Director Oliver Stone belittled the Holocaust during a shocking interview with the Sunday Times today, claiming that America's focus on the Jewish massacre was a product of the "Jewish domination of the media."
The director also defended Hitler and Iranian President Mahmoud Ahmadinejad, and railed against the "powerful lobby" of Jews in America.
Stone said that his upcoming Showtime documentary series "Secret History of America," seeks to put Hitler and Communist dictator Joseph Stalin "in context."
"Hitler was a Frankenstein but there was also a Dr Frankenstein. German industrialists, the Americans and the British. He had a lot of support," Stone told reporter Camilla Long during the interview, which can be found behind the paywall on the Sunday Times' website.
Oliver Stone shocked many when his movie “World Trade Center” was released in 2006. It was a masterpiece, a meditation on two firemen trapped in a darkened tomb of broken concrete, twisted metal and shattered glass. They had rushed headlong into the collapsing skyscrapers, only to be buried alive. So many of their colleagues died, but in the end these heroes were located by searchers and rescued.
Stone maintained it wasn’t a political movie, and for the most part, it wasn’t. It was a personal story. But this movie was also a gift to our country, a reminder not to forget this dark day’s victims and its heroes. It was only political in that it was patriotic. It reminded us all across our country of how our fellow Americans in Washington, New York and Pennsylvania were mercilessly murdered. It came closest to politics (or patriotism) when the firemen were found by a man who vowed to join the War on Terror. Sadly, that was but a brief hiccup in Stone’s career, a befuddling, out-of-character career move. In most of his movies, Oliver Stone is clearly not a fan of America, both her leaders and her policies. Think “Born on the Fourth of July,” “Platoon,” “JFK,” “Nixon” and “W.”
Now he is promoting a new documentary called “South of the Border,” which debuted June 25. Its philosophy is illustrated by the poster: The American eagle’s talon is pierced by a large thorn coming out of a blood-red South America. It’s no overstatement to say Stone deeply adores the trend of Yanqui-bashing leftists coming to power, from Hugo Chavez in Venezuela to Evo Morales in Bolivia to Lula da Silva in Brazil.
Liberal director Oliver Stone revealed his anti-American bent on Monday's Good Morning America, praising the rise of mainly left-wing leaders across South America and even went so far to support Brazilian President Lula da Silva for "trying to strike to deal with Iran," wildly predicting "it's going to be like North Vietnam again" if the U.S. pursued sanctions against the country.
Anchor George Stephanopoulos interviewed the Oscar-winning director 44 minutes into the 8 am Eastern hour. Stephanopoulos referenced how Stone has "tackled war, Wall Street, and the Kennedy assassination" and is now "taking on South America. He says our neighbors to the south haven't gotten a fair shake from the American media, and, armed with a camera, he's set out on a road trip to try to change that."
Before asking about Chavez, Stephanopoulos played a clip from Stone's documentary "South of the Border," which included a sound bite from CNN's John Roberts that gave the impression that the anchor was condemning the Venezuelan leader: "He's more dangerous than Bin Laden, and the effects of Chavez, his war against America, could eclipse those of 9/11."
Actually, Roberts, in the January 15, 2009 segment from his American Morning program, actually was reading a quote from a book by his guest, Doug Schoen: "Right off the bat, in the very front of the book, you quote Otto Reich, who was the former ambassador to Venezuela back in the 1980s, as saying that he's more dangerous than bin Laden and the effects of Chavez, his war against America could eclipse those of 9/11."
The Venezuelan people are forced to suffer through a marathon of Hugo Chavez appearances on their own television sets. Anything less than total adoration of the weekly host of "Aló Presidente" is severely punished. So with all this unwanted overexposure to the overbearing El Jefe, is it any wonder that Venezuelans are somewhat less than enthusiastic about shelling out their money to watch yet more homage paid to Chavez by filmmaker Oliver Stone in the form of his documentary, South of the Border? As Variety reports, the latest Stone film has turned into a complete bomb in Chavez's own economically troubled country:
Despite a PR and marketing blitz that had Oliver Stone on a whirlwind tour of Latin America, his latest documentary "South of the Border" has sunk like a rock at the Venezuelan box office.
Local observers in Venezuela have reported empty cinemas, indicating a stunning indifference to Stone's pic, a documentary about South American leaders that devotes a hefty amount of screen time to the country's President Hugo Chavez. In the 12 days after its June 4 debut, it grossed only $18,601 on 20 screens, according to Global Rentrak. Showings on mobile screens in rural areas (where Chavez has more popular support) have attracted crowds, but these screenings are free.
The liberal media's adoration for leftist dictators certainly knows no bounds.
Such was immediately apparent in filmmaker Oliver Stone's love letter to Venezuelan despot Hugo Chavez published by the Huffington Post Friday.
The article also shamelessly doubled as an advertisement for Stone's documentary "South of the Border."
With this in mind, all quotes have been safely placed after the teaser to limit the gastrointestinal distress to readers that may have eaten breakfast, lunch or dinner prior to reviewing this piece (video of "South of the Border" trailer also follows with commentary):
Oliver Stone's latest attack on American capitalism - "Wall Street: Money Never Sleeps" is finally hitting theaters April 2010, twenty-three years after its predecessor. According to Michael Lewis, who interviewed the moviemaker for his latest Vanity Fair piece, Stone's biggest problem with the sequel was making a movie based on helplessly diabolical bankers, actually watchable.
Lewis wrote that Stone - an ardent left-wing ideologue, friendly acquaintance to Fidel Castro and Hugo Chavez, a moral relativist concerning Hitler and Stalin, and director of "W" and "Platoon" - felt an obligation to reverse the societal damage and unintended consequences of the first installment.
"As a vehicle of change ... the movie was a catastrophe," Lewis wrote. It apparently inspired, rather than deterred, a generation of young men to enter the field and become the next Gordon Gekko (the "diabolical money manager" played by Michael Douglas).
There has been a substantial push lately by some of Hollywood's big names to reeducate Americans on world history. The leftist-dominated television and film industries have taken it upon themselves to promote histories of the United States and its role in the world that portrays it as an evil, occasionally colonial, always destructive force in global relations.
The latest such effort is being undertaken by director Oliver Stone, well known for his loving portrayal of Venezuela's Marxist dictator Hugo Chavez and derisive portrayal of our previous president in "W". Now Stone has set his sights on Adolf Hitler and Joseph Stalin. He plans to "liberalize" America's thinking regarding two of the 20th century's most murderous dictators by putting them "in context", whatever that means (h/t Hot Air headlines).
"We can't judge people as only bad or good," Stone said at the Television Critics Association's press tour, referring to two dictators who--unless this writer's understanding of history is not sufficiently "liberalized"--are responsible, in Hitler's case, for the extermination of 6 million Jews and 3 million others in killing camps during World War II, and in Stalin's, for the murders of 20 million individuals in Russia and Soviet-occupied Europe.
It seems, Stone's claims notwithstanding, that one is historically justified in classifying these two particular dictators as "bad".
In today’s L.A. Times director Oliver Stone discusses his upcoming documentary “South of the Border,” about the “warmhearted” Hugo Chavez. [emphasis added]:
Oliver Stone is shown warmly embracing Hugo Chávez, nibbling coca leaves with Evo Morales and gently teasing Cristina Elizabeth Fernández de Kirchner about how many pairs of shoes she owns. …
“I think he’s an extremely dynamic and charismatic figure. He’s open and warmhearted and big, and a fascinating character,” … ”But when I go back to the States I keep hearing these horror stories about ‘dictator,’ ‘bad guy,’ ‘menace to American society.’ I think the project started as something about the American media demonizing Latin leaders.
Guys like Stone are forced to rationalize that the American media is right-leaning in order to avoid their head exploding due to an acute case of FacingTheTruth-itosis. But maybe the doc will be more critical than we’re led to believe in this article. During their warm embrace, it’s possible Stone whispered hard-hitting questions in Hugo’s ear about reports such as this from the not-so-conservative Human Rights Watch.
Many years ago, when Bill Maher’s comedy show was hosted by Comedy Central and he was funny, his formula for success was truly unique. Every week two sets of political and/or cultural opposites were pitted against each other, and he refereed with humor. It was all designed for a good laugh and succeeded because once upon a time Bill Maher was truly funny.
Some producer really thought in extremes when they pitted Oliver Stone and Brent Bozell for one episode. I have to say that you were gracious, charming, engaging, and we enjoyed ourselves – except for that moment when I chastised you for claiming you’re an historian. You bristled and denied ever claming that moniker. I cited the source, an interview in some West Coast paper (I can’t recall which one now). “I’m a filmmaker, that’s all,” you told me.
Film producer/director Oliver Stone, a far-left promoter of conspiracies who is working on a sequel to his 1987 'Wall Street' movie, declared on Friday night's edition of HBO's Real Time with Bill Maher that “Reagan was a dumb son of a bitch” and “I really think George W is dumber” and so, after producing movies on the CIA conspiracy to murder President Kennedy and a dark look at President Nixon, he won't create a movie on Ronald Reagan because “by doing the W movie I kind of put all my efforts behind dumbness.”
Stone, who earlier in the pre-taped show made up of three one-on-one interviews Maher conducted (other two were with Cameron Diaz and Billy Bob Thornton) characterized President Obama as no better than Bush (“a sneak Bush administration with different words”), also asserted: “I do think Nixon is the father of Reagan and I think Reagan's the father of Bush. There's sort of a very strong line.” Whatever that means.
How does a liberal, America-hating movie director follow-up a hit-piece on a sitting United States president?
With an adoring documentary about one of our nation's greatest enemies of course.
I mean, what else should Oliver Stone create as an encore for his box office failure "W" but a love letter to America-hating tyrant Hugo Chavez (as reported by Variety, h/t NBer Wilbur747, picture courtesy Variety):
``W.'' distributor Lions Gate Entertainment Corp. is betting the movie can break a box-office drought for political films. None of the five released in the weeks ahead of the Nov. 4 election has brought in more than half of the $55.3 million in sales generated by Walt Disney Co.'s ``Beverly Hills Chihuahua,'' the current box-office champ, since Oct. 3.
``A lot of eyes are on `W.,''' said Gitesh Pandya, editor of New York-based Box Office Guru LLC. ``There's certainly a lot of interest in it from the right and the left.'' The film ``has a shot at finding box-office success,'' he said.
The movie, which opens tomorrow, may take in about $34 million in its first four weeks in U.S. and Canadian theaters, according to Los Angeles-based Cantor Fitzgerald LP's HSX Research, which tracks film performance.
An Arkansas TV reporter that had a bit part in Oliver Stone's movie "W" was found beaten unconscious in her Little Rock home on October 20 and in its report on the crime the Associated Press seemed to decide that she was beaten merely because she had appeared in the movie though this impression the AP seems to have is not supported by the police. One wonders why the AP decided to spend almost half its story focusing on her movie role when reporting this crime? Is the AP trying to say her connection with George W. Bush got her attacked? It sure seems like the AP is seized by another bout of Bush Derangement Syndrome with its unnecessary emphasis on this reporter's film role.
The APs obsession with the victim's movie role was odd, indeed. Even in its first few lines the AP ties KATV anchor Ann Pressly to her movie work saying in its first sentence that she "had a small part in the Bush biopic 'W.'" The AP takes pains to point out that in the movie, Pressly "speaks favorably of President Bush's 'Mission Accomplished' event on an aircraft carrier shortly after the start of the Iraq war." The report speaks about how she won the role in the film and then adds this odd sentence:
Entertainment Weekly's Joshua Rich reported on the weekend's box office returns for the latest releases on October 19 to let us all in on Hollywood's successes and failures, because, you know, Hollywood is important and all. We find that the Chihuahua movie is still going like gangbusters ($70 million in three weeks) and the horrid movie "Max Payne" led the weekend's receipts with $18 million. Oliver Stone's slamfest "W," though, earned a disappointing fourth place on its debut weekend.
So, what was EW's excuse for this disappointing finish? According to Rich, "W" is failing at the box office because of "tough economic times.” It’s curious, though, that people have spent $70 million on the Chihuahua movie in these same "tough economic times" -- and let us not forget that the latest Batman movie has made over $300 million. Still, the excuse for the fourth place finish for Stone's pseudo-biopic is "tough economic times," just the same.
But, Rich’s excuse is a claim that even Entertainment Weekly itself has recently disputed, at least as far as the box office goes. Only a few weeks ago, the weekend that right-wing comedy "An American Carol" debuted, the same Box Office Report column said that the "economy may be tanking, but the box office remains healthy, with probably the only year-on-year metric that's seen an uptick."
The film critic -- who gave the film just one and a half stars -- cracked that the script sounded like recycled Maureen Dowd cartoons and scoffed at the "uneven pleasure" of seeing "first-rate" actors portraying political figures they "don't respect" (emphases mine):
Its shortcomings are remarkably similar to those of its major characters. Near the beginning, Donald Rumsfeld ( Scott Glenn) proclaims that he doesn't do "nuance." Neither, alas, does Stone.
The "Today" show has yet to promote the conservative satire An American Carol, that spoofs Michael Moore but they did find time to invite on Josh Brolin to plug Oliver Stone’s George W. Bush biopicW. on Tuesday's show. Co-anchor Matt Lauer interviewed Brolin, who plays the title character, and noted critics were expecting "a political hatchet job" of the President, to which Brolin, defended Stone as he claimed the controversy surrounding the director of such factually murky films like JFK and Nixon, was "hogwash."
However Brolin admitted that one of the reasons Stone tabbed him to play Dubya was because there was something sort of "mean" about the actor. And in describing how he perfected his Bush impression Brolin observed there was an "apish quality," about the 43rd president.
The following is the full segment as it occurred on the October 14, "Today" show:
As part of the promotion of his new Bush-bashing drama ‘W,’ director Oliver Stone appeared on Tuesday’s CBS Early Show and co-host Harry Smith gushed: "And there are so many interesting portrayals in this, we don't have time to go into them all...Stunning, stunning, stunning ...Phenomenal, phenomenal stuff." Smith even suggested that some people saw the movie as sympathetic to Bush, though not Smith himself: "People -- I was in a screening of this movie just yesterday. This person was walking out, 'my gosh it seemed so sympathetic.' I didn't feel that way, but your hearing that yourself I'm sure."
In response, Stone replied:
I hear it but I think there's a confusion between sympathy and empathy. Empathy means understanding, and as a dramatist it's my job to understand, to walk in the shoes of George W. Bush as best as I can...Sympathize, no. I do think he's hurt this country. I'm a Vietnam veteran. We should not have gone into the Iraq war. We were in three wars, not only Afghanistan and Iraq, but really the war on terror is a major war. You know, we've had an economic meltdown because of it, partly because of the overreach. And this country is in a very dire place and I'm not happy about it...But, you know, people voted for him.
Liberal director and conspiracy theory-loving Oliver Stone was actually "fair" to President George W. Bush in his new film "W." Indeed, Stone is practically a "historian" when it comes to chronicling the life of the nation's 43rd president, that is if you ask Newsweek's Alan Brinkley. Of course when measured up against his prior films about American presidents, it's probably not that high a bar to clear.
From his October 11 movie review, "From Man to Mockery, and Back Again":
Through most of the undistinguished history of films about American presidents, concern for truth has been in short supply.
Oliver Stone, whose new film, "W.," is his third examination of a modern president, has aspired to be different.
Oh, it gets better. You see, "W." is "sunny and sympathetic":
President George W. Bush is choking on a pretzel in the White House and falls from a sofa. Saddam Hussein is there with him. Later Bush flies on a magic carpet over Baghdad as he bombs the city. Eventually Saddam returns to the White House to scream insults at him. These were actual sequences that were originally in Oliver Stone's 'W.' movie which is opening this Friday. However, since they were finally cut from the movie, Stone is now patting himself on his back for his forbearance.
While he told EW “he had to speculate” about dialogue, “Stone insist[ed] that every scene in 'W' will be rooted in truth.” Instead, the movie is a hodge podge of supposed eyewitness accounts, third-hand gossip and fantastical guesswork mixed with “awkward and goofy” caricatures. EW pointed out that “some accounts” “may have come from disgruntled former staffers.”
If the left frothed over ABC's “Path to 9/11” and the media criticized “its invented scenes, fabricated dialogue and unsubstantiated accounts,” then surely they'll immediately knock Stone for these scenes that could come directly from Will Farrell's old “Saturday Night Live” Bush skits (all bold mine):
There's a scene of 26-year-old Bush peeling his car to a stop on his parents' front lawn and drunkenly hurling insults at his father (''Thank you, Mr. Perfect. Mr. War Hero. Mr. F---ing-God-Almighty!''), while another scene set a few years later finds Bush nearly crashing a small plane while flying under the influence.
These people never learn. Other than some diehard BDS sufferers, who in their right mind is going to pay to see an Oliver Stone depiction of George W. Bush? Fair or not, the president suffers from low poll numbers and we've heard for some time that America suffers from Bush fatigue, so it's curious why any studio would greenlight such a project and begin filming while he's still in office.
Hollywood apparently has learned nothing with the seemingly endless string of antiwar flicks bombing, so now we'll get the moonbat look at Bush. One can only imagine how Dick Cheney, Donaly Rumsfeld and the nefarious cabal of neocons will be portrayed.
Bush has been the most scrutinized president in modern times thanks to the explosion of the blogosphere, so it's not as if Stone would be able to shed any new light on his life or presidency. You can be sure, however, he will be taking creative license.