Deadline Hollywood Daily's Editor-In-Chief Nikki Finke has declared a Red State Alert over the news that documentary filmmaker and Oscar-winner Michael Moore has just been elected to the Academy of Motion Picture Arts and Sciences' Board of Governors. She writes, Hollywood-hating conservatives are going to have a field day with this (And predictably the L.A. Times' Patrick Goldstein knee-jerks with this: You could hear the outcry in conservative quarters from a million miles away.)
If for no other reason than she saves me from having to spend money on a "Variety" subscription, I love Nikki, but this conservative has no problem whatsoever with Michael Moore being elected to the Academy's prestigious Board of Governors, because this conservative believes Michael Moore has earned it.
Yes, Michael Moore is a liar, a shameless propagandist and an anti-American leftist of the highest order. But he's also one helluva talented filmmaker and it would be wildly hypocritical for me to believe or argue that anyone should be blacklisted from AMPAS due to their political beliefs. And that's the only reason I could possibly use to argue against this appointment.
Of the more than 300 corporate sponsors who have sponsored Comedy Central in the past, not a single one has indicated their intention to buy advertising time on the planned "JC" program should it ever be set to go to broadcast.
That's the victorious announcement today from Citizens Against Religious Bigotry (CARB), a group co-founded by NewsBusters publisher Brent Bozell and a handful of other social conservative activists.
"The sponsors understand what the programming department at Comedy Central does not: Religious bigotry is bad business," Bozell noted in a statement. "With literally zero advertiser support for this program, the only reason Comedy Central would put it on their broadcast schedule is in an effort to offend Christianity and Christians. There is no valid business reason for airing 'JC,'" the Media Research Center founder argued.
Editor's Note: The following originally appeared at Andrew Breitbart's Big Hollywood.
Appearing on CNN with Anderson Cooper, film director Spike Lee implored President Obama to infuse his handling of the Gulf oil spill with more emotion. Demonstrating the astute analysis we have come to expect from the director, Lee implored Obama to “one time, go off.”
Perhaps he is of the same mind as Bill Maher, that the authentic black man is one who is always armed and resorts to violence and loud-talking when things do not go his way. (Note to self: On the way home from the liquor store, I must pick up my Glock from the gun shop.)
Both Lee and Maher seem to share the opinion of a great many progressives that emotion is the same as leadership and that problems are most easily solved by decree. It is no mistake that following criticism by Lee and others, White House press secretary Robert Gibbs was declaring to the media that he had “seen rage from him [President Obama].” Apparently, when Obama gets angry, he clinches his jaw.
Editor's Note: The following was originally posted at Andrew Breitbart's Big Hollywood.
Seeing that George Soros and Sting are working together to “end the drug war” puts me in mind of a story an Army buddy who works in the DEA told me about busting in the door of a drug house only to find three occupants – the oldest four years old, having been left in charge while his “parents” went out to score meth. Yeah, drug use is a victimless crime – if you ignore the victims.
Apparently not content to subsidize the whining of the nonentities at Media Matters, Soros is taking a break from his adventures in currency manipulation and general scuzziness to enlist entertainment celebrities like Sting in his newest quest. The Drug Policy Alliance is the result, a group whose members, as its founder puts it, “come from across the drug use spectrum.” Yes, the junkies, stoners, hopheads, dope fiends, pill-poppers, and Lindsay Lohan are unanimous: Drug laws are bad, and it’s probably BusHitler’s fault.
Editor's Note: The following was originally posted at Andrew Breitbart's Big Hollywood.
[WARNING: Major series finale spoilers]
Before the series finale of “24” began, Kiefer Sutherland (a.k.a Jack Bauer) appeared on the Fox network and thanked the show’s audience for their support of the long-running program. After eight seasons (eight days in the show’s life), “24” was cancelled earlier this year, although the show will likely be made into a movie. However, after so many great seasons and an emotionally satisfying conclusion, it should be the audience thanking both Kiefer Sutherland and his alter ego.
As the series finale began, the president of the United States, Allison Taylor (Cherry Jones), was preparing to have a historic peace agreement signed. However, the idealistic Taylor had been forced to make numerous ethical compromises in order to get the agreement signed and then discovers that Russia’s leader had planned the assassination of a Middle Eastern leader who was set to sign the agreement. Even knowing that, Taylor continued to obsessively pursue the treaty, which would likely become a major part of her presidential legacy.
NewsBusters Publisher Brent Bozell appeared on WMAL's "Grandy Group" shortly after 8 a.m. this morning.
The Media Research Center President discussed the media's anti-Israel bias flaring up afresh after the Gaza flotilla incident (click image at right for MP3 audio):
FRED GRANDY, host: You follow this more closely than do I. Um, over the last three or four days, has al-Jazeera acquired NBC, CBS, ABC, all the major outlets, because it seems there's such a clear media bias against what Israel did that it's hard for the truth to get out. Who ever thought that Benjamin Netanyahu and Joe Biden would be the two guys speaking truth to power on this?!
BRENT BOZELL: You know, it's very sad but this is a continuation of a narrative we've seen since the late 1980s with the intifadas that Palestine was launching against Israel where Palestine was always the innocent one and Israel was always the aggressor. You've got to put the story into context.
"Don't you think you're jumping the gun a little bit? I mean, the show's not even on the air."
That's how MSNBC's Contessa Brewer opened her June 3 interview with Rabbi Daniel Lapin, who appeared via satellite to discuss his work with the newly-formed Citizens Against Religious Bigotry (CARB) to get advertisers on Viacom's Comedy Central to publicly pledge to not support or underwrite a show currently in pre-production entitled "JC" for Jesus Christ. For full disclosure, NewsBusters publisher Brent Bozell is a founding member of CARB.
"Just playing devil's advocate here, because I am the daughter of a Baptist preacher, don't you think Jesus Christ is tough enough to withstand it?" Brewer prodded Lapin. After all, "he's a big guy," Brewer argued. [MP3 audio available for download here; WMV video for download here]
Given the irreverent and downright blasphemous treatment Jesus Christ and God have gotten at the hands of "South Park" and Sarah Silverman, Brewer later asked Lapin, in all seriousness, "What if this turns out to be more like a Sunday School lesson than the worst imaginings of you and Bill Donohue of the Catholic League and on and on?"
NewsBusters Publisher and Media Research Center President Brent Bozell and five other members of the Citizens Against Religious Bigotry (CARB) coalition will hold a tele-news conference tomorrow at 9:30 a.m. EDT to ask advertisers on Viacom's Comedy Central to publicly pledge to not support/underwrite a show currently in pre-production. The show is entitled "JC" - as in Jesus Christ.
[More information on how to join the call-in appears below the page break]
Joining Bozell on the call will be Family Research Council president Tony Perkins, syndicated radio host Michael Medved, Catholic League president Bill Donohue, Parents Television Council president Tim Winter, and Rabbi Daniel Lapin of the American Alliance of Jews and Christians.
For the conference call, Bozell will unveil an exclusive, four-minute video mash-up of some of the network's many offensive clips referencing Jesus Christ and God, as evidence of what we can most likely expect from "JC."
The CARB leaders will reconvene for another tele-press conference call on June 17th, to announce the names of the companies that have publicly pledged to not sponsor religious bigotry. And to discuss further action for those who fail to do so.
Editor's Note: The following originally appeared at Andrew Breitbart's Big Hollywood.
M. Night Shyamalan’s latest film production, "The Last Airbender," was recently awarded over $35 million in film tax credits from Pennsylvania over two years. The award is the largest in the history of Pennsylvania’s Film Tax Credit (FTC), breaking the record held by his previous project, "The Happening," which received $12 million in tax credits. His film "Lady in the Water" also received a film production grant. The only good news is that taxpayers are only forced to subsidize these movies, not to watch them.
Pennsylvania first created a film tax credit in 2004, replaced it with a film grant program in 2006, then enacted its current $75 tax credit program in 2007, in which films can receive up to 25 percent of production costs in the form of tax credit. The state’s FTC was temporarily reduced, as the 2009 state budget agreement reduced all tax credits by 33% for three years.
In the May 26 issue of Rolling Stone, Taibbi's article, "Wall Street War," lamented the impact lobbyists in Washington, D.C. have had on the legislative process of the financial regulation reform. And in order to keep readers interested, he painted Sen. Richard Shelby, R-Ala., as a villain with a degree of insult:
On Thursday's edition of "The View," Joy Behar and her mostly left-wing co-hosts attempted to associate a strong, independent woman with liberalism. The occasion, actress Rachel Weisz appeared on the program to promote her new role in the upcoming movie "Agora."
The film is set in Roman Egypt during the fourth century and focuses on the life of Hypatia, a female philosopher and scholar. Behar insisted the character must have been a "liberal."
During the exchange, Weisz began discussing her role as Hypatia and how her character, “believed in having the people from different backgrounds with different political views, rather like you ladies sitting here.” Immediately following this assertion, Joy Behar announced, “Oh, so she was liberal” and “bipartisan.”
"Law & Order," the popular courtroom drama that concluded its 20th and final season May 24, is a primetime TV legend. But the show that boasted its stories were "ripped from the headlines" often provided its viewers a distorted reality in which businesspeople were mostly portrayed as villains.
The Business & Media Institute examined "Law & Order," along with other television dramas' treatment of businessmen in 2005. BMI found that you were 21 times more likely to be kidnapped or killed by a businessman that a mobster.
Since 1990, the cop/attorney drama created by liberal Dick Wolf has covered a host of "bad" businesses from the company secretly testing roach poison on children and the greedy pharmaceutical execs selling a bad vaccine to the military to allegedly dirty defense contractors, landlords and medical device manufacturers.
In two out of three of its final episodes, the original "Law & Order" continued to demonize businessmen. One of those anti-business episodes villainized a bio-research firm, HemaLabs, for "stealing" DNA and blood samples from a family to create cancer treatment drugs. The company never compensated the impoverished family.
“Sex and the City 2” hits theaters May 27 and the media have been promoting the new film. NBC’s “The Today Show” joined in touting the movie by having star Cynthia Nixon, who plays Miranda Hobbes, on May 25. But the interview took a curious turn when Nixon was given a platform to support same-sex marriage in New York.
Host Meredith Vieira was discussing a Hollywood Reporter review that called the movie “proudly feminist, but blatantly anti-Muslim, when she stated, “In real life, you are engaged to Christine Mariononi.”
Nixon began dating Mariononi after splitting with her husband, Danny Mozes, with whom she has two children. Nixon and Mariononi became engaged last year.
After Nixon confirmed she still was, Vieira said, “Your partner for six years. And you have said if the, the same sex-marriage bill passes in this state, you plan to get married.”
Editor's Note: This post originally appeared at Andrew Breitbart's Big Hollywood.
The political thriller Fair Game premiered at Cannes today. (Pause for giant, collective yawn from Big Hollywood readers…)
The Sean Penn-Naomi Watts “starrer” (hey, it’s fun using unnecessarily awkward Variety-speak!) revisits the Valerie Plame Wilson scandal, an episode I’m not even going to bother recapping, because to do so would simply be coma-inducing for all of us. Besides, I already summed up the affair and dissected the screenplay’s political slant for Big Hollywood here. Suffice it to say, it’s a tale the Hollywood Left is hell-bent on getting Americans to care about.
As are its water-carriers in the media. In a deceptive puff piece an article last week for the Los Angeles Times, Rachel Abramowitz discusses the film and interviews its director Doug Liman. The first clue that we’re about to be sold a crockpot of hooey comes when she describes Valerie Plame as “the undercover CIA operative whose name was leaked to the media by the Bush White House in an effort to discredit her husband, former Ambassador Joe Wilson.”
Taxpayers may be forced to foot a portion of the bill for a new movie that has become a stark -- and violent -- message against the recently passed Arizona immigration law. The liberal political stance is nothing new in the movie world. That the film is still being considered for indirect public funding, however, is quite striking.
An online trailer for the film "Machete," released on Cinco de Mayo (and embedded below the fold), begins with the title character saying he has a "special message...to Arizona!" That special message, as the New York Post writes, seems to be "They just f---ed with the wrong Mexican."
Some commentators believe that the film could actually provoke violence. But at the very least, "Machete" seems to be making a very strong and provocative political statement about an extremely divisive issue -- while at the same time applying for tax breaks from the Texas state government. So Texans may be forced to help pay for a statment to which -- if national polls are any indicator -- many are opposed.
As an admirer of his work, I’ve tried to see things from Polanski’s point of view in the past, but if these charges turn out to be true, it would be harder than ever to defend him. Once burned is twice shy.
What a relief to know Goldstein draws the line somewhere. But he’s not alone. Here’s Jeff Wells:
On CBS's Sunday Morning, correspondent Mark Phillips described the latest adaptation of the Robin Hood legend by director Ridley Scott and starring Russell Crowe: "And so here is an evil King John, squeezing his subjects for more taxes....And here is Robin. Not as a thief, but as a revolutionary figure trying to limit the King's power. Robin Hood meets Che Guevara." [Audio available here]
Protesting high taxes and wanting to limit government power is the equivalent of a Communist revolution? Sounds more like the Tea Party movement.
After making that bizarre comparison, Phillips further explained the plot of the new film: "This Robin joins the fight to get the English king to sign the Magna Carta in the year 1215, the document establishing the first rights on which modern democracies are based." Guevara, of course, was the ruthless henchman of Cuban dictator Fidel Castro, hardly an advocate for democracy.
For many far-left MSNBC fans, one conservative on the cable network is one too many. Combine a tired tirade against Joe Scarborough of "Morning Joe" with the inanity of a Hollywood leftist's lame attempt at media commentary, and you have one entertaining Huffington Post column.
"Are the programmers at MSNBC nuts?" asked legendary actor Donald Sutherland (pictured right) on Sunday. "They give us refreshing afternoons with Chris and Ed, put us to bed with the clarifying sensibilities of Rachel and Keith and then, idiotically, wake us up with Mr. Small Mouth."
Yes, Sutherland did just use the terms "refreshing" and "clarifying sensibilities" in reference to Ed Schultz and Keith Olbermann, respectively. And no, apparently he was not being sarcastic. Then comes the Scarborough-bashing:
Actor Alec Baldwin and New York Times assistant managing editor Richard Berke went back and forth mocking Sarah Palin during a discussion at Harvard University on Wednesday.
Baldwin dubbed Palin "caribou barbie," while Berke rehashed the former Alaska Governor's interview with Katie Couric during the 2008 campaign -- perhaps the left's favorite Palin-basing talking point. Baldwin went on to attribute Palin's success to a television news culture that sports women who look like they "just popped off the runway."
These demeaning comments marked the latest in the liberal elite's condescension of Sarah Palin -- condescension that would likely be condemned as outright sexism if directed at another prominent public figure. Videos of the exchange are embedded below the fold.
No one has ever accused Alec Baldwin of being a rocket scientist, but apparently the actor fancies himself a nuclear physicist. At least that’s the logical conclusion to draw based on his post over at HuffPo entitled “The Human Cost of Nuclear Power.” The actor assumes his new role with gusto, metaphorically donning a lab coat to explain what he believes are the inherent dangers of nuclear power, but his bizarre conclusions and the outdated, discredited research he cites suggests that a straightjacket would be his better fashion choice.
Let’s start with a question that illustrates just how far the limb that Baldwin is precariously balancing upon extends: what kind of power plant emits the most radiation? The correct answer isn’t the obvious answer. According to the Department of Energy, coal fired power plants emit about one hundred times more radiation, per unit of energy produced, than nuclear plants, chiefly because coal naturally contains trace amounts of radioactive compounds and, unlike nukes, they’re not designed with radioactive shields. Before anyone living near a coal fired power plant runs screaming for the door, I should hasten to add this is still an incredibly tiny amount of radiation, about 1/10,000th of all the radiation that an average person is exposed to each year. Natural sources, by far, make the biggest radioactive contributions to our lives. Nothing else is even close.
On Tuesday's CBS Early Show, co-host Maggie Rodriguez described how comedian Conan O'Brien could attract viewers to his new late night show on the TBS cable channel: "if he can get this young revolution, you know, a la President Obama, to follow him, that could be huge."
Rodriguez made the comment after guest Dalton Ross, the assistant managing editor for Entertainment Weekly, observed that O'Brien was: "now competing with Jon Stewart and Stephen Colbert, he's not expected to have these mass numbers. As long as he brings his younger audience, his albeit smaller, but passionate audience to TBS, it's going to be successful."
Ross thought Rodriguez's comparison of Obama and O'Brien supporters was "exactly right."
I must have missed the groundswell of support and the public clamor for the return of Rosie O'Donnell to the daytime airwaves. It seemed that her time in the cultural spotlight had passed following her notorious 2008 variety show failure (It was hailed by one merciful critic as "dead on arrival") and her exile to a daily Sirius XM radio show that caters to creepy shut-ins and those unlucky listeners who can't figure out how to tune-in to Howard Stern. But like some sort of loudmouthed, frumpy, left-wing vampire who just won't stay in the ground, she is threatening to rise again with a terrifying plan to replace Oprah once the Queen of Daytime TV retires in 2011. Someone in Hollywood, please - break out the garlic.
Of course, I'm hardly Rosie's daily television show target demographic. I work for a living instead of sitting at home staring slack-jawed at the succession of Sham-Wow commercials and ads for shyster lawyers promising big payouts for the imaginary injuries of their deadbeat clients that fill the time between inane segments of mindless yak. And while the social parasite demographic seems to grow larger after every freebie, hand-out and pay-off the Administration and its Congressional flunkies issue in favor of their employment-averse constituents, Rosie O'Donnell still seems like a bad economic bet.
With the recently announced end of Fox's hit series "24," many liberal pundits are parading the show as a false depiction of the notion that "torture works." Contrary to their accusations, the Jack Bauer interrogation methods bear exactly zero resemblance to any actual interrogation techniques used by American military, law enforcement, or intelligence agents.
"On '24,' torture saves lives," the New York Times's Brian Stelter writes, disapprovingly. James Poniewozik, writing on a Time Magazine blog, attributes the show's supposed approval of harsh interrogations to the "conservative politics of co-creator Joel Surnow."
Any American who has serious doubts that our military and intelligence officials would allow interrogators to, say, directly threaten the lives of a terrorist's family (let alone inflict tremendous physical pain) to elicit information has a better grasp of interrogation techniques -- and the integrity of our men and women in uniform -- than most of the liberal media.
"Avatar" director James Cameron had some nasty words for Glenn Beck and global warming "deniers" yesterday.
Cameron said at a news conference that he would like to shoot "those boneheads," referring to skeptics of anthropogenic global warming. "Anybody that is a global warming denier at this point in time has got their head so deeply up their a** I'm not sure they could hear me," Cameron added.
As for Beck, "he's a f****** a**hole," the 2010 Oscar nominee so eloquently put it. He backtracked a bit, but still maintained that the FNC host is "dangerous because his ideas are poisonous," echoing a statement by NPR's Cokie Roberts yesterday. "Of course he wound up on Fox News, which is where he belongs, I guess."
Perfectly timed for the week President Barack Obama is pushing the House to vote on ObamaCare, on tonight’s (Tuesday) episode of CBS’s The Good Wife, set at a Chicago law firm, the lawyers “battle a health insurance company that refuses to pay for urgent in-utero surgery.” The CBS.com plug for the March 16 episode: “In an emergency courtroom set up in a hospital, Alicia and Will battle Patti Nyholm and an insurance company that refuses to pay for life-saving in-utero surgery.”
So, I’ll hold out hope this episode will deliver more than just simplistic vilification of an insurance company and might, given the plot involves “in-utero surgery,” also forward pro-life perspectives. Watch and see.
Three weeks after the mother on ABC’s Brothers and Sisters (“Nora Walker” played by Sally Field) fretted over the GOP “denying global warming,” the ABC drama on Sunday night featured an episode centered around her daughter, “Kitty Walker-McCallister,” a Republican candidate for Senate in California played by Calista Flockhart, coming under attack from conservative rubes who think she used her influence to get the visa renewed for her older sister’s French boyfriend, “Luc.”
At a campaign event with mini-video camera-toting bloggers visible, protesters boo and repeatedly chant: “America for Americans!” as they hold up signs, such as “FRENCHIE GO HOME!!!” and, with a mustache added to Kitty’s face, “Hi Kitler!” Just like the real media’s slander of Tea Party protesters.
Kitty’s husband whom she is running to succeed, incumbent “Senator Robert McCallister,” played by Rob Lowe, charges: “It’s just the conservative purity police trying to purge the party of lily-livered Republican moderates.” Kitty complains to her sister, “Sarah Walker,” played by Rachel Griffiths: “I am fighting for my political life with a bunch of ultra-conservative yahoos who want my head because you decided to fall in love with a guy who has immigration issues.”
Audio: 90-second MP3 clip that matches the video highlights from the March 14 episode.
In an interview with Matt Damon near the end of Thursday's CBS Early Show, co-host Harry Smith helped promote the actor's latest film, 'Green Zone,' which attacks the Bush administration over the Iraq war: "What was it like to make a movie like this? Because it's a little – it's – I'm not sure if this is an apt analogy, but it's a little 'Bourne' meets 'Hurt Locker.'"
Smith alluded to Damon's role as Jason Bourne in the action movie series and the Oscar-winning film 'Hurt Locker,' which chronicles bomb defusing teams in Iraq. Smith introduced the pre-recorded interview by touting Damon's latest film as a "new Iraq war thriller."
Lending credibility to the 'Green Zone' screenplay, Smith noted the movie was: "loosely based on a book that was written by a correspondent for the Washington Post, but the characters in it are fictional." Damon explained the premise of the film: "The guy I play is based on a real guy, he's leading a mobile exploitation team. We had these teams follow the Army....exploiting these sites where we thought the WMD were....they start realizing that there aren't any weapons there." Smith added: "Yeah, and he's a true believer." Damon replied: "Oh, absolutely."
Over the weekend, Time Magazine published a long, glowing profile of Tom Hanks to help promote his upcoming HBO miniseries “The Pacific.” And as with all things entertainment media, the subject is never challenged or even made to shift uncomfortably in his seat. The push to ascend Hanks to “national treasure” status is clearly on.
Hanks does seem to be a genuinely nice man and the work he’s done to bring American history to life on film is impressive, especially during a time when the singling out of America’s exceptionalism is more and more frowned upon in artistic and academic circles. ”From the Earth to the Moon,” “Band of Brothers,” and “John Adams” are not only artistic achievements, but in this MTV-addled culture, might be the best hope of teaching America’s youth about the unique history and greatness of this nation. And I suspect ”The Pacific,” the 10-part miniseries premiering this Sunday on HBO (which Big Hollywood’s Michael Broderick will cover extensively) will be a worthy addition to what came before.
But when it comes to leftist Hollywood, whenever Tinseltown and America meet, you have to brace yourself for it — and by “it” I mean the leftist sucker punch. Throughout, Hanks sounds perfectly reasonable, intelligent and even patriotic for a couple of thousand words. But of course that’s just the lure to get us on his side before we’re walloped with this left cross: [emphasis mine]