Tonight, viewers of CBS-owned Showtime will be treated to the ninth of ten installments of Oliver Stone’s Untold History of the United States, which has attacked U.S. leaders – from FDR to Ronald Reagan – from the far-left while hailing the virtues of communists.
Last Monday’s installment, on Carter and Reagan, offered a representative sampling of Stone’s worldview, an hour which included displaying a woman holding the Media Research Center’s “Don’t Believe the Liberal Media” placard as he fretted over how President Reagan “enabled the growth of a right-wing media empire” which has “dramatically lower the standards of American political discourse and, in general, doom prospects for progressive change.”
Out of all the guests to talk Hugo Chavez's illness, CNN brought on Chavez-fan Oliver Stone on Friday. Stone lauded him as "magnanimous, warm, warm man, big man."
Anchor Suzanne Malveaux actually played clips of Stone's documentary involving Chavez, which Time magazine called a "love story" for the dictator. Yes, this is the same network whose founder said he trusted the North Koreans and defended Kim Jong Il. [Video below the break. Audio here.]
During a eight minute interview, Tuesday's CBS This Morning helped left-wing radical Oliver Stone promote his latest project - a revisionist documentary and book on World War II and the beginning of the Cold War that credits the Soviet Union for winning World War II and indicting the United States for its supposed "history of aggression."
Anchor Charlie Rose omitted a key part of the New York Times critique of Stone's project when he noted that the liberal newspaper "called your series 'a ten-part indictment of the United States that doesn't pretend to be even-handed'." Reviewer Alessandra Stanley had also charged that the documentary "sounds almost like a parody, a sendup of that filmmaker's love of bombast and right-wing conspiracy." The leftist director flatly denied he wasn't being even-handed. [audio clips available here; video below the jump]
It's hard to imagine a major newspaper according Style section coverage to a 10-part documentary that was the brainchild of a conservative filmmaker with a penchant for conspiracy theories. But a left-winger, that's a different story. The Washington Post's Ann Hornaday today gave readers of the paper a 12-paragraph puff piece about "Oliver Stone's Untold History of the United States" which premieres tonight at 8 p.m. Eastern on Showtime and focuses considerable attention on FDR's vice president Henry Wallace, a socialist who, had he been re-nominated in 1944 instead of Harry Truman, would have succeeded to the presidency in 1945 upon Roosevelt's death.
"Untold History" is a 10-hour-long documentary grounded "in indisputable fact," Hornaday assures readers, noting that Stone's collaborator in the project is an American University professor, Peter Kuznick.
Tonight, CBS-owned Showtime will debut a ten-part series: Oliver Stone’s Untold History of the United States. Ronald Radosh, in last week’s Weekly Standard, determined it offers “not an untold story, but the all-too-familiar Communist and Soviet line on America’s past as it developed in the early years of the Cold War.”
What is it with Hollywood personalities going to Venezuela and being swept off their feet by the thuggish dictator Hugo Chávez. They come back with these stories claiming he is just misconstrued by the media and that he’s really a great guy.
“I was telling – my two most interesting interviews I think I’ve ever done are Milton Friedman, very influential on me, and also Hugo Chávez, because when I interviewed him I was struck by how much I like him,” she explained. “He’s very funny. He is so charming. He is smooth. He could be a stand-up comedian. He is a seductor, as I suspect most dictators are – that’s how they get to where they are.”
Is Palin bashing a pre-requisite for an appearance on the new Parker-Spitzer show? Aaron Sorkin referred to Palin as an ‘idiot' and ‘jaw-droppingly incompetent' on Monday's show. And now, Tuesday's show featured Oliver Stone calling Palin a ‘moron'.
Kathleen Parker asks Stone about the prospect of making a movie about Sarah Palin, and he uses this as a launching point for a PDS rant.
Parker: Can you see making a movie about Sarah Palin? Is she movie fodder? I would think ...
Stone: It's a bad idea because I think you're already empowering her. She's a moron in my opinion. She doesn't say anything.
He wasn't nearly content to rest on those insults however (clip below)...
Oliver Stone is discovering one of the many joys of capitalism: without it, he would never be able to make such flashy, well-produced films bashing capitalism!
Stone's latest film, "Wall Street: Money Never Sleeps", may have replaced Charlie Sheen, star of the original, with a younger Shia LaBeouf, but it's still as hypocritically anti-capitalist as the original.
According to the Hollywood Reporter, "Money Never Sleeps" would not have been able to muster a sufficient budget without massive product placement campaigns. The film benefitted "enormously" from the advertising technique, Stone admitted (h/t Big Hollywood headlines).
Oliver Stone may strike most people as pretty radical, but not to people at The New York Times. Business columnist Joseph Nocera panned Stone's new movie Wall Street: Money Never Sleeps in a piece headlined "When Did Gekko Get So Toothless?" Stone failed to "eviscerate the folks responsible" for the credit crisis -- and Nocera might mean actually removing their viscera, like in a slasher flick:
There is something a little incongruous about hearing Oliver Stone, the left-leaning, blunt-talking film director, dropping arcane Wall Street terms like "credit default swaps" and "collateralized debt obligations." But that’s just what he was doing a few weeks ago when trying to explain why his new movie, “Wall Street: Money Never Sleeps,” was not the fictionalized version of the financial crisis of 2008 I had expected.
"Greed, for lack of a better word, is good." That was the defining line of Oliver Stone's 1987 film "Wall Street," and his attack on the financial system that the news media would use for decades to portray businessmen as villains.
The theme Stone wants viewers to take away from his sequel, "Wall Street: Money Never Sleeps," was tucked away in the credits of his film on a greenback. "In Greed We Trust," the bill proclaimed where the words "In God We Trust" should have been.
"Money Never Sleeps," which opens in theaters Sept. 24, uses the financial crisis of 2008 as a backdrop for the comeback of Gordon Gekko, the iconic villain of the original. This time Gekko reinvents himself as a changed man, coming back bearish on housing and speculation.
In a business school lecture Gekko warns, "The mother of all evils is speculation -- leveraged debt." He claims the economy is merely moving money around in circles and the business model itself is like a "cancer."
Appearing as a guest on Tuesday’s Joy Behar Show on HLN, film maker Oliver Stone charged that former Vice President Dick Cheney was "a very dangerous man" and "as much of a threat to the idea of America using nuclear weapons as anybody," inspiring Behar to respond, "I agree with you," and charged that Sarah Palin in the White House would be "even worse than Mr. Bush Jr."
He asserted that "I think she's not going to appeal to people who think at all," and, after Behar suggested that most Americans may not think, he added, "Well, if that's the case then America deserves their leaders the way they pick them." He later sought a silver lining in Palin getting elected President: "If they're there, maybe we'll learn our lesson. If we didn't learn it from Bush Jr., we're never going to learn it."
Stone ended up invoking racist and xenophobic movements like the Ku Klux Klan and Know Nothings, presumably linking them to conservative critics of President Obama. Stone: "We have parties of Know Nothings for all our tradition. It goes way back, all kinds of rebellions. In 1923 in Washington, I believe, like, 100,000 Ku Klux Klan people dressed in white sheets walked down main street in Washington D.C., 100,000. The Ku Klux Klan was popular after World War I. That's in the heart of the country with white sheets, right, on horses. That's why the Birth of the Nation was such a popular film."
If you believed the media, you would think that hate crimes against Muslims was a growing epidemic in America.
Just Monday, the New York Times had a front page story hysterically noting a "torrent of anti-Muslim sentiments and a spate of vandalism."
"The knifing of a Muslim cab driver in New York City has also alarmed many American Muslims," wrote Laurie Goodstein in the second paragraph of her article titled "American Muslims Ask, Will We Ever Belong?"
Unfortunately, as Michael Doyle reported on August 28, the most recent data concerning hate crimes in this country paint a very different picture than what Goodstein and others in the media have been dishonestly portraying of late:
It never ceases to amaze that Oliver Stone thinks Ronald Reagan was a dunce. When it comes to judging iron-fisted dictators and anti-American despots, Oliver Stone is the intellectually incurious simpleton. He thinks Reagan was stupid because he clung to an all-encompassing ideology. But so does Stone. He thinks every evil in the world came from corporations, especially American corporations, including those he uses to make himself millions.
How else would you explain the (new) mess Stone (again) has made as he prepares a 10-part documentary for Showtime on "The Secret History of America," including evaluations of Adolf Hitler and Joseph Stalin. In an interview with the Sunday Times of London, Stone declared Hitler was a monster, but he was apparently still America's fault: "Hitler was a Frankenstein but there was also a Doctor Frankenstein," Stone said. "German industrialists, the Americans and the British. He had a lot of support."
Hollywood director Oliver Stone - who previously tried to rewrite history with his ultra-left conspiracy work of fiction "JFK" is at it again. But this time he's not accusing the American government of murdering its own president.
Instead, he's simply trying to stop the "Jewish domination of the media," so that the film industry can put Nazi leader Adolf Hitler "in context," as an "easy scapegoat," and "a product of a series of actions," in his upcoming 10-hour Showtime docudrama, "The Secret History of America."
This past weekend Stone told the Sunday Times in England: "We can't judge people as only bad or good . . . Hitler was a Frankenstein, but there was also a Dr. Frankenstein. German industrialists, the Americans and the British. He had a lot of support."
Patrick Goldstein and much of the butt-boy entertainment media have either outright ignored director Oliver Stone’s anti-Semitic comments or have dug a deeper hole for their credibility in attempting to explain why they shouldn’t have to hold their favorite anti-American director to the same standard as the director of the “The Passion of the Christ” after his 2006 incident. Unfortunately for them, this ploy might not be working. According to some excellent reporting in The Wrap, media mogul and Clinton confidante Haim Saban is showing some moral consistency, and he’s claiming that WME Chairman Ari Emanuel is as well.
Like the Anti-Defamation League, Saban is far from satisfied with Stone’s “clumsy association with the Holocaust” apology, calling it “sooooo transparently fake.” And as a money-where-his-mouth-is supporter of Israel, my guess is that Saban’s taking issue with all this crazy talk coming from Stone about how his January miniseries will prove Hitler was a “scapegoat” who deserves to be put in “context.”
A furious Haim Saban has mounted a campaign to get Showtime to cancel its planned airing of Oliver Stone’s 10-part series, “A Secret History of America,” in the wake of anti-Jewish remarks by the outspoken director.
On Sunday, Alana Goodman reported on an anti-semitic interview given by director Oliver Stone in the Sunday edition of The Times of London. Stone said that Jews dominate the media, "stay on top of every comment" and have "the most powerful lobby in Washington."
Earlier today, The Daily Mail reported that Stone had apologized for his remarks.
He said: "In trying to make a broader historical point about the range of atrocities the Germans committed against many people, I made a clumsy association about the Holocaust, for which I am sorry and I regret."
Stone told The Sunday Times "Hitler was a Frankenstein but there was also a Dr Frankenstein. German industrialists, the Americans and the British. He had a lot of support."
"Hollywood may shun Mel Gibson for his anti-Semitic ravings, but the right wing in George Bush's increasingly hate-filled America won't," wrote Salon.com's Neal Gabler on August 1, 2006, four days after Mel Gibson was arrested for drunkenly spewing anti-Semitic hatred to a police officer.
Fast-forward to 2010. It's been three days since director Oliver Stone churned out similarly disturbing anti-Jewish rhetoric to the Sunday Times, and many of Gibson's most prominent critics on the left - including Salon.com - still haven't issued a word of condemnation about Stone's comments.
Similarly, the network news shows have ignored Stone's remarks, despite their wall-to-wall coverage of Gibson's reprehensible diatribe in 2006. The media blitz over Gibson's comments began the day after his arrest with ABC's World News Saturday, and continued non-stop on ABC, NBC and CBS until Aug. 4, 2006.
Director Oliver Stone belittled the Holocaust during a shocking interview with the Sunday Times today, claiming that America's focus on the Jewish massacre was a product of the "Jewish domination of the media."
The director also defended Hitler and Iranian President Mahmoud Ahmadinejad, and railed against the "powerful lobby" of Jews in America.
Stone said that his upcoming Showtime documentary series "Secret History of America," seeks to put Hitler and Communist dictator Joseph Stalin "in context."
"Hitler was a Frankenstein but there was also a Dr Frankenstein. German industrialists, the Americans and the British. He had a lot of support," Stone told reporter Camilla Long during the interview, which can be found behind the paywall on the Sunday Times' website.
Oliver Stone shocked many when his movie “World Trade Center” was released in 2006. It was a masterpiece, a meditation on two firemen trapped in a darkened tomb of broken concrete, twisted metal and shattered glass. They had rushed headlong into the collapsing skyscrapers, only to be buried alive. So many of their colleagues died, but in the end these heroes were located by searchers and rescued.
Stone maintained it wasn’t a political movie, and for the most part, it wasn’t. It was a personal story. But this movie was also a gift to our country, a reminder not to forget this dark day’s victims and its heroes. It was only political in that it was patriotic. It reminded us all across our country of how our fellow Americans in Washington, New York and Pennsylvania were mercilessly murdered. It came closest to politics (or patriotism) when the firemen were found by a man who vowed to join the War on Terror. Sadly, that was but a brief hiccup in Stone’s career, a befuddling, out-of-character career move. In most of his movies, Oliver Stone is clearly not a fan of America, both her leaders and her policies. Think “Born on the Fourth of July,” “Platoon,” “JFK,” “Nixon” and “W.”
Now he is promoting a new documentary called “South of the Border,” which debuted June 25. Its philosophy is illustrated by the poster: The American eagle’s talon is pierced by a large thorn coming out of a blood-red South America. It’s no overstatement to say Stone deeply adores the trend of Yanqui-bashing leftists coming to power, from Hugo Chavez in Venezuela to Evo Morales in Bolivia to Lula da Silva in Brazil.
Liberal director Oliver Stone revealed his anti-American bent on Monday's Good Morning America, praising the rise of mainly left-wing leaders across South America and even went so far to support Brazilian President Lula da Silva for "trying to strike to deal with Iran," wildly predicting "it's going to be like North Vietnam again" if the U.S. pursued sanctions against the country.
Anchor George Stephanopoulos interviewed the Oscar-winning director 44 minutes into the 8 am Eastern hour. Stephanopoulos referenced how Stone has "tackled war, Wall Street, and the Kennedy assassination" and is now "taking on South America. He says our neighbors to the south haven't gotten a fair shake from the American media, and, armed with a camera, he's set out on a road trip to try to change that."
Before asking about Chavez, Stephanopoulos played a clip from Stone's documentary "South of the Border," which included a sound bite from CNN's John Roberts that gave the impression that the anchor was condemning the Venezuelan leader: "He's more dangerous than Bin Laden, and the effects of Chavez, his war against America, could eclipse those of 9/11."
Actually, Roberts, in the January 15, 2009 segment from his American Morning program, actually was reading a quote from a book by his guest, Doug Schoen: "Right off the bat, in the very front of the book, you quote Otto Reich, who was the former ambassador to Venezuela back in the 1980s, as saying that he's more dangerous than bin Laden and the effects of Chavez, his war against America could eclipse those of 9/11."
The Venezuelan people are forced to suffer through a marathon of Hugo Chavez appearances on their own television sets. Anything less than total adoration of the weekly host of "Aló Presidente" is severely punished. So with all this unwanted overexposure to the overbearing El Jefe, is it any wonder that Venezuelans are somewhat less than enthusiastic about shelling out their money to watch yet more homage paid to Chavez by filmmaker Oliver Stone in the form of his documentary, South of the Border? As Variety reports, the latest Stone film has turned into a complete bomb in Chavez's own economically troubled country:
Despite a PR and marketing blitz that had Oliver Stone on a whirlwind tour of Latin America, his latest documentary "South of the Border" has sunk like a rock at the Venezuelan box office.
Local observers in Venezuela have reported empty cinemas, indicating a stunning indifference to Stone's pic, a documentary about South American leaders that devotes a hefty amount of screen time to the country's President Hugo Chavez. In the 12 days after its June 4 debut, it grossed only $18,601 on 20 screens, according to Global Rentrak. Showings on mobile screens in rural areas (where Chavez has more popular support) have attracted crowds, but these screenings are free.
The liberal media's adoration for leftist dictators certainly knows no bounds.
Such was immediately apparent in filmmaker Oliver Stone's love letter to Venezuelan despot Hugo Chavez published by the Huffington Post Friday.
The article also shamelessly doubled as an advertisement for Stone's documentary "South of the Border."
With this in mind, all quotes have been safely placed after the teaser to limit the gastrointestinal distress to readers that may have eaten breakfast, lunch or dinner prior to reviewing this piece (video of "South of the Border" trailer also follows with commentary):
Oliver Stone's latest attack on American capitalism - "Wall Street: Money Never Sleeps" is finally hitting theaters April 2010, twenty-three years after its predecessor. According to Michael Lewis, who interviewed the moviemaker for his latest Vanity Fair piece, Stone's biggest problem with the sequel was making a movie based on helplessly diabolical bankers, actually watchable.
Lewis wrote that Stone - an ardent left-wing ideologue, friendly acquaintance to Fidel Castro and Hugo Chavez, a moral relativist concerning Hitler and Stalin, and director of "W" and "Platoon" - felt an obligation to reverse the societal damage and unintended consequences of the first installment.
"As a vehicle of change ... the movie was a catastrophe," Lewis wrote. It apparently inspired, rather than deterred, a generation of young men to enter the field and become the next Gordon Gekko (the "diabolical money manager" played by Michael Douglas).
There has been a substantial push lately by some of Hollywood's big names to reeducate Americans on world history. The leftist-dominated television and film industries have taken it upon themselves to promote histories of the United States and its role in the world that portrays it as an evil, occasionally colonial, always destructive force in global relations.
The latest such effort is being undertaken by director Oliver Stone, well known for his loving portrayal of Venezuela's Marxist dictator Hugo Chavez and derisive portrayal of our previous president in "W". Now Stone has set his sights on Adolf Hitler and Joseph Stalin. He plans to "liberalize" America's thinking regarding two of the 20th century's most murderous dictators by putting them "in context", whatever that means (h/t Hot Air headlines).
"We can't judge people as only bad or good," Stone said at the Television Critics Association's press tour, referring to two dictators who--unless this writer's understanding of history is not sufficiently "liberalized"--are responsible, in Hitler's case, for the extermination of 6 million Jews and 3 million others in killing camps during World War II, and in Stalin's, for the murders of 20 million individuals in Russia and Soviet-occupied Europe.
It seems, Stone's claims notwithstanding, that one is historically justified in classifying these two particular dictators as "bad".
In today’s L.A. Times director Oliver Stone discusses his upcoming documentary “South of the Border,” about the “warmhearted” Hugo Chavez. [emphasis added]:
Oliver Stone is shown warmly embracing Hugo Chávez, nibbling coca leaves with Evo Morales and gently teasing Cristina Elizabeth Fernández de Kirchner about how many pairs of shoes she owns. …
“I think he’s an extremely dynamic and charismatic figure. He’s open and warmhearted and big, and a fascinating character,” … ”But when I go back to the States I keep hearing these horror stories about ‘dictator,’ ‘bad guy,’ ‘menace to American society.’ I think the project started as something about the American media demonizing Latin leaders.
Guys like Stone are forced to rationalize that the American media is right-leaning in order to avoid their head exploding due to an acute case of FacingTheTruth-itosis. But maybe the doc will be more critical than we’re led to believe in this article. During their warm embrace, it’s possible Stone whispered hard-hitting questions in Hugo’s ear about reports such as this from the not-so-conservative Human Rights Watch.
Many years ago, when Bill Maher’s comedy show was hosted by Comedy Central and he was funny, his formula for success was truly unique. Every week two sets of political and/or cultural opposites were pitted against each other, and he refereed with humor. It was all designed for a good laugh and succeeded because once upon a time Bill Maher was truly funny.
Some producer really thought in extremes when they pitted Oliver Stone and Brent Bozell for one episode. I have to say that you were gracious, charming, engaging, and we enjoyed ourselves – except for that moment when I chastised you for claiming you’re an historian. You bristled and denied ever claming that moniker. I cited the source, an interview in some West Coast paper (I can’t recall which one now). “I’m a filmmaker, that’s all,” you told me.
Film producer/director Oliver Stone, a far-left promoter of conspiracies who is working on a sequel to his 1987 'Wall Street' movie, declared on Friday night's edition of HBO's Real Time with Bill Maher that “Reagan was a dumb son of a bitch” and “I really think George W is dumber” and so, after producing movies on the CIA conspiracy to murder President Kennedy and a dark look at President Nixon, he won't create a movie on Ronald Reagan because “by doing the W movie I kind of put all my efforts behind dumbness.”
Stone, who earlier in the pre-taped show made up of three one-on-one interviews Maher conducted (other two were with Cameron Diaz and Billy Bob Thornton) characterized President Obama as no better than Bush (“a sneak Bush administration with different words”), also asserted: “I do think Nixon is the father of Reagan and I think Reagan's the father of Bush. There's sort of a very strong line.” Whatever that means.
How does a liberal, America-hating movie director follow-up a hit-piece on a sitting United States president?
With an adoring documentary about one of our nation's greatest enemies of course.
I mean, what else should Oliver Stone create as an encore for his box office failure "W" but a love letter to America-hating tyrant Hugo Chavez (as reported by Variety, h/t NBer Wilbur747, picture courtesy Variety):