An important trial in France revealed the Pallywood fauxtography machine and its media pipeline. Last week, expert testimony supported media critic Philippe Karsenty's claim that France 2 reporter Charles Enderlin's coverage of the Mohammad al-Dura affair was doctored and staged.

Karsenty appealed a verdict that he libeled Enderlin when he questioned the claim that Israel killed the boy who was crouching behind his father during a gunfight between Israeli soldiers and Palestinian shooters. 

Al-Dura's iconic image sped around the world and sold stamps, T shirts and the Second Intifada. It inspired violence, riots, terrorism and became a 21st century Blood Libel. On March 3, Israel's Haaretz reported the stunning news that if the boy and his father were actually shot at all, the bullets could not have come from Israel's position, only the Palestinians' (bold mine throughout):