It would have been shocking if the abortion comedy Obvious Child hadn’t been celebrated on Melissa Harris-Perry’s weekend show on MSNBC. But the spin on Sunday morning’s program could not have been expected.
“MHP” wanted to know if abortion opponents just couldn’t handle the uncomfortable truth about women’s sexuality and how women’s bodies operate. She asked Obvious filmmaker Gillian Robespierre if her abortion comedy could be a good educational “tool” for mothers to share with their daughters as they mature, and the answer led to the term “laminated uterus.” (Video below)
As suspected, there is no more favorable publicity outlet for an “abortion comedy” like NPR. On the June 13 Fresh Air, film critic David Edelstein loved the concept in Obvious Child.
“It shouldn't be a particularly earth-shaking turn, but in a world of rom-coms like Knocked Up and Juno, in which the heroines make the heartwarming decision to go ahead with their pregnancies, this modest little indie movie feels momentous,” he argued.
Gillian Robespierre, the feminist director of the abortion comedy Obvious Child, is not a fan of Fox News, as she revealed in an interview with Matt Juul Wednesday in the Boston Globe.
Asked about sexism and feminist hashtags on Twitter, she said "like, I’m watching a lot of CNBC and Fox News in these [expletive] hotel rooms and it’s just making my head spin. It just makes me really sad. It doesn’t feel like we’ve come too far, but then it feels like we have come far because we’re talking about it right now." It makes her have violent thoughts about the people on Fox:
The feminist film critics can exhale now. Someone has finally concocted their dream movie: an “abortion comedy.” Because apparently nothing sounds funnier than an unplanned one-night stand and a courageous destruction of God's most beautiful and most innocent creation.
It's called "Obvious Child." Feminist lingo sells this monstrosity. Former “Saturday Night Live” cast member Jenny Slate plays Donna Stern, a standup comedian who “is forced to face the uncomfortable realities of independent womanhood for the first time.” A “drunken hookup – and epic lapse in prophylactic judgment – turns out to be the beginning of a hilarious and totally unplanned journey of self-discovery and empowerment.”