A Christian can be crushed gazing at the picture of Mary standing at the foot of the cross, watching her beloved son suffocate, and die. But in that vision she stands there for hours, patiently enduring her suffering. For two millennia, she has been a role model for Christians, a woman who practiced obedience in the most difficult of human circumstances, with fervent hope for what this sacrifice will offer all mankind as it struggles with sin.
This is why it seems so hard to reflect that vision of patience when black-hearted “artists” practice character assassination on the Blessed Virgin Mary to strip her of every virtue: her patience, her obedience, her courageous love, and her prayerful faith in God. On November 13, Simon & Schuster launched a vicious little 96-page novella titled “The Testament of Mary.”
"To passerby" the Occupy D.C. protest at McPherson Square "is a jumble of tents and blue tarps," but to the Washington Post's Philip Kennicott, the Occupiers "have 'activated' the urban core," with "a living exercise in do-it-yourself (or DIY) urbanism, a trendy movement that strives to engage ordinary people in a hands-on approach to shaping and claiming public space."
And that's just the tip of the iceberg as Kennicott and his comrades commandeered 3.5 pages of the Style section to puff up the left-wing squatters' camp.
"[F]or all its satanic fanfare and heretical rejiggering, 'The Good Man Jesus and the Scoundrel Christ' is -- God forbid -- kind of inspiring," Washington Post book reviewer Ron Charles proclaimed in today's review of the latest novel by avowed atheist Philip Pullman.
Charles began by suggesting that Pullman's publication was a veritable act of courage -- "if you fiddle with Jesus, people begin collecting dry sticks" the book review quipped. That may have gotten chuckles in the newsroom, but it's not all that amusing when you consider that it's radical Muslims, not devout Catholics or evangelical Protestants, who have threatened edgy taboo-shattering atheists like the creators of South Park.
Of course, attacking orthodox Christianity is always in season among the secular literary elite as well as their friends in the mainstream media. Charles himself cheered on Pullman's fictional take on Christ by equating it somewhat agreeably with the strain of liberal Christianity that has for centuries attacked such central elements of orthodoxy as Jesus's divinity and virgin birth, his miraculous earthly ministry, and his bodily resurrection from the tomb:
Of course the encounter in question is that of literary critic Mary Gordon, a "liberal, feminist intellectual" who happens to be Catholic, is not a trained scriptural scholar, and admits to having "never actually read the full Gospel" prior to undertaking her "Reading Jesus" project.
"But off she goes anyhow, girded only by her considerable intelligence and disarming sincerity, determined to look squarely at the Gospels, how she reads them and how she maintains what she calls her 'hopeful faith,'" Charles notes approvingly, adding that Gordon's professed disinterest in converting readers or making doctrinal claims is: