homosexuality movement. According to Indiewire.com:
Social change starts on the fringes, but it needs films like "The Danish Girl" to push those issues in from the sides to the middle, and to normalize them for a mainstream audience who have other things in their lives than hunting out the latest experimental LGBT title. So yes, we might wish there were less of the feeling of Hooper, smelling salts on hand, gently settling the grandparents of the world onto lavender-scented chaise longues in order to tell them a story about how a person who looks and talks and lives as a man might actually be a woman. But "The Danish Girl" is so primly told (bar perhaps one tucking scene), and it treads so delicately around even the most conservative sensibilities, that it might just work to change some minds, which makes it valuable in a way an edgier, swifter, more urgent, individual, or exciting film (for it is none of those things) might not be.
Hollywood and the left have certainly done everything possible in taking “those issues” and not only moving them to the middle, but putting them under the spotlight of center stage. TV shows like Becoming Us, I am Jazz, and I Am Cait have become “educational tools” forcing society to tolerate and accept this perverted “norm.”
The big screen has also played its role in “social change.” From independent films such as Tangerine, which follows two transgender women hunting down a cheating boyfriend, to the “heart wrenching” Freeheld, to the yet to be released About Ray, homosexuality and transgenderism is one topic Hollywood loves promoting.
The sad reality is that the film industry has enormous influence on society’s mentality and what is deemed normal and acceptable. With movies like The Danish Girl, transgenderism and homosexuality become idolized while traditional values are an evil thing of the past.
