Lisa Schwarzbaum

Six years after "The Passion of the Christ," anyone expecting a renaissance in faith-based movies has largely been disappointed. This is not to say such movies aren't produced. Every now and then, there's a movie made for this audience, but the audience won't hear about it from the movie critics because these elites aren't interested.

Last weekend, a new film premiered called "Letters to God." A title can't be more explicit about its plot. It's a movie about a 9-year-old soccer-crazy boy stricken with cancer, and the inspiring letters he writes each day to God. It's about prayer — certainly not a favorite topic for secular, sybaritic Hollywood.

When this movie arrived in offices of movie critics at major newspapers and magazines, the splashing sound you heard was the vomit hitting the floor.

What will it take for film critics to be satisfied with movies about young, unmarried pregnant women?

For most, a clever script and outstanding performances will suffice, but not so for Lisa Schwarzbaum, a film critic for Entertainment Weekly. It must also carry a weighty discussion on the "hard-won, precious rights" to choose.

"Juno," the latest film about an unintended pregnancy carried to term, opens nationwide December 14. The movie reportedly depicts Juno, the pregnant 16-year-old lead character, deciding to place her baby for adoption after a chance encounter with a pro-life protester at an abortion clinic.

Schwarzbaum said in her review of the film, "The old-school feminist in me wishes ‘Juno' spent more time, even a tart sentence or two, acknowledging that the options taken for granted by this one attractive, articulate teen are in fact hard-won, precious rights, and need to be guarded by a new-generation army of Junos and Bleekers, spreading the word by text message as well as by hamburger phone."