The Weekly World News is infamous for alien encounters with U.S. Presidents (“Space Alien Backs Bush for President!” and “Obama Invites Alien Choir to White House”), but one alien admires and wants to meet President Obama. Actress Morena Baccarin, who plays “Anna,” the leader of the malevolent aliens on ABC's sci-fi 'V' series, told USA Today that “I would love to meet Obama” since he's “charming” and a “smart, smart guy,” though, she lamented, “it took us all of 30 seconds to turn against him.”
Megan Fox has a real distaste for "Middle America". Those darned hillbillies in fly-over country just don't seem to go for blockbuster lesbian slash ‘em up soft-core porn flicks. What gives?
Fox is blaming Middle America for her potentially career-breaking flop of a horror movie "Jennifer's Body." Asked why it was such a pitiful failure, Fox explained, "the movie is about a man-eating, cannibalistic lesbian cheerleader, and that pretty much eliminates middle America."
Oh my, what ignorant and close-minded folks these Middle Americans must be that they wouldn't want to sit through 90 minutes of that. Really, what is the film industry coming to when Americans won't pay ten bucks to see one half-naked pinup model devour another?
I haven’t seen “The Blind Side” yet, so I won’t say anything about the quality of the film. But based on the trailer and the true story, my wife and I are as excited about this as any film in a long time. It tells the true story of the adoption of Michael Oher by the Tuohy family in Tennessee and how they helped him go from homeless teenager to professional football star. The book was incredible, the story miraculous. We’re especially excited because we’re big adoption advocates, currently in the middle of our first of many planned adoptions. Also, the Tuohys happen to be conservative Christians like we are, and we don’t normally get to see families like that on screen, at least in movies that are watchable.
Apparently, this makes me a racist.
You see, Michael Oher happens to be black, and the Tuohys happen to be white. I actually think that’s pretty cool, especially because they live in Tennessee, and what gets us farther from the evil days of segregation than an increased number of mixed-race families? One would assume that liberals especially would be excited about that, right?
On Nov. 9, CW's "Gossip Girl" featured a threesome, which included the not-so-Disney-anymore Hilary Duff. The show depicted threesomes as a normal, expected event in a college student's life. But that wasn't crass enough for Entertainment Weekly's Tim Stack, who said that the threesome was too "chaste."
"It was basically no more risqué than a game of spin the bottle," Stack lamented.
After this week's episode, though, which featured graphic flashbacks of the threesome, Stack has declared that "Gossip Girl" is "back up the quality ladder."
"The flashbacks to the threesome were waaaay more hot than anything in last week's much-hyped episode," he said. "I wonder if the Parents Television Council tuned in last night."
Stack went on to say that "Gossip Girl not only entertains, it teaches."
"We also learned a much repeated rule of threesomes," he said. "The third person is always supposed to be a stranger!"
On Tuesday’s CBS Early Show, co-host Maggie Rodriguez previewed an exclusive interview with Levi Johnston on the CBS entertainment show, The Insider: “Levi Johnston says he is winning the war of words between Sarah Palin and him. We’ll hear from him.” Later, correspondent for The Insider, Chris Jacobs, declared: “Sarah Palin lashing out at Levi and now Levi fires back.”
Rodriguez has conducted three exclusive interviews with the estranged father of Palin’s grandson in the last six months, the latest on October 29. In The Insider interview, Johnston is given the opportunity to continue his vicious, personal, and unsubstantiated attacks against the former Alaska governor, claiming: “I think she’s going out and talking and she’s just digging a bigger hole for herself....I just look at her in disgust. It’s almost funny that she’s like 46 years old and she’s battling a 19-year-old and I’m winning and I’m telling the truth. She’s lying and losing.”
Capitalism may "offer" freedom, but it doesn't provide it according to British actor and liberal activist Ian McKellen.
McKellen was discussing his latest role as "Number Two," in AMC's reinvention of the Cold War show "The Prisoner." The liberal actor told Associated Press that his character embodies "the drawbacks of capitalism."
"Capitalism offers you freedom, but far from giving people freedom, it enslaves them. That's part of the show's message," McKellen said.
That's a very different message from the 1960s original British television series which pitted individual rights and freedom against collectivism and state control.
Two-and-a-half years before Army Major Nidal Hasan, a Muslim medical doctor, murdered 13 at Fort Hood in Texas in what more-and-more looks like a jihadist terrorist attack given his anti-American rants and ties to Islamic extremists, ABC's since-canceled Boston Legal drama ridiculed the idea a doctor could be a terrorist.
A scene in the episode first aired on Tuesday, May 8, 2007 -- meant to show the silliness and incompetence of the military for detaining obviously innocent men -- concluded with a released terror suspect being asked in courtroom about a colleague who had committed suicide to avoid the mistreatment: “Was your friend a terrorist?” The man replied with these words, dripping with disgust, which dramatically ended the scene: “No, he was a doctor.”
ABC's 'V' mini-series, which will debut tonight (Tuesday) in the first hour of prime time, is “nominally a rousing sci-fi space opera about alien invaders bent on the conquest (and digestion) of all humanity,” but “it's also a barbed commentary on Obamamania that will infuriate the President's supporters and delight his detractors,” Miami Herald TV critic Glenn Garvin asserted in a review distributed by the McClatchy/Tribune news service and run in Tuesday's Chicago Tribune, among other papers. Garvin contended:
From the fawning reaction of the news media...to the recruiting of human supporters into an alien front group that could easily be mistaken for “community organizing,” the parallels to Obama are unmistakable.
Though the leader of the aliens, in Garvin's words, “is secretly a totalitarian space lizard who's come here to eat us,” the plot has a featured character, a TV journalist, aiding the effort. “Some welcome their arrival,” USA Today's Gary Levin recounted, “but the suspicious form a resistance movement, which leads the visitors' charismatic leader, Anna (Morena Baccarin), to enlist an ambitious TV reporter (Scott Wolf) as a propaganda tool.” Garvin, presumably citing the same character: “One simpering anchorman even shouts at a reporter who asks a tough question.”
Many Hollywood leftists consider President Obama a figurative godsend. Some, including Sting, think he was literally sent from God. The former Police front-man told the Associated Press that he believes that Obama is a gift from Heaven, delivered to shepherd the befuddled masses to providence (h/t Ace).
"In many ways, he's sent from God," Sting said in an interview with the AP. He heaped praise upon the President for his ability to lead the country though the "mess" in which we find ourselves. He met Obama recently and "found him to be very genuine, very present, clearly super-smart, and exactly what we need in the world."
"I can't think of any be better qualified because of his background, his education, particularly in regard to Islam," he added. Sting then went on to bash the President's critics as deranged, ignorant, and "medieval".
Behar made suggestion Limbaugh represents himself as someone who is not "in the mainstream" because he argued on his Oct. 14 show the backlash was in part generated by liberal activists threatened by the notion Limbaugh could be considered to be in the mainstream. That notion was one which Belzer lashed out at and called Limbaugh and Fox News host Glenn Beck "fascist stooges" (emphasis added):
Nothing mitigates director Roman Polanski’s unspeakable crime. Certainly Polanski has dealt with personal tragedy on a scale few of us can understand, but that’s not a license to drug, rape and sodomize a 13 year-old girl. Nor is perceived misconduct on the part of the trial judge, nor is the forgiveness of the victim (who reached an out-of-court settlement with Polanski).
And this may come as a surprise to some in Hollywood, but helming a few cinematic masterpieces doesn’t turn someone who anally raped a child into some kind of tragic hero… In all the revisionist history, the simple fact that Polanski plead guilty to “unlawful sex with an underage girl” is seldom mentioned at the top of the special brand of rationalizations extended to our celebrity class.
Well, finally, after 32 years, justice may be done. At the request of the U.S., the Swiss nabbed the 76 year-old fugitive and may extradite:
Millionaire Michael Moore says capitalism is evil and that the entire system should be thrown out for one that is "democratic" and "fair."
That's the overarching message of Moore's new documentary, "Capitalism: A Love Story," which will be widely released Oct. 2. The film won two prizes at the Venice Film Festival and was lauded by critics there and at the Toronto Film Festival. Now Moore is being warmly greeting in softball interviews by television anchors and reporters - particularly on ABC.
ABC's "Nightline" ran an 8-minute long segment Sept. 22 interviewing Moore and showing clips of his film, an it received an additional five minutes on "Good Morning America" Sept. 23. ABC didn't include a single critic of Moore in those 13 minutes, and neither segment rebuked Moore for past lies in his movies.
The film has generated uncritical buzz among many other news outlets including MSNBC, The New York Times, Associated Press and "The Jay Leno Show." He is also scheduled to be a guest of "Larry King Live," "The Situation Room," and "The View" Sept. 23 and 24. Four networks, a wire service and three out of five major newspapers will have covered the movie in the span of a week.
Critics love David Letterman. They love him because he’s mean and liberal and does everything they demand: further the leftist agenda through the brutal use of humiliation to target any public figure (or their child) who might derail Leftist causes.
And contrary to conventional wisdom, Letterman’s not edgy. In fact, he’s just the opposite. Doing exactly what those who can criticize you want you to do is not edgy. Kissing the big Manhattan/Los Angeles bi-coastal [rear] of the elite is not edgy. He’s their jester; their puppet. Worse, he’s about as funny as watching your old, half-deaf Uncle intimidate, humiliate and demean your Aunt and then smile at the rest of the family as though he’s just reaffirmed his manhood. Letterman reminds me of the Jason Robards character in “Parenthood” in more ways than you can imagine. In other words, he’s a jerk, but in a sad end-of-his-life kind of way.
Oh, and how the elite critics resented nice ole’ Jay Leno for cleaning Letterman’s ratings’ clock all those years. And now that Jay’s back eating up primetime, they couldn’t wait to jump all over him with sniffing disapproval fed through a filter of wrist-flicking dismissal.
With the health care debate getting loud and furious, you have to wonder why Hollywood has been so remarkably silent. Maybe the Celeberati don’t care whether citizens have health care, or maybe they are happy with the generous coverage they get from SAG and AFTRA, and believe the President who tells them they will get to keep their current coverage.
It can’t be accidental. Certainly there must be one celebutard who has an opinion on the debate. I long for a wonderful bit of wisdom from Sheryl Crow, perhaps a suggestion to save costs and the environment by washing and re-using band-aids.
Where is Barbra Streisand? Barbra has been noticeably absent from all political debate lately. Probably not coincidentally, she just released a new album. Perhaps her handlers advised Babs to tone it down; that her target audience is composed primarily of senior sitizens now, a demographic that has a tendency to skew conservative and worry greatly about their health care. (The profit motivation is an awesome force, strong enough to restrain torrents of wisdom from the Great Barbra Streisand.)
Even Mike Farrell, a frequent advocate of government health care, has been silent lately. Mike is a fortunate celebrity, whose name would be unrecognizable to anybody, if Wayne Rogers hadn’t stormed off the set of M*A*S*H 35 years ago. Farrell is still making an incredible living based on those eight years of work he did more than a quarter century ago; he gets a little bit of change every time you watch a re-run of M*A*S*H.
He is one of those who believes in a “right” to healthcare. The flaw in his thinking is that health care does not exist without the labor of others, and you have no “right” to the labor of others. I wonder if Mike Farrell believes that access to free reruns of M*A*S*H is a basic human right?
In today’s L.A. Times director Oliver Stone discusses his upcoming documentary “South of the Border,” about the “warmhearted” Hugo Chavez. [emphasis added]:
Oliver Stone is shown warmly embracing Hugo Chávez, nibbling coca leaves with Evo Morales and gently teasing Cristina Elizabeth Fernández de Kirchner about how many pairs of shoes she owns. …
“I think he’s an extremely dynamic and charismatic figure. He’s open and warmhearted and big, and a fascinating character,” … ”But when I go back to the States I keep hearing these horror stories about ‘dictator,’ ‘bad guy,’ ‘menace to American society.’ I think the project started as something about the American media demonizing Latin leaders.
Guys like Stone are forced to rationalize that the American media is right-leaning in order to avoid their head exploding due to an acute case of FacingTheTruth-itosis. But maybe the doc will be more critical than we’re led to believe in this article. During their warm embrace, it’s possible Stone whispered hard-hitting questions in Hugo’s ear about reports such as this from the not-so-conservative Human Rights Watch.
So the latest GI Joe flick is creating controversy, because the character is no longer portrayed as a typical American soldier. Instead he’s part of some elite murky force of international fighters - a Benetton ad with rocket launchers. On MSNBC, Donny Deutsch tried to take John J. Miller to task over his objections to the change – pointing out that the shift from an iconic American character to a mushy international delight is a “business” decision. For the movie to make money internationally, Donny thinks the character has to become part of global task force of community organizers. To this, I say, “Fiddle faddle,” which is short for “Silly stupid fiddle faddle.”
I wrote about this two years ago, just when Hasbro and Paramount execs decided to give GI Joe a makeover. Back then they felt the world would be too pissed at us for getting rid of Saddam Hussein to go see a movie about an American hero. As it turns out, they were wrong - the backlash over Saddam’s death had less impact than Norman Fell’s.
But for a moment, let’s attempt to use Donny’s logic on other flicks.
If you think the national news media is biased, spend some time rummaging through the world of entertainment news. Today’s L.A. Times piece about the marketing of “G.I. Joe” has an especially priceless whopper:
Yet overseas, where big action films often earn 60% or more of their ticket sales, rah-rah American sentiment doesn’t play well. So those references have vanished from the advertising.
The Great Lie told by Leftist Hollywood and the media who shill for them is that in order to make money the likes and dislikes of an “international” audience must be considered, and international audiences loathe Americanism.
Let’s see how that’s working out with some overseas numbers for a few “big action films.”
You know, liberals should be celebrating. Their man, The Won, is in the White House. They have control of both the House and the Senate, and legislation such as cap and trade and nationalized health care may well become reality - European socialism without having to leave the comfort of home. The Brave New World is on the way. Rejoice in mediocrity for all!
So why are they so grumpy? I suppose it’s because the idea that anyone might stray from the reservation is anathema to them, and this little thing in our Constitution called the First Amendment kind of gets in the way of collective happiness and singing Kumbaya around the campfire.
For Hank Stuever of the Washington Post, Sacha Baron Cohen's latest movie, "Bruno," is a reflection of America's "giant case of sex phobia."
Cohen's movie tells the tale of Bruno, a gay Austrian fashionista who embarks on a quest for fame (to become "the most famous Austrian since Hitler"). Its depictions of gay sex and a gay man flamboyantly flaunting his sexuality caused worry among gay activists about an increase of homophobia, despite a statement from Universal Pictures that the film aimed to "shed light on the absurdity of many kinds of intolerance and ignorance, including homophobia."
Stuever offered Post readers an inside look on July 9 at what it felt like to be a gay man watching "Bruno" and concluded that the movie didn't teach anything "other than sex is basically a total gross out."
"When they're runnin' down my country [music], man, they're walkin' on the fightin' side of me."
Merle Haggard's most famous lyric could well be adapted to express the reaction country music fans may have upon reading Joe Heim's latest review in the June 30 Washington Post.
Heim's lead paragraph begins with a drive-by attack on the genre as a whole:
Country music has always had something of an image problem, particularly among people who fancy themselves as progressives. Immigrant-trashing, gay-bashing, race-baiting, women-hating songs aren't hard to find in the country catalogue. Heck, sometimes you can find them all on a single album.
Heim set forward this straw man in order to more effusively praise country artist Brad Paisley as a "forward-thinking" artist in the vein of say the Bush-bashing "Dixie Chicks" for his latest album, "American Saturday Night" which "celebrates cultural diversity, lionizes women, stirringly welcomes a black president and, for good measure, whoops it up about drinkin' and fishin.'"
Teasing an upcoming interview with actress Megan Fox on Tuesday’s Early Show, co-host Harry Smith gushed: "...this woman has jumped from virtual unknown to Hollywood A-lister. It doesn’t hurt she is one of the most beautiful women on the planet...And a very nice young person."
Smith failed to make any mention of the "Transformers" star’s controversial comments in a June 5 interview, in which she wished the villainous robots in the movie could "...just take out all of the white trash, hillbilly, anti-gay, super bible-beating people in Middle America." Fox, a self-described bisexual, made the comments while talking with "Total Film UK."
Fellow co-host Maggie Rodriguez similarly fawned over Fox: "Harry already got the chance to meet her and I said ‘how is she?’ You sounded like Tony the Tiger...‘She’s great.’ A lot of people are saying, you know, she’s the new ‘it girl,’ the new Angelina Jolie."
Pornography is no longer a poison creeping into the crevices of our popular culture. It is part of the very fabric. One sensation at a recent Apple conference for new and developing applications in San Francisco was the "i-Porn bikini girls" advertising free X-rated films for your i-Phone. It sounds like a whole new reason to fear people using their mobile phone while they drive.
Free porn sites are all over the Internet now, with zero restrictions or minimal electronic barriers against curious children who might be in for a very crude shock within seconds, just with the still photos on the home page. Even the most mainstream of video sites are inundated with pornography and its promoters. YouTube touts itself as the world’s most popular portal for Internet videos. It has become so big it’s even promoting a new technology called YouTube XL to put its videos directly on your big-screen TV.
Whenever Oscar-winning filmmaker Michael Moore releases a new documentary the reaction in the press is typically jubilant. Rave reviews. Fawning interviews which rarely ask tough questions. Oscar buzz aplenty.
But this time could be different.
Moore’s last film, “Slacker Uprising,” didn’t go straight to DVD. It went straight to download. Now, Moore’s catching heat from Movieline.com, the online film magazine which routinely taunts conservative targets like Gov. Sarah Palin. The site’s new Moore-related post swats the filmmaker for a less than sharp attempt at marketing his upcoming film about the country’s economic collapse. The movie blogger sets up his critique here:
During his opening monologue on ‘Real Time’ Friday night, Bill Maher, couldn’t resist piling on to the David Letterman controversy and the sex jokes made by him earlier in the week regarding Sarah Palin’s daughter.
In defending his friend, Maher thought Republicans had over reacted and this was just a case of ‘fake’ outrage. Much ado about nothing. He then went on talking about how Letterman had invited Sarah Palin and her young daughter, Willow, to appear as guests on his show but the Governor declined because she thought it would be wise to keep her daughter away from him. Said Maher, “…that’s right, he’s 62 years old, he’s gonna f*** her right there on stage…it would be very wise to keep her, very wise, yes. You know, I’d worry a little more about the 18-year old hockey players who knock up your daughters.” To which his audience of trained seals laughed and clapped and had a good old time.
I sat there stunned. Much like his pal Letterman, as far as I was concerned, Maher had crossed the line. Big Time. What is it with these guys?
"Michael Moore, the filmmaker, is back and this time he was taking aim at Wall Street," Watson said on June 15. "[H]e did a very funny thing, Sarah, this weekend when you showed his documentary in some of the movie theatres. It was very interesting. He had ushers walk along, trying to take up money for CEOs and Wall Street banks."
I have had it with Letterman! I used to defend this guy to all of my friends who liked Leno better. I would say from a comic stand point that Jay was a great comic but Letterman was more original and had more style and class than Leno. Two recent events have changed my mind: Jay’s classy departure from the “Tonight Show” and Letterman’s classless left-wing attacks on the kids of politicians.
A comic needs to be an equal opportunity offender. We can’t pick sides in politics. We can have a point of view and a favorite but being a comic means when our guy drops the ball, you have to pick it up and smash it in his face. My friend and political opposite, Will Durst, said this a few years back about Mort Saul (I am paraphrasing here), “You can’t sit down to dinner with the Reagans and then pretend you’re still willing to sling mud at them.”
That is what is wrong with comedians like Letterman, Garofalo, and Stewart. They only see one side. Why do none of them at least give love taps to Obama? Why didn’t at least one of them make some comedic hay out of Obama gaffs like “57 states” and a reference to speaking “Austrian?”
The guy is the President and he can’t shake his mother-in-law and you can’t find a joke in that?
Megan Fox recently stated that her solution to a real life evil Transformer invasion would be to negotiate and ask, “instead of the entire planet, can you just take out all of the white trash, hillbilly, anti-gay, super bible-beating people in Middle America?”
I also found these quotes from Ms. Fox:
“I don’t want to have to go on talk shows and pull out every single S.A.T. word I’ve ever learned, to prove, like, ‘Take me seriously, I am intelligent, I can speak.’ I don’t want to have to do that. I resent having to prove that I’m not a retard.”
“Women are expected to be conformist automatons in L.A. but in Britain you can be more yourself and people will take you on face value.”
Far be it from me to point out that the base audience for “Transformers” is young males in Middle America, the same men that Fox condemns to a robot apocalypse. I doubt the bi-coastal elites from Beverly Hills to the Upper West Side will be waiting in line for the midnight showing of Michael Bay’s latest opus.
CBS correspondent Thalia Assuras touted the celebrity status of the Obamas on Wednesday: "The paparazzi and the press corps treat them like movie stars. They're on magazine covers and in fashion spreads. Even the presidential pooch is a celebrity. The Obamas are helping turn staid old Washington into Hollywood on the Potomac." [audio available here]
During the Early Show, Assuras reported on numerous upcoming reality TV shows being set in Washington D.C. and credited the first family for turning the nation’s capital into a celebrity hot spot. She cited Washington Post reporter Sally Quinn, who declared: "All of the power is concentrated here and power is a great aphrodisiac. And so, Washington has become the place to be." Assuras added: "And be seen. Even film stars are flocking here for a chance at the spotlight. Now the latest proof that the nation's capital is indeed the new hot spot, the arrival of reality TV."
To the extent that it is being reported, actor Jon Voight's remarks to last night's Republican House-Senate fundraising dinner are being selectively chosen to fit the media's talking points about conservatives and the GOP.
Robert Dougherty of Associated Content News, for example, has latched onto some red meat lines to portray the actor as a thorn in the side of some Republicans who don't want to rock the proverbial boat:
Though the Republicans tried in vein [sic] to heal the recent divides in the party, Jon Voight had no such words of reconciliation in regards to the President. As host of the dinner, Voight spoke against the "Obama oppression" and called the President a "false prophet" among other things.
But that doesn't do justice to Voight's 10-minute speech -- which I've embedded above at right -- wherein the veteran actor noted how Democrats and the media were content to wear down public opinion of George W. Bush with a never-ending flood of negativity while building up Barack Obama as a near-messianic savior who dare not be questioned: