Music Industry

In her May 22 "Singles File" -- described as "A weekly playlist for the listener with a one-track mind" -- Washington Post music critic Allison Stewart suggested readers might want to download the new single "Reagan" by rap artist Killer Mike.

"The Obama years haven't been fruitful ones for sociopolitically minded rappers, at least until now," Stewart gushed, noting that the Atlanta musician "dusts off some late '80s ghosts on this unblinking and brutal track from his newest [album] 'R.A.P. Music.'" But when you check out the lyrics of the track, and read his May 21 interview with HipHopDX.com, what really becomes clear is Killer Mike's "unblinking" apology for the late terror-sponsoring Libyan dictator Muammar Qadhafi.

Appearing on MSNBC's Andrea Mitchell Reports on Thursday to discuss the passing of disco singer Donna Summer, contributor Toure unleashed a viscous rant against those who didn't care for the music genre: "...there was a homophobic, and to a certain extent racist, response against disco....from large group of fans who wanted to proclaim the resurgence of white male power, of rock 'n roll and punk..." [Listen to the audio or watch the video after the jump]

Toure began launching his absurd attack by cheering disco as "all about gay exuberance and joy." He then condemned those who criticized it: "I have never seen a movement in America to crush a musical genre in the way that the sort of almost organized anti-disco movement rose up....it reminds me of the discussion around marriage equality, that, 'You can't have this for yourself, you can't have equality, you can't be out and normalized in the public. You must be in the closest and quiet about what you love.'"

Super Bowl XLVI was a good football game, marred once again by the bohemian elite at NBC. NBC could have prevented, but failed to stop, the broadcast of a female rapper "flipping the bird" at 114 million viewers during Madonna's halftime show. It was another "fleeting expletive" of the hand-gesture variety, and somehow, despite elaborate rehearsals, no one at NBC could seem to stop it.

The same network skillfully edited God out of a clip of children reciting the Pledge of Allegiance during last year's U.S. Open golf tournament.

Proving that not all famous musicians are in the thrall of Barack Obama and his brand of punitive liberalism, Jonathan Davis, lead singer of the heavy metal band Korn made headlines today criticizing the president.

In an interview with the music trade publication Billboard, Davis said that he believed Obama had "basically dragged this country down into the worst it's ever been." Davis made those remarks in reference to a song on the group's new CD "Path of Totality" entitled "Illuminati." His full comments are below the break:

Conservatives agree that public broadcasting no longer needs federal funding. But McCain Republicans are hunting for strange compromises. Former McCain 2000/2008 adviser Kevin Hassett wrote for Bloomberg that NPR and PBS news is wrong-headed, but not its arts and education initiatives (like Big Bird): "Public radio and television, then, are defensible to the extent that they serve the public good by enriching the arts. NPR and PBS, however, wandered far from this mission, providing news content that is mostly indistinguishable from that provided by left-leaning for-profit enterprises."

Let's not assume that taxpayer-supported arts and culture aren't often twisted to support the statist agenda. NPR's "arts" reporting on Monday night's All Things Considered celebrated folk singer Barbara Dane, "a versatile voice with a political purpose."  (Have you heard her songs, such as "I Hate the Capitalist System"?) Anchor Robert Siegel announced Dane passed "significant signposts," such as "She was the first white woman profiled by Ebony magazine. And she was the first U.S. performer to break the U.S. travel ban to Cuba." 

So MTV is holding a "townhall" for President Obama on Oct. 14, at 4 p.m. in Washington, D.C.

In this case, a town hall is short-hand for "an event where annoying questions are asked by unemployed hipsters with vintage t-shirts and edgy eyewear."

But a casting call has surfaced, and this is what it says:

Seeking-Audience Members: males & females, 18+. To ensure that the audience represents diverse interests and political views, include your name...and what issues, if any, you are interested in or passionate about. Also, provide a recent photo and short description of your political views.

So what's the point of this pre-screening process? Well, it serves three purposes:

Is there no end to the many talents of Lady Gaga, already recognized as the greatest Madonna impersonator of this century? Of course we all know her as a singer, musician, fashionista and female impersonator, but recently she has revealed herself as maven in two new areas: military expert and political advisor.

It started at the MTV Video Music Awards. That is ironic in itself since I think that MTV stopped being a music channel sometime in the 1990's. Ms. Gaga, (I don't know if "Lady" is a title or simply the first part of her pseudonym) appeared in a costume made of meat. When asked the meaning of her get-up by Ellen DeGeneres, she explained it wasn't a slam on vegans.  

"As you know, I am the most judgment-free human being on the earth," Gaga replied.  

Wow! Did the irony of that statement knock anyone else down into their La-Z-Boy? That might be the truest thing she has ever said. It wasn't too long ago that having judgment skills was considered a plus. Not anymore!

The pop-music world is turning into a caricature of shamelessness, childishness and even spoiled-brattiness. To get attention quickly, some pop stars will try absolutely anything. The soul singer Cee-Lo Green has a new album coming out. How's this for art: His first desperate single is titled "F—- You."

The shock value is already working. A video was posted Aug. 19, and within four days, it had grabbed 1.4 million views on YouTube — another sign that YouTube is not a safe website for children. On Aug. 23, YouTube began requiring visitors to sign in to view the video, saying it "may contain content that is inappropriate for some users." That's quite an understatement. But it's also meaningless: it's unrestricted on Cee-Lo's personal website. Clicking on his MySpace page brings the song up automatically.

The entire song is obscene. It's stuffed with 16 uses of the F-bomb in under four minutes, erupting on average once every 14 seconds. It also has 10 uses of the S-word, and even two uses of "nigga." (Don't tell Dr. Laura Schlessinger.)

Guthrie didn't become one of those warmongering neocons. He endorsed Ron Paul for president in early 2008. But Weingarten began with his marijuana-baked enthusiasm for hippiedom, which he clearly still loves dearly:

Like many middle-age people, I wear more than one hat. I'm a husband, a father, a journalist, a role model to a generation of idealistic young Americans, etc. But one of my favorite hats, the floppy felt one that still smells faintly of the sweet smoke of a controlled substance, is "former hippie." We children of the '60s tenaciously hold on to this self-image, even though our mirrors tell us that in terms of sheer hipness, we look more like Arlen Specter than Arlo Guthrie.

Editor's Note: The following was originally posted at Andrew Breitbart's Big Hollywood.

Seeing that George Soros and Sting are working together to “end the drug war” puts me in mind of a story an Army buddy who works in the DEA told me about busting in the door of a drug house only to find three occupants – the oldest four years old, having been left in charge while his “parents” went out to score meth.  Yeah, drug use is a victimless crime – if you ignore the victims.

Apparently not content to subsidize the whining of the nonentities at Media Matters, Soros is taking a break from his adventures in currency manipulation and general scuzziness to enlist entertainment celebrities like Sting in his newest quest.  The Drug Policy Alliance is the result, a group whose members, as its founder puts it, “come from across the drug use spectrum.”  Yes, the junkies, stoners, hopheads, dope fiends, pill-poppers, and Lindsay Lohan are unanimous:  Drug laws are bad, and it’s probably BusHitler’s fault.

In case you missed it, MRC’s Tim Graham had an article published on National Review Online titled "Song of Loss." Check it out. There’s a new pro-life song out in stores and on i-Tunes:

The popular all-girl Christian-rock trio BarlowGirl has a brand-new album out with a song about the emotional pain women frequently experience after an abortion. As much as musicians since the Sixties have been hallowed as sensitive souls with a unique vision to diagnose our societal ills, few in the music world have ever wanted to address this tough topic. The three Barlow sisters — Alyssa, Lauren, and Rebecca — worked on this song for two and a half years to try to get it just right.

Tim declared: "How refreshing it is for anyone in the music industry to bring a caring, lifelong perspective into an overnight, casual-sex world."

The baby boomers are trotting out the celebrations for the 40th anniversary of the "Summer of Love," complete with all that soggy and groggy Woodstock nostalgia. Perhaps the singular statement of that summer was the music and the open celebration of "free love."

All of which, believe it or not, is preferable to what is on the air this summer.

Start with the big hit "Birthday Sex," which brought quick fame (which is to say, infamy) to a singer named Jeremih. (Why must these people always celebrate illiteracy?) His basic lyric is "Don’t need candles and cake / Just need your body to make / Birthday sex." But Jeremih also elaborates about how he wants sex in the kitchen, on a waterbed, and so on. It’s an audio porn movie.

Interestingly, and sadly, few can be found to disapprove of foisting these "adult situations" lyrics on children. Radio station managers are, as a group, completely apathetic. But school administrators? The Chicago Public Schools enlisted their newly famous alumnus Jeremih in an online Twitter campaign to urge Chicago teens to go back to school this fall.

You know, liberals should be celebrating. Their man, The Won, is in the White House. They have control of both the House and the Senate, and legislation such as cap and trade and nationalized health care may well become reality - European socialism without having to leave the comfort of home. The Brave New World is on the way. Rejoice in mediocrity for all!

So why are they so grumpy? I suppose it’s because the idea that anyone might stray from the reservation is anathema to them, and this little thing in our Constitution called the First Amendment kind of gets in the way of collective happiness and singing Kumbaya around the campfire.

John “Cougar” Mellencamp is the latest to notice that not everyone is part of the collective, and he’s mighty peeved, making this observation about free speech in general and bloggers in particular:

 "When they're runnin' down my country [music], man, they're walkin' on the fightin' side of me."

Merle Haggard's most famous lyric could well be adapted to express the reaction country music fans may have upon reading Joe Heim's latest review in the June 30 Washington Post.

Heim's lead paragraph begins with a drive-by attack on the genre as a whole:

Country music has always had something of an image problem, particularly among people who fancy themselves as progressives. Immigrant-trashing, gay-bashing, race-baiting, women-hating songs aren't hard to find in the country catalogue. Heck, sometimes you can find them all on a single album. 

Heim set forward this straw man in order to more effusively praise country artist Brad Paisley as a "forward-thinking" artist in the vein of say the Bush-bashing "Dixie Chicks" for his latest album, "American Saturday Night" which "celebrates cultural diversity, lionizes women, stirringly welcomes a black president and, for good measure, whoops it up about drinkin' and fishin.'"

In a classic example of a dog-bites-man non-story, the Associated Press is dutifully furthering the "censorship" whine of a rock band that laments that Wal-Mart won't stock its new album, "21st Century Breakdown."

Today, Associated Press music writer Nekesa Mumbi Moody hacked out 13 paragraphs to relay how "Green Day lashes out at Wal-Mart policy."

Of course the discount retailer's standards for music fit for its shelves are hardly new nor are they being applied out of the blue to the rockers. Nonetheless, Moody stacked the deck by quoting two of the band's three members against one Wal-Mart executive.

The big problem with renewable energy is that it just doesn’t renew itself. The sun does not shine enough and the wind doesn’t blow enough to power the towns, cities, factories, hospitals and schools that make our lives so livable. No environmentalist would ever allow their child to be treated in a hospital fully powered by “renewables”. They would not take the risk that the wind might stop whilst their baby was on the operating table. They would insist that the hospital and the life support systems had a fossil fuel powered back-up.

And so it is with “sustainable development”. It just isn’t sustainable. At least it does not sustain a lifestyle that those who promote it would consider acceptable for themselves. But of course that is the key. Renewable energy and sustainable development are for “other people”. Even though environmentalists come from societies and very often families that became rich because of their use of non-renewable energy and unsustainable development they will not allow these opportunities to be extended to the poor in the developing world.

Environmentalists come from wealthy societies and families who cut down forests and burned coal and oil to make their families and societies healthy and prosperous. But, nowadays, for the poor in Africa and Asia and even middle America their path out of poverty must be “sustainable.” No fossil fuels or factories for them. But what this really means is sustainable poverty. It is a system that condemns people to a lifetime of drudgery and subsistence farming because modernity and industrialisation is “unsustainable.”

Which brings me to Bono, the lead singer of rock band U2 and more lately a campaigner for sustainable development in Africa, Asia and south America.

I confess I love popping all over the iTunes Store. On the home page today, they were plugging a new single by Jordin Sparks, a recent American Idol. Click through to that, and they're featuring an "i-Tunes Essentials" playlist called "Hope & Change."

For the iPod-less, there are many playlists that are created by users, but the "Essentials" lists are made by Apple. It says it was posted April 28, but sounds like it was posted January 20. See the goopy Obama-loving text that came with the songs:

Welcome to the beginning of a new era in the U.S. – Barack Obama's history-making win is really a victory for all those who keep the faith and firmly believe that people have the power to make a change. John Lennon was one of rock ‘n' roll's most determined dreamers, and the better world he dared to "Imagine" may finally be within our grasp. ["Imagine there's no Heaven," and Obama makes it happen?]

If you're a country music fan you might be advised to avoid reading the Washington Post Style section when its writers tackle country music. It might make you want to put your boot up the critic's posterior.

The latest nuisance is J. Freedom du Lac's analysis of why country music radio is so chock full of songs about small town America. To you and me, the answer might be obvious, but du Lac set out to paint the trend as "divisive" and reactionary. In this excerpt, du Lac sets out to discredit the professional opinion of a D.C.-area country music station programmer:

Says Meg Stevens, the WMZQ program director: "It's a global theme: Wherever you're from, that's your place. You see what's happening with the economy and what's going on in the world, and people are getting in closer to their roots and their community, whether you're from rural Virginia or downtown D.C."

But the Atkins song and others of its ilk -- from Jason Aldean's "Hicktown" and Miranda Lambert's "Famous in a Small Town" to Zac Brown Band's "Chicken Fried" and Josh Turner's "Way Down South" -- are narrowcasting to a specific community: the core country audience, whose roots aren't exactly in America's urban centers.

The symbolism and prideful sentiments of the songs are intended to create a sense of belonging among people with similar backgrounds and lifestyles, or at least people who romanticize life in the rural South. (It's not a place; it's a state of mind.) To some listeners, though, it might sound as if the artists are closing ranks.

Nobody wants to be mocked.  And if you’re a rock star, surrounded by sycophants for the better part of 35 years, it must be especially hard to deal with being mocked.  It makes sense, then, that Don Henley does not like the parody of his song “Boys of Summer,” penned by Chuck DeVore, a Republican candidate for the U.S. Senate, and Justin Hart, his advisor.  But Henley’s copyright-infringement lawsuit is far bigger than one rock star or his feelings.  Henley’s lawsuit undermines the First Amendment right to speak freely. 

Don Henley makes no effort to hide his political leanings.  In addition to performing at scores of fundraisers, Henley has given about $750,000 to partisan, liberal causes, including $10,000 to Barack Obama and $9,000 to DeVore’s soon-to-be opponent, Barbara Boxer.  Henley also exploits his music to advance a liberal, political agenda. 

Barack Obama’s inauguration was an enormous magnet for the stars of stage, screen, TV, and the radio, the celebrity-stuffed culmination of the goals of the Sixties civil rights movement. Some of the most prominent stars were black musicians. This is an opportunity to raise the question: Whither goest black popular culture, especially hip-hop music, under the new president?

1. Will the Obama presidency drain the swamp of hip-hop hate? Can he remake the dividers into uniters? On Tuesday night, the rapper Jay-Z performed on the ABC Inaugural ball special in a tux and nerdy glasses, toning down the thug-rap with a song called "History." ABC didn’t have to bleep a single word, even if the older demographics in the audience were still wondering why this is called music. Wouldn’t it be wonderful if the pendulum of rap music swung away from glorifying the "thug life" of drug dealers, pimps, and gangsters? With a black man in the White House, could rappers be less pessimistic about authority? When talking about The Man, there is no more powerful man in Washington than the black man just sworn in as our 44th president.

On PBS's Web site today, ombudsman Michael Getler writes of complaints over an incident during last Sunday's pledge drive.  He describes the cheap shot taken by actor Mike Farrell against vice presidential candidate Sarah Palin:

According to Joseph Campbell, vice president of fundraising programs, here's what happened:

 On CNN's American Morning today, White House correspondent Suzanne Malveaux reported on Barack Obama's campaigning in Virginia.  Afterwards, anchor Kiran Chetry had a question:

CHETRY: All right. And Suzanne, what's on tap for the campaign today? And please tell me it's not lipstick again.

MALVEAUX: Let's hope not. He's going to be in Norfolk, Virginia. That is in southeast Virginia, and it's home to the world's largest Naval base. It's one of the most competitive areas that the Democrats and Republicans are fighting over. It's a critical piece of property, piece of land there with folks in Virginia, and they want those voters.

Read it and weep, Dixie Chicks. Shove it Bruce Springsteen. Put a sock in it Johnny Cougar Mellencamp. Because, in a refreshing change of pace for the entertainment industry, Kid Rock is telling CMT Insider via People Magazine that entertainers should stay quiet on matters political.

How many times have you seen the uninformed blather of some goof from Hollywood, or some crank from the music industry filling your TV screen or oozing from your radio? How many low brow maestros have had your eyes rolling when they imagine themselves to have some prescient insight into matters of politics? Apparently rock singer Kid Rock is signing onto your piquancy because he has said that singers should just shut up about politics.

As the city of Denver prepares for this week's Democratic convention, numerous Hollywood celebs are planning to attend in support of Barack Obama and to advocate for pet issues. Gushes Variety,

When Barack Obama accepts the nomination before some 75,000 people at a Denver stadium on Thursday, he'll be surrounded by a contingent of average Americans from all walks of life --- just not Hollywood performers, musicians and other famous figures who have so publicly championed his candidacy.

So what, exactly, will be the role of celebrity during the week of the Democratic National Convention?

UPDATED with video at end of post.

n case you missed it with the Olympics going on, Russia invading Georgia, and the campaign for president in full swing, pop star Madonna started her much-awaited tour in Wales Saturday.

Amidst the requisite autoerotic writhing and gyrating, Madonna managed to bash John McCain -- actually equating him to Adolf Hitler and Robert Mugabe! -- while comparing Barack Obama to Mahatma Gandhi.

I kid you not.

As reported by the Associated Press Saturday (emphasis added, photo courtesy Getty Images, h/t RightPundits via Marc Morano):