Photography is Dead


Ye Good Olde Days?... long live citizen journalism!

I ran across this article from the Guardian last week on Lightstalkers, and didn't really get a chance to sit down and read it through until this morning.

Is photography really dead? Andrew Brown, an accomplished English journalist in his own right, says it is. He points to the ease-of-use of modern photographic equipment, and lamenting the fact that it is "so easy" for the Everyman to take a photograph now, claims that the overall quality of pictorial stock is in decline.

In some ways, Andrew seems to be on the right track. It is infinitely easier to take a photograph today than it was, say, 50 years ago. The equipment necessary to take high-quality photographs even through the 1970s was cumbersome, difficult to use, and required a great attention to detail in order to get a professional picture. Of course, the Polaroid camera existed back then for the amateurs, so it's not like "easy to use" is really all that new.

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What really makes the difference now is that one can take extremely high-quality photographs using digital cameras these days, and easily meet or exceed the quality of many editorial photographs sent across the news wires. Andrew is certainly correct in saying that a professional can take a beautiful photograph with every click of the shutter, whereas amateurs can only get one once in every dozen pictures or so. Heck, I know that's true -- that's about how often I can get a relatively professional-looking photograph with my consumer equipment (and, more importantly, my consumer eye). Chris Anderson, who is a professional, can accomplish the same 100% of the time. I'm fine with that, that part of the photographic world is still, and will remain, completely intact.

Waves of Light (Myself, 2007)I can sympathize, of course, with Andrew's point. We in the computing world have been dealing with increasingly simple computers for a decade now, and have seen the bar of entry into our profession be lowered continually. Whereas it took a team of computer scientists hours of work to develop a basic database application back in the 1970's, anyone can do it themselves today, without putting much thought into it. Sure, the quality of some software packages has declined over the years, but overall, is the computing industry better for all of the simplification? I think it is. (Other than the managers, but that's a whole different topic.) Similar discussions were had back in the 80s, when the advent of the personal computer, printer, and desktop publishing software seemed like it would threaten the entire publishing industry.

The outcry died down quickly, once we discovered that the publishing industry wasn't genuinely threatened by the types of publications produced on this consumer equipment, which tended to be more of the Church-bulletin, PTA meeting variety.

The editorial process sees NOTHING wrong with this picture?  Preposterous!Where I think Andrew is missing the point is that it's not just the quality of news photography that's in decline, but also in the editorial process itself. How else could we be in a situation where the Reuters wire editor admit that, in the middle of a major conflict, he didn't have anyone on staff that could write a decent caption? Or bother to check the accuracy of the ones that had been sent in? In what world is it acceptable for the New York Times to distort and misrepresent the context of a photograph so completely that the photographer himself takes to the streets to denounce it?

Most egregiously, in what world is it acceptable for a news organization to accept and transmit a guerrilla army's word as fact, without bothering to objectively try to ascertain the facts on the ground or otherwise make note that the information provided to them is carefully-orchestrated propaganda? The editorial process, once the vaunted guardian of objectivity, has fallen into complete disrepair, and the resulting lack of objective coverage is, from my point of view, what is hurting the photojournalism industry more than anything.

Andrew's correct to point out that there are some problems with the photography industry. I'm just not sure he's looking in the right place.


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Brian C. Ledbetter - Professi

Brian C. Ledbetter - Professional photographers always "distorted" a subject  (Unless you think you really looked as good as your high school year book picture).

Bush at Mount Rushmore

Bush with a halo?

LOL ! That Rushmore picture o

LOL ! That Rushmore picture of Bush is from 5 years ago. Try again.

You obviously also missed the Hillary Halo pic that was discussed here a few weeks ago. Pay attention!

Well, journalism is dead, and

Well, journalism is dead, and how many times recently have so-called journalistic photographers been caught PhotoShopping pics to enhance their bias?

Is this really any surprise?

The Closed Mind Erects Strong Barriers

Andrew is certainly correct i

Andrew is certainly correct in saying that a professional can take a beautiful photograph with every click of the shutter, whereas amateurs can only get one once in every dozen pictures or so.

You obviously deal with a much better grade of professional and amateur than I do. Seems the professionals I know get a great shot "once in every dozen pictures or so" while I'm lucky to get one in a hundred. Good thing its so easy to take a humdred pictures these days.

This reminded me of something else I read a while back lamenting the fact that the deluge of pictures people take these days compared to decades past seems to have killed our enjoyment of looking at photographs. In the past, after waiting a week for that one roll of film to be developed, you would sit down and eagerly look through the pictures, passing them around and sharing them with family and friends. Then previous pictures would be pulled out and enjoyed. Now buckets of pictures are downloaded to a computer, burned to a CD and put on a shelf never to be seen or enjoyed again -if they were even seen or enjoyed to begin with. Where an individual, family or group of friends might sit down and look through a photo album, nobody's going to start loading up disks of hundreds or thousands of pictures to sit down and enjoy.

The conclusion of that article was that when we had few photographs we enjoyed and cherished them. With the deluge we have today, photographs have lost their value. They are no longer enjoyed or cherished, they are simply collected. That's sad, but seems to be true.

Actually, people were boring

Actually, people were boring other people with vacation photos a long time ago. And then slides came in, and slide shows became the next level...

I got to see a lot of great slide shows as a kid, and they were all worth it as my Dad got sent all over the world with the military and wanted to show us what he had to go thru.

It's still worthwhile to share pictures among friends, expecially if they're really good ones, but many times people are "too busy" to appreciate them.

The problem that doomed the professional photographers was simple-not just the new digital cameras, but the digital technology that was introduced into film cameras in the 1980s and 1990s. Suddenly, one didn't have to be a pro to take a great picture.

I still use a Minolta Maxuum 35mm circa 1992 to take pics when I am on vacation, but also take a digital. Even though the resolution of a film camera is something like 17 megapixels, I found that there was no real difference between the pics I took on the Canon Powershot A-70 and the Minolta SLR. Of course, the digital camera had to be set to full resolution or landscape mode.

And now, many digital cameras have a setting so you can set and forget and take pictures of fireworks displays. Ka-boom!

"Too busy" = "

"Too busy" = "No, don't show me any more pictures!" <g>