When France 2 TV helped stoke a new wave of anti-Semitism and anti-Western sentiment and violence by presenting the world footage it claimed to show the Israeli military targeting and killing a Palestinian boy, Mohammed al-Dura, a scene that has been invoked by Osama bin Laden and many other terrorists and suicide bombers, the American news media also ran the story, showing the footage numerous times on major television news shows. But evidence has mounted over the years that Israeli troops likely were not the ones producing the gunfire seen in the video. And the sources of the footage at France 2 TV are under increasing fire for their role in the matter, last week losing a court battle to media critic Philippe Karsenty, who goes so far as to charge that the al-Dura footage was actually a staged scene, and that the boy may still be alive, part of what has become a reportedly common practice of Palestinian film makers as they record scenes of fake violence to be used as propaganda. A look at such filmmaking and acting has been examined in the documentary Pallywood, complete with a corpse in a fake funeral procession that gets up on its own after falling off the stretcher after the "Jenin massacre" hoax, and an ambulance that arrives immediately next to the body of a man literally two seconds after he is supposedly shot. CBS's 60 Minutes was among those accused of being duped into using scenes of staged violence as if they were real. (Transcripts follow)
An important trial in France revealed the Pallywood fauxtography machine and its media pipeline. Last week, expert testimony supported media critic Philippe Karsenty's claim that France 2 reporter Charles Enderlin's coverage of the Mohammad al-Dura affair was doctored and staged.
Karsenty appealed a verdict that he libeled Enderlin when he questioned the claim that Israel killed the boy who was crouching behind his father during a gunfight between Israeli soldiers and Palestinian shooters.
Al-Dura's iconic image sped around the world and sold stamps, T shirts and the Second Intifada. It inspired violence, riots, terrorism and became a 21st century Blood Libel. On March 3, Israel's Haaretz reported the stunning news that if the boy and his father were actually shot at all, the bullets could not have come from Israel's position, only the Palestinians' (bold mine throughout):
The "winners" included Christiane Amanpour for “God's Warriors,” the BBC for covering up an internal investigation into its Mid East reporting, US government funded Al-Hurra TV's former 'director Larry Register for dhimmitude, a UNC Daily Tar Heel article about breaking up with a boyfriend because of Israel and of course Charles Enderlin and the Mohammad Al Dura Fautography that launched the Second Intifida. See how many of the stories over at Honest Reporting you know:
Dishonest Reporter of the Year (Christiane Amanpour)
This year's Dishonest Reporter voting marks a change for HonestReporting readers. Previous awards went to large, impersonal news services, but not so this year. One journalist made herself such a lightning rod in 2007 she easily defeated BBC and Reuters – the traditional disfavorites.