In the May 26 issue of Rolling Stone, Taibbi's article, "Wall Street War," lamented the impact lobbyists in Washington, D.C. have had on the legislative process of the financial regulation reform. And in order to keep readers interested, he painted Sen. Richard Shelby, R-Ala., as a villain with a degree of insult:
On Thursday's edition of "The View," Joy Behar and her mostly left-wing co-hosts attempted to associate a strong, independent woman with liberalism. The occasion, actress Rachel Weisz appeared on the program to promote her new role in the upcoming movie "Agora."
The film is set in Roman Egypt during the fourth century and focuses on the life of Hypatia, a female philosopher and scholar. Behar insisted the character must have been a "liberal."
During the exchange, Weisz began discussing her role as Hypatia and how her character, “believed in having the people from different backgrounds with different political views, rather like you ladies sitting here.” Immediately following this assertion, Joy Behar announced, “Oh, so she was liberal” and “bipartisan.”
"Law & Order," the popular courtroom drama that concluded its 20th and final season May 24, is a primetime TV legend. But the show that boasted its stories were "ripped from the headlines" often provided its viewers a distorted reality in which businesspeople were mostly portrayed as villains.
The Business & Media Institute examined "Law & Order," along with other television dramas' treatment of businessmen in 2005. BMI found that you were 21 times more likely to be kidnapped or killed by a businessman that a mobster.
Since 1990, the cop/attorney drama created by liberal Dick Wolf has covered a host of "bad" businesses from the company secretly testing roach poison on children and the greedy pharmaceutical execs selling a bad vaccine to the military to allegedly dirty defense contractors, landlords and medical device manufacturers.
In two out of three of its final episodes, the original "Law & Order" continued to demonize businessmen. One of those anti-business episodes villainized a bio-research firm, HemaLabs, for "stealing" DNA and blood samples from a family to create cancer treatment drugs. The company never compensated the impoverished family.
“Sex and the City 2” hits theaters May 27 and the media have been promoting the new film. NBC’s “The Today Show” joined in touting the movie by having star Cynthia Nixon, who plays Miranda Hobbes, on May 25. But the interview took a curious turn when Nixon was given a platform to support same-sex marriage in New York.
Host Meredith Vieira was discussing a Hollywood Reporter review that called the movie “proudly feminist, but blatantly anti-Muslim, when she stated, “In real life, you are engaged to Christine Mariononi.”
Nixon began dating Mariononi after splitting with her husband, Danny Mozes, with whom she has two children. Nixon and Mariononi became engaged last year.
After Nixon confirmed she still was, Vieira said, “Your partner for six years. And you have said if the, the same sex-marriage bill passes in this state, you plan to get married.”
Editor's Note: This post originally appeared at Andrew Breitbart's Big Hollywood.
The political thriller Fair Game premiered at Cannes today. (Pause for giant, collective yawn from Big Hollywood readers…)
The Sean Penn-Naomi Watts “starrer” (hey, it’s fun using unnecessarily awkward Variety-speak!) revisits the Valerie Plame Wilson scandal, an episode I’m not even going to bother recapping, because to do so would simply be coma-inducing for all of us. Besides, I already summed up the affair and dissected the screenplay’s political slant for Big Hollywood here. Suffice it to say, it’s a tale the Hollywood Left is hell-bent on getting Americans to care about.
As are its water-carriers in the media. In a deceptive puff piece an article last week for the Los Angeles Times, Rachel Abramowitz discusses the film and interviews its director Doug Liman. The first clue that we’re about to be sold a crockpot of hooey comes when she describes Valerie Plame as “the undercover CIA operative whose name was leaked to the media by the Bush White House in an effort to discredit her husband, former Ambassador Joe Wilson.”
Taxpayers may be forced to foot a portion of the bill for a new movie that has become a stark -- and violent -- message against the recently passed Arizona immigration law. The liberal political stance is nothing new in the movie world. That the film is still being considered for indirect public funding, however, is quite striking.
An online trailer for the film "Machete," released on Cinco de Mayo (and embedded below the fold), begins with the title character saying he has a "special message...to Arizona!" That special message, as the New York Post writes, seems to be "They just f---ed with the wrong Mexican."
Some commentators believe that the film could actually provoke violence. But at the very least, "Machete" seems to be making a very strong and provocative political statement about an extremely divisive issue -- while at the same time applying for tax breaks from the Texas state government. So Texans may be forced to help pay for a statment to which -- if national polls are any indicator -- many are opposed.
As an admirer of his work, I’ve tried to see things from Polanski’s point of view in the past, but if these charges turn out to be true, it would be harder than ever to defend him. Once burned is twice shy.
What a relief to know Goldstein draws the line somewhere. But he’s not alone. Here’s Jeff Wells:
On CBS's Sunday Morning, correspondent Mark Phillips described the latest adaptation of the Robin Hood legend by director Ridley Scott and starring Russell Crowe: "And so here is an evil King John, squeezing his subjects for more taxes....And here is Robin. Not as a thief, but as a revolutionary figure trying to limit the King's power. Robin Hood meets Che Guevara." [Audio available here]
Protesting high taxes and wanting to limit government power is the equivalent of a Communist revolution? Sounds more like the Tea Party movement.
After making that bizarre comparison, Phillips further explained the plot of the new film: "This Robin joins the fight to get the English king to sign the Magna Carta in the year 1215, the document establishing the first rights on which modern democracies are based." Guevara, of course, was the ruthless henchman of Cuban dictator Fidel Castro, hardly an advocate for democracy.
For many far-left MSNBC fans, one conservative on the cable network is one too many. Combine a tired tirade against Joe Scarborough of "Morning Joe" with the inanity of a Hollywood leftist's lame attempt at media commentary, and you have one entertaining Huffington Post column.
"Are the programmers at MSNBC nuts?" asked legendary actor Donald Sutherland (pictured right) on Sunday. "They give us refreshing afternoons with Chris and Ed, put us to bed with the clarifying sensibilities of Rachel and Keith and then, idiotically, wake us up with Mr. Small Mouth."
Yes, Sutherland did just use the terms "refreshing" and "clarifying sensibilities" in reference to Ed Schultz and Keith Olbermann, respectively. And no, apparently he was not being sarcastic. Then comes the Scarborough-bashing:
Actor Alec Baldwin and New York Times assistant managing editor Richard Berke went back and forth mocking Sarah Palin during a discussion at Harvard University on Wednesday.
Baldwin dubbed Palin "caribou barbie," while Berke rehashed the former Alaska Governor's interview with Katie Couric during the 2008 campaign -- perhaps the left's favorite Palin-basing talking point. Baldwin went on to attribute Palin's success to a television news culture that sports women who look like they "just popped off the runway."
These demeaning comments marked the latest in the liberal elite's condescension of Sarah Palin -- condescension that would likely be condemned as outright sexism if directed at another prominent public figure. Videos of the exchange are embedded below the fold.
No one has ever accused Alec Baldwin of being a rocket scientist, but apparently the actor fancies himself a nuclear physicist. At least that’s the logical conclusion to draw based on his post over at HuffPo entitled “The Human Cost of Nuclear Power.” The actor assumes his new role with gusto, metaphorically donning a lab coat to explain what he believes are the inherent dangers of nuclear power, but his bizarre conclusions and the outdated, discredited research he cites suggests that a straightjacket would be his better fashion choice.
Let’s start with a question that illustrates just how far the limb that Baldwin is precariously balancing upon extends: what kind of power plant emits the most radiation? The correct answer isn’t the obvious answer. According to the Department of Energy, coal fired power plants emit about one hundred times more radiation, per unit of energy produced, than nuclear plants, chiefly because coal naturally contains trace amounts of radioactive compounds and, unlike nukes, they’re not designed with radioactive shields. Before anyone living near a coal fired power plant runs screaming for the door, I should hasten to add this is still an incredibly tiny amount of radiation, about 1/10,000th of all the radiation that an average person is exposed to each year. Natural sources, by far, make the biggest radioactive contributions to our lives. Nothing else is even close.
On Tuesday's CBS Early Show, co-host Maggie Rodriguez described how comedian Conan O'Brien could attract viewers to his new late night show on the TBS cable channel: "if he can get this young revolution, you know, a la President Obama, to follow him, that could be huge."
Rodriguez made the comment after guest Dalton Ross, the assistant managing editor for Entertainment Weekly, observed that O'Brien was: "now competing with Jon Stewart and Stephen Colbert, he's not expected to have these mass numbers. As long as he brings his younger audience, his albeit smaller, but passionate audience to TBS, it's going to be successful."
Ross thought Rodriguez's comparison of Obama and O'Brien supporters was "exactly right."
I must have missed the groundswell of support and the public clamor for the return of Rosie O'Donnell to the daytime airwaves. It seemed that her time in the cultural spotlight had passed following her notorious 2008 variety show failure (It was hailed by one merciful critic as "dead on arrival") and her exile to a daily Sirius XM radio show that caters to creepy shut-ins and those unlucky listeners who can't figure out how to tune-in to Howard Stern. But like some sort of loudmouthed, frumpy, left-wing vampire who just won't stay in the ground, she is threatening to rise again with a terrifying plan to replace Oprah once the Queen of Daytime TV retires in 2011. Someone in Hollywood, please - break out the garlic.
Of course, I'm hardly Rosie's daily television show target demographic. I work for a living instead of sitting at home staring slack-jawed at the succession of Sham-Wow commercials and ads for shyster lawyers promising big payouts for the imaginary injuries of their deadbeat clients that fill the time between inane segments of mindless yak. And while the social parasite demographic seems to grow larger after every freebie, hand-out and pay-off the Administration and its Congressional flunkies issue in favor of their employment-averse constituents, Rosie O'Donnell still seems like a bad economic bet.
With the recently announced end of Fox's hit series "24," many liberal pundits are parading the show as a false depiction of the notion that "torture works." Contrary to their accusations, the Jack Bauer interrogation methods bear exactly zero resemblance to any actual interrogation techniques used by American military, law enforcement, or intelligence agents.
"On '24,' torture saves lives," the New York Times's Brian Stelter writes, disapprovingly. James Poniewozik, writing on a Time Magazine blog, attributes the show's supposed approval of harsh interrogations to the "conservative politics of co-creator Joel Surnow."
Any American who has serious doubts that our military and intelligence officials would allow interrogators to, say, directly threaten the lives of a terrorist's family (let alone inflict tremendous physical pain) to elicit information has a better grasp of interrogation techniques -- and the integrity of our men and women in uniform -- than most of the liberal media.
"Avatar" director James Cameron had some nasty words for Glenn Beck and global warming "deniers" yesterday.
Cameron said at a news conference that he would like to shoot "those boneheads," referring to skeptics of anthropogenic global warming. "Anybody that is a global warming denier at this point in time has got their head so deeply up their a** I'm not sure they could hear me," Cameron added.
As for Beck, "he's a f****** a**hole," the 2010 Oscar nominee so eloquently put it. He backtracked a bit, but still maintained that the FNC host is "dangerous because his ideas are poisonous," echoing a statement by NPR's Cokie Roberts yesterday. "Of course he wound up on Fox News, which is where he belongs, I guess."
Perfectly timed for the week President Barack Obama is pushing the House to vote on ObamaCare, on tonight’s (Tuesday) episode of CBS’s The Good Wife, set at a Chicago law firm, the lawyers “battle a health insurance company that refuses to pay for urgent in-utero surgery.” The CBS.com plug for the March 16 episode: “In an emergency courtroom set up in a hospital, Alicia and Will battle Patti Nyholm and an insurance company that refuses to pay for life-saving in-utero surgery.”
So, I’ll hold out hope this episode will deliver more than just simplistic vilification of an insurance company and might, given the plot involves “in-utero surgery,” also forward pro-life perspectives. Watch and see.
Three weeks after the mother on ABC’s Brothers and Sisters (“Nora Walker” played by Sally Field) fretted over the GOP “denying global warming,” the ABC drama on Sunday night featured an episode centered around her daughter, “Kitty Walker-McCallister,” a Republican candidate for Senate in California played by Calista Flockhart, coming under attack from conservative rubes who think she used her influence to get the visa renewed for her older sister’s French boyfriend, “Luc.”
At a campaign event with mini-video camera-toting bloggers visible, protesters boo and repeatedly chant: “America for Americans!” as they hold up signs, such as “FRENCHIE GO HOME!!!” and, with a mustache added to Kitty’s face, “Hi Kitler!” Just like the real media’s slander of Tea Party protesters.
Kitty’s husband whom she is running to succeed, incumbent “Senator Robert McCallister,” played by Rob Lowe, charges: “It’s just the conservative purity police trying to purge the party of lily-livered Republican moderates.” Kitty complains to her sister, “Sarah Walker,” played by Rachel Griffiths: “I am fighting for my political life with a bunch of ultra-conservative yahoos who want my head because you decided to fall in love with a guy who has immigration issues.”
Audio: 90-second MP3 clip that matches the video highlights from the March 14 episode.
In an interview with Matt Damon near the end of Thursday's CBS Early Show, co-host Harry Smith helped promote the actor's latest film, 'Green Zone,' which attacks the Bush administration over the Iraq war: "What was it like to make a movie like this? Because it's a little – it's – I'm not sure if this is an apt analogy, but it's a little 'Bourne' meets 'Hurt Locker.'"
Smith alluded to Damon's role as Jason Bourne in the action movie series and the Oscar-winning film 'Hurt Locker,' which chronicles bomb defusing teams in Iraq. Smith introduced the pre-recorded interview by touting Damon's latest film as a "new Iraq war thriller."
Lending credibility to the 'Green Zone' screenplay, Smith noted the movie was: "loosely based on a book that was written by a correspondent for the Washington Post, but the characters in it are fictional." Damon explained the premise of the film: "The guy I play is based on a real guy, he's leading a mobile exploitation team. We had these teams follow the Army....exploiting these sites where we thought the WMD were....they start realizing that there aren't any weapons there." Smith added: "Yeah, and he's a true believer." Damon replied: "Oh, absolutely."
Over the weekend, Time Magazine published a long, glowing profile of Tom Hanks to help promote his upcoming HBO miniseries “The Pacific.” And as with all things entertainment media, the subject is never challenged or even made to shift uncomfortably in his seat. The push to ascend Hanks to “national treasure” status is clearly on.
Hanks does seem to be a genuinely nice man and the work he’s done to bring American history to life on film is impressive, especially during a time when the singling out of America’s exceptionalism is more and more frowned upon in artistic and academic circles. ”From the Earth to the Moon,” “Band of Brothers,” and “John Adams” are not only artistic achievements, but in this MTV-addled culture, might be the best hope of teaching America’s youth about the unique history and greatness of this nation. And I suspect ”The Pacific,” the 10-part miniseries premiering this Sunday on HBO (which Big Hollywood’s Michael Broderick will cover extensively) will be a worthy addition to what came before.
But when it comes to leftist Hollywood, whenever Tinseltown and America meet, you have to brace yourself for it — and by “it” I mean the leftist sucker punch. Throughout, Hanks sounds perfectly reasonable, intelligent and even patriotic for a couple of thousand words. But of course that’s just the lure to get us on his side before we’re walloped with this left cross: [emphasis mine]
On this past Tuesday’s episode of The Good Wife on CBS, viewers were treated to a scene in which a ballistics expert opens a gift, from a partner of a law firm, to find a book about Sarah Palin made up of, he discovers by thumbing through it, blank pages “satirically representing,” Amazon.com explains, “the mind and thinking of Sarah Palin.” The book, ‘Going Rouge: A Candid Look Inside the Mind of Political Conservative Sarah Palin.’
In the March 2 episode, Chicago law firm partner “Diane Lockhart,” played by Christine Baranski, engages the ballistics expert to help her with a murder trial. In her office, he notices a picture, on her credenza, of her with Hillary Clinton. Visiting him at his home office on a farm, she notices on his credenza a photo of him next to Palin: “Is that photo-shopped? You and the Barracuda?” He doesn’t deny he “photo-shopped” it: “No, she’s at a pro-life rally.”
After his testimony exonerates her client, he sends her a gift in a box: Sarah Palin’s biography: Going Rogue, promptly her to chuckle. In return – the scene in the accompanying video clip – he sends her the book ridiculing Palin. He opens the box, picks up the book and discovers all its pages are blank.
Throughout Rep. Michele Bachmann's, R-Minn., two terms in the U.S. House of Representatives, she has been target of liberal scorn - from the great mind of MSNBC's Ed Schultz to the bomb-throwing commentator parading as a pseudo-investigative journalist known as Matt Taibbi. But this latest round of Michele Bachmann derangement syndrome actually required time and effort - a comic book dedicated to denigrating the representative from Minnesota's 6th Congressional district.
Demonstrating how Hollywood writers aren't reticent about inserting gratuitous political points into prime time dramas, on last Sunday night's (February 21) episode of ABC's Brothers and Sisters, “Nora Walker,” played by liberal actress Sally Field, walked into her kitchen during a kick-off party for her daughter's Republican senatorial campaign, and complained to another daughter, a son and his husband:
I can't believe the three of you are in here drinking while the GOP is out there denying global warming.
The far-fetched current storyline has “Kitty Walker,” played by Calista Flockhart, weeks after a battle with cancer and adopting a baby, running for the U.S. Senate as a Republican from California to replace her husband, “Senator Robert McCallister,” played by Rob Lowe, who is stepping down after a heart attack.
Another episode will air tonight on ABC at 10 PM EST/PST, 9 PM CST.
It seems that even the most [what appears to be] level-headed of comics writers these days just can't resist the pressure to delve into the "progressive" political cesspool. This time it's Captain America scribe Ed Brubaker.Hunting Muses lays it out:
Enter Captain America.
You know, the WW2 hero who died recently and just came back to life to fight a 20 ft tall Red Skull in front of the Lincoln memorial. I had heard a lot of good things from Ed Brubaker. I picked up some trades shortly before Cap’s death, read them, and then finished out Bru’s run because they were great. Right up there with Geoff John’s Green Lantern series as what I want from a comic.
Then Brubaker had to go and not only insult me, but violate the core of what Captain America is all about in issue 602 “Two Americas part 1″. Here are 3 consecutive pages from the comic to help you get a full context:
Two years ago, Time critic Richard Corliss wrote an article that clearly must have resonated at the Academy of Motion Picture Arts and Sciences. The Oscar telecast was sinking in the ratings, he wrote, because the nominees were largely unwatched by the masses. It used to be that the Best Picture prize went to mainstream box-office hits. "Now when the nominations come out, people try to catch up with the finalists, but it's almost like homework."
The 2010 Oscar nominations clearly signal that Hollywood is trying to return to a broader vision of the Oscars, as something more than an insular critics’ circle that likes only the self-consciously arty and obscure. That signal came most obviously with the announcement that there would be ten nominees for Best Picture. That list hadn’t seen 10 nominations since 1943, when the winner was "Casablanca."
Arty films that almost nobody has seen are still there – like "An Education." But arty blockbusters are there as well, like "Avatar" – current box office gross: $601 million -- and the animated film "Up," with $293 million. (By contrast, two years ago, the Best Picture box office leader was "Juno" – at $85 million when the nominations came out.)
Why let facts get in the way of a good liberal meme?
Paul Farhi sure didn't when he panned Oscar-nominated movie "The Blind Side" during a special "Hardball on Hollywood" segment with Vanity Fair's Michael Wolff and host Chris Matthews on the February 2 program.
The Washington Post media critic slammed the Best Picture-nominated drama -- based on a true story -- as just another movie in which the white characters' guilt is assauged by helping a black guy (video embedded at right; an MP3 audio clip is available here):
PAUL FARHI, Washington Post: The problem is that the black character is basically a prop to make the white people feel better about themselves, and that's been the major criticism. It's also the "magic negro," in other words, the idea that a black character will emerge to provide wisdom for the white people involved in the movie.
Alec Baldwin, award winning actor and wannabe leftist political commentator, called on Congress to sink congressional health care legislation today, saying he would rather the federal government "Put a Major Oil Company Out of Business," according to the headline of his column at the Huffington Post.
Baldwin isn't the only liberal entertainer calling for the death of ObamaCare. Plans to tax so-called "Cadillac" health care plans--or the most expensive insurance plans--have riled up some key Democratic supporters. The Teamsters Union and the AFL-CIO have protested, but now objections are also being raised by Hollywood's biggest unions.
The Los Angeles Times reported yesterday that the "generally cozy relationship between Hollywood's unions and the Obama administration is coming under strain." The American Federation of Television and Radio Artists recently sent a letter to President Obama and congressional leaders pleading with them to drop the Cadillac tax. According to the Times, the Screen Actors Guild, the largest union of actors, is expected to take a similar stance on the legislation.
While speculating that Tonight Show host Conan O’Brien may move to Fox in the wake of NBC shaking up its late night schedule, on Wednesday’s CBS Early Show, co-host Maggie Rodriguez referred to Sarah Palin becoming a contributor for Fox News: “Sarah Palin his sidekick? Because she’s on Fox now, too.”
Co-host Harry Smith couldn’t resist getting in a shot of his own as he replied that Palin could “lead the band” for O’Brien’s Fox late night show. Of course if O’Brien made the move, he would be on the Fox broadcast channel, not Fox News.
Earlier, co-host Russ Mitchell reported Palin’s Fox News debut on Tuesday’s O’Reilly Factor: “Former Alaska Governor Sarah Palin made her debut on Fox News last night. She appeared as a news analyst with Bill O’Reilly, who asked her about the controversy she attracts.”