Ever since CNN HLN's "Joy Behar Show" has splashed on the scene, it has become little more than a show dedicated to bashing conservative, specifically former CNN HLN host, now Fox News host Glenn Beck.  

The Oct. 15 broadcast of host Joy Behar's show was no different. First it tackled the issues of the day, like Arianna Huffington's take on whether or not Vice President Joe Biden should resign based on what President Barack Obama does in Afghanistan. Then Behar and her two guests, actor and left-wing activist Richard Belzer and New York Daily News Columnist Liz Benjamin discussed Rush Limbaugh's failed effort to buy a stake in the NFL's St. Louis Rams and the feud between Fox News and the White House.

Behar made suggestion Limbaugh represents himself as someone who is not "in the mainstream" because he argued on his Oct. 14 show the backlash was in part generated by liberal activists threatened by the notion Limbaugh could be considered to be in the mainstream. That notion was one which Belzer lashed out at and called Limbaugh and Fox News host Glenn Beck "fascist stooges" (emphasis added):

What some guys won't say to get attention . . .

Analogizing Rush Limbaugh to a James Bond villain, Chris Matthews today fantasized: "at some point somebody's going to jam a CO2 pellet into his head and he's going to explode like a giant blimp."

Hosting MSNBC's 10 AM hour today, Matthews made his remark while chatting with Politico's Jonathan Martin and Anne Kornblut of WaPo.

No, that's not a made-up headline. The foreclosed and/or evicted homeowners that have played such a role in the current economic meltdown - are they irresponsible borrowers that lived beyond their means or are victims that got swindled? Michael Moore is clear on where he thinks they fall.

Moore matched up with Fox News and conservative talk radio host Sean Hannity on Hannity's Oct. 6 program and Hannity attempted to have Moore explain why he didn't think there was a personal responsibility angle to the home foreclosure crisis.

Here's how it unfolded (emphasis added):

HANNITY: If you put your name on the dotted line in a legal document, don't you bear responsibility?
MOORE: These people have been deceived and they've been exploited. You know, this is like - this is like ...
HANNITY: No responsibility at all for them?
MOORE: No, this is like asking a woman how short was your skirt after she's been raped.

Has it really come to this? Is MSNBC so in the tank for the Democratic Party that it takes far-left documentary filmmaker Michael Moore to bring up malfeasance by a leading Democrat?

Moore appeared on MSNBC's Sept. 29 "Hardball" to promote his new film "Capitalism: A Love Story." With exception of "The Ed Show" fill-in host Lawrence O'Donnell noting the Senate Ethics Committee had cleared Sen. Chris Dodd, D-Conn., of wrongdoing and only reprimanded him verbally, over the last couple of months, MSNBC's prime time shows have ignored a deal Dodd got on a mortgage with Countrywide. That is, until Moore brought it up.

"Chris Dodd may have a problem after being in this movie, I think," Matthews said.

Michael Moore, the man of many hats - documentary filmmaker, political scientist and now, singer.

Moore has been making the rounds to promote his new movie, "Capitalism: A Love Story." On NBC's Sept. 15 "Jay Leno Show," Moore appeared and was asked what was wrong with capitalism.

"Capitalism is actually legalized greed," Moore said. "There's nothing wrong with people earning money, starting a business, selling shoes. That's not what I'm talking about. We're at a point now Jay, in this country, where the richest 1 percent, the very top 1 percent have more financial wealth than the bottom 95 percent combined."

I was stunned to read on Life Site News that a new movie is being planned about Our Lady of Guadalupe, so-named for an appearance of the Virgin Mary near Mexico City in 1531 that’s credited with converting nine million indigenous Mexicans to Christianity. The film, still untitled, will be produced by Mpower Pictures, the company that was launched with the pro-life movie "Bella" in 2006 and founded by "The Passion of the Christ" producer Steve McEveety.

That a movie would be made about Our Lady of Guadalupe is amazing, but that wasn’t half the surprise. The movie is being written by Joe Eszterhas. Yes, the same Joe Eszterhas responsible for screenwriting filthy movies like "Basic Instinct" and most infamously, "Showgirls," a movie so pornographic even the late Jack Valenti condemned it.

What I didn’t know until now is the story of the conversion of Joe Eszterhas in 2001, powerfully captured in his 2008 memoir entitled "Crossbearer: A Memoir of Faith."

Yesterday, Big Hollywood's Chris Yogerst weighed in on Greg Gutfeld’s criticism of Hollywood — specifically Greg’s criticism of “G.I. Joe,” Stallone’s new Rambo film and “Inglourious Basterds” — for choosing politically correct villains over the real ones we face today. Chris is correct that turning Nazis into Jihadists is not something a filmmaker like Quentin Tarantino would do. If he has any, Tarantino’s politics have remained hidden in his work. Up on that screen the only thing he advocates for is overlooked 70’s B-movies and audacious entertainment. However, that doesn’t make the director’s decision to use Nazis any less politically correct or Hollywood’s moral cowardice in this area any more defensible.

Where my colleague Chris and I most disagree is with the assertion that Hollywood chooses “politically correct” or “safe” villains because Hollywood is all about the money and therefore wants to appeal to audiences who care what the villain looks like:

The film industry, like any other business, generally wants to appeal to the largest audience possible.  Picking “safe” enemies is one way to do that. 

Two of the most profitable films released this past year were “Gran Torino,” where our hero confronts black and Asian street gangs, and “Taken,” where the henchmen are Muslims and the arch-villain Middle Eastern.

With a $33 million production budget, “Torino” made nearly $270 million worldwide. On a budget of just $25 million, “Taken” made an astonishing $145 million domestically and another $79 million overseas. And before you give Hollywood credit for producing two films with politically-incorrect villains, keep in mind that both are notable exceptions; that only a Clint Eastwood could’ve made “Torino,” and “Taken” was produced in France, of all places.

In today’s L.A. Times director Oliver Stone discusses his upcoming documentary “South of the Border,” about the “warmhearted” Hugo Chavez. [emphasis added]:

Oliver Stone is shown warmly embracing Hugo Chávez, nibbling coca leaves with Evo Morales and gently teasing Cristina Elizabeth Fernández de Kirchner about how many pairs of shoes she owns. …

“I think he’s an extremely dynamic and charismatic figure. He’s open and warmhearted and big, and a fascinating character,” … ”But when I go back to the States I keep hearing these horror stories about ‘dictator,’ ‘bad guy,’ ‘menace to American society.’ I think the project started as something about the American media demonizing Latin leaders.

Guys like Stone are forced to rationalize that the American media is right-leaning in order to avoid their head exploding due to an acute case of FacingTheTruth-itosis. But maybe the doc will be more critical than we’re led to believe in this article. During their warm embrace, it’s possible Stone whispered hard-hitting questions in Hugo’s ear about reports such as this from the not-so-conservative Human Rights Watch.

Some in Hollywood, it seems, just can't let go of past political hopes – or at least want to use their films to continue pushing their political preferences. In Funny People, the new movie from writer/director Judd Apatow (IMDb page) which opened July 31, a character played by Seth Rogen (IMDb page) wears a 2004-era “Vote Kerry” T-shirt with an artwork outline image of 2004 Democratic presidential candidate John Kerry.

I caught the scene with Rogen sporting the T-shirt in the promotional clip played during this past Monday's re-run of the July 20 Tonight Show with Conan O'Brien on which the star of the film, Adam Sandler, was a guest. IMDb has the same video clip, “George asks Ira to kill him.” (For the image here, I've enlarged the blue on black graphic.)  

There have been a couple of constants where Iraq War cinematography is concerned. One, movie makers ignore the public appetite for movies supporting the anti-terror war message in favor of drab, depressing, preachy anti-war politicking featuring marquee names and little else.

Two, those movies, which predictably bomb at the box office, are the rage of the film critics who levitate in ecstasy at the opportunity to praise that which trashes Bush, the war on terror and the military all at once.

So how to explain “The Hurt Locker” and the critical rapture that surrounds it? Here’s a new offering that has none of the political messaging of Hollywood, doesn’t contain a single marquee name, and the critics are cheering.

New York Times tastemaker A.O. Scott bluntly proclaimed it "The best nondocumentary American feature made yet about the war in Iraq." Joe Morgenstern of the Wall Street Journal also raved: "A first-rate action thriller, a vivid evocation of urban warfare in Iraq, a penetrating study of heroism and a showcase for austere technique, terse writing and a trio of brilliant performances."

So the latest GI Joe flick is creating controversy, because the character is no longer portrayed as a typical American soldier. Instead he’s part of some elite murky force of international fighters - a Benetton ad with rocket launchers. On MSNBC, Donny Deutsch tried to take John J. Miller to task over his objections to the change – pointing out that the shift from an iconic American character to a mushy international delight is a “business” decision. For the movie to make money internationally, Donny thinks the character has to become part of global task force of community organizers. To this, I say, “Fiddle faddle,” which is short for “Silly stupid fiddle faddle.”

I wrote about this two years ago, just when Hasbro and Paramount execs decided to give GI Joe a makeover. Back then they felt the world would be too pissed at us for getting rid of Saddam Hussein to go see a movie about an American hero. As it turns out, they were wrong - the backlash over Saddam’s death had less impact than Norman Fell’s.

But for a moment, let’s attempt to use Donny’s logic on other flicks.

If you think the national news media is biased, spend some time rummaging through the world of entertainment news. Today’s L.A. Times piece about the marketing of “G.I. Joe” has an especially priceless whopper:

Yet overseas, where big action films often earn 60% or more of their ticket sales, rah-rah American sentiment doesn’t play well. So those references have vanished from the advertising.

The Great Lie told by Leftist Hollywood and the media who shill for them is that in order to make money the likes and dislikes of an “international” audience must be considered, and international audiences loathe Americanism.

Let’s see how that’s working out with some overseas numbers for a few “big action films.”

Go green or have your private business robocalled and vandalized. It happened to a computer manufacturer in a Greenpeace publicity stunt earlier this week that included William Shatner.

Greenpeace and the Canadian-born actor joined forces against Hewlett-Packard (NYSE:HPQ) and accused the company of "breaking green promises" for not producing products completely free of PVC plastic and brominated flame retardants. Activists from the radical environmental group painted a giant message on the roof of Hewlett-Packard's headquarters in Palo Alto, Calif. that read "Hazardous Products."

And in addition to the rooftop graffiti, Greenpeace set up an automated message to dial HP employee's numbers and then play them a recorded message from Shatner.

When it comes to awful movies, Pat Buchanan once quipped he didn’t have to look underneath a manhole cover to know there’s a sewer down below. The smutty new movie "Bruno" can be read by its cover. In the midst of a barrage of crude sexual humor, master satirist Sacha Baron Cohen is once again exposing Americans for what Time magazine calls their "ignorance and prejudice, hypocrisy and primitive rage."

Yes, I’m sure it has its funny moments, and some are laugh-out-loud hilarious. I say I’m sure because I really don’t know. I was on my way to the theater when I reversed course. I’m not going to give these slimy people $9.50, or $1.50. Besides, it’s all there on the Internet.

In his last film, "Borat," Cohen played an idiotic journalist from Kazakhstan who attempted to expose unsuspecting people as misogynistic, racist, and anti-Semitic. The new title character of "Bruno" is a flamboyantly gay Austrian fashion reporter who is going to expose the raging "homophobia" in America, especially the South (also targeted in the last film).

New York Times movie critic Stephen Holden found "The Age of Stupid," a new mock-documentary looking back at a future environmental apocalypse, is a "frightening jeremiad about the effects of climate change." Coming from the left-wing critic Holden, that's high praise.

In "The Age of Stupid," a frightening jeremiad about the effects of climate change, the craggy-faced British actor Pete Postlethwaite plays the Archivist, a finger-pointing, futuristic voice of doom in 2055. Peering into a retrospective crystal ball that shows scenes from the early 21st century, he scolds the human race for having committed suicide.

Everybody was expecting "Bruno" to be uncomfortable in the same vain as "Borat," but thanks to Barbara Walters of "The View," we know it is much worst.

Bruno was the first topic on "The View" July 14^th. Only Joy Behar and Walters had seen the movie. They each gave their honest opinion of the movie - Behar's review was not a surprise.

For Hank Stuever of the Washington Post, Sacha Baron Cohen's latest movie, "Bruno," is a reflection of America's "giant case of sex phobia."

Cohen's movie tells the tale of Bruno, a gay Austrian fashionista who embarks on a quest for fame (to become "the most famous Austrian since Hitler"). Its depictions of gay sex and a gay man flamboyantly flaunting his sexuality caused worry among gay activists about an increase of homophobia, despite a statement from Universal Pictures that the film aimed to "shed light on the absurdity of many kinds of intolerance and ignorance, including homophobia."   

Stuever offered Post readers an inside look on July 9 at what it felt like to be a gay man watching "Bruno" and concluded that the movie didn't teach anything "other than sex is basically a total gross out."

He outlined his argument:

Teasing an upcoming interview with actress Megan Fox on Tuesday’s Early Show, co-host Harry Smith gushed: "...this woman has jumped from virtual unknown to Hollywood A-lister. It doesn’t hurt she is one of the most beautiful women on the planet...And a very nice young person."

Smith failed to make any mention of the "Transformers" star’s controversial comments in a June 5 interview, in which she wished the villainous robots in the movie could "...just take out all of the white trash, hillbilly, anti-gay, super bible-beating people in Middle America." Fox, a self-described bisexual, made the comments while talking with "Total Film UK."

Fellow co-host Maggie Rodriguez similarly fawned over Fox: "Harry already got the chance to meet her and I said ‘how is she?’ You sounded like Tony the Tiger...‘She’s great.’ A lot of people are saying, you know, she’s the new ‘it girl,’ the new Angelina Jolie."

Editor's Note: The following was originally posted to Andrew Breitbart's Big Hollywood blog on June 24. Perhaps of greatest note to NewsBusters readers is Tapson's reporting on the pronouncements of Daily Beast contributor and UC Riverside professor Reza Aslan that "There is no such thing as Sharia."

While Iranian-American protesters packed streetcorners in Westwood last Saturday afternoon in support of the revolution currently playing out in the streets of Tehran, an historical drama about stoning in Iran got underway at the Los Angeles Film Festival mere blocks away.

For the few who don’t know by now, The Stoning of Soraya M. is based on French-Iranian journalist Freidoune Sahebjam’s bestselling book, which relates the true story of a woman in a remote Iranian village, in the years after the 1979 Khomeini revolution, who is falsely accused of adultery and stoned to death by a mob desperate to cleanse themselves of this affront to their collective honor and to their religion. It’s not only a gripping story in its own right, but it shines a harsh spotlight on the almost unimaginable reality that the barbaric punishment of stoning still exists in the Iranian law code, despite a largely nominal 2002 moratorium, the result of pressure from Western human rights groups.

(Full disclosure, even though I’m not reviewing the film here: I’m close friends with the filmmakers Cyrus and Betsy Nowrasteh, I provided Mpower Pictures with a bit of research on the project, I’m friends with other cast and crew and producers associated with the film, and I think stoning is bad. So don’t take my word for it when I say SorayaBig Hollywood’s John Nolte will be the most important, affecting film you’ll see all year. Instead seek out the multitude of reviewers who recommend the film, including and then see it for yourself.)

Following Saturday’s screening was a panel discussion, not so much moderated as simply hosted by Iranian novelist Khaled Hosseini, author of the bestselling The Kite Runner, who personally selected the film for the L.A. Film Festival. The panel also included Soraya’s writer-director Cyrus Nowrasteh, starring actress Shohreh Aghdashloo, and Dr. Reza Aslan, billed as an Islamic scholar.

Leave it to New York Times liberal movie critic Stephen Holden to come down on "The Stoning of Soraya M," for stereotyping a couple of murderous, misogynist Islamists as...murderous misogynist Islamists.

Holden generally likes politically activist movies, especially left-wing documentaries that take aim at politically correct targets like big business and heartland hicks. By contrast, he's not fond of Israel or the Catholic Church, or evidently, movies about injustices committed against women in the Muslim world, like "The Stoning of Soraya M." Conservatives have embraced the movie, which might also provide a clue as to why Holden hates it. In calling it "lurid torture-porn," Holden echoes columnist Frank Rich's smear against "The Passion of the Christ" as "a joyride for sadomasochists."