Well it’s that time of year when all of the rich leftists in Hollywood get out their $40,000 dollar gowns, put on their millions in jewelry, climb into their limos, and head up to the Kodak Theater to pat themselves on the back for being working class heroes. I couldn’t care less about which picture or actor gets a trophy, I just love listening to the political correctness and monumental hubris on display for the world to see.
For his documentaries on Fidel Castro and Che Guevara Cuban-American filmmaker Agustin Blazquez’ takes a truly revolutionary approach. Rather than expecting officials of Castro’s police state to reveal facts, Blazquez interviews eye-witnesses to Castroism who are (get this!) free to reveal facts without threat of Castro’s firing squads and torture chambers!
This might be the most revealing anecdote about the intolerant culture of present-day Hollywood in, well, ever. Get this: some genius producer at Sony digitally removed the words Holy Bible from a Holy Bible in a scene because he thought the sight of a Bible might hurt the film’s appeal beyond the Christian community — probably because he’s projecting and assuming everyone’s as bigoted as Hollywood.
After some pressure from the family on which the film is based, he did put it back, but who thinks this way (he asked himself rhetorically). Good grief, there are all kinds mainstream films today where you see glimpses of various social and political symbols. Remember all that obnoxious PETA junk in Lethal Weapon 2, a movie I’ve only watched about a million times. But how many films these days show teenagers with the chicken track peace symbol on their book bag or a Greenpeace poster on the wall?
The other night while watching the Super Bowl, I became increasingly aware that the Angry Left might have a point about the Giant Corporations. Not that the game was not exciting. It was. Those quarterbacks can really heave the ball. Suddenly it is in their hands, and suddenly it is in a receiver's outreached arms, having passed through a forest of opposing players' arms. Both teams were composed of players who apparently were made of rubber. They hurled themselves at one another and occasionally at the hard turf and simply bounced. Occasionally they did not. Sometimes they were injured, occasionally rather badly. But for the most part, they seemed amazingly resilient. It was a hell of a battle, and doubtless the better team won, but I cheered for both teams. They were great.
Had I only to watch the game, I would have been happy, though even happier had I lowered the volume of the inane commentary. Possibly the networks have an agreement to hire garrulous, loud, excessively male commenters who have very little to say but say it repetitiously. Unfortunately, it hardly adds to the excitement of the game. Rather, it adds to the confusion of the programming, and there was a great deal of confusion Sunday night. For whole stretches, I sat there stupefied by the confusion, most of it provided by the ads and by the garrulous commentators. Not much can be done about the ads, which seem to get more stupid and incoherent every year, but something can be done about these excessively virile loudmouths.
In an interview with 60 Minutes correspondent Lesley Stahl for CBS's Sunday Morning, screenwriter Aaron Sorkin made his latest attack against Sarah Palin, ranting: "I have a big problem with people who glamorize dumbness. And demonize education and intellect. And I'm giving a pretty good description of Sarah Palin right now." [Audio available here]
Stahl made no effort to challenge Sorkin's vicious personal attacks, simply remarking: "He seems to be having a second career these days, going after Sarah Palin. In an essay for The Huffington Post, he called her a 'witless bully.'" Given the media's concern with civility and harsh political rhetoric in the wake of the Tucson shooting, one wonders why Stahl did not condemn such language.
It’s never a good day when one of the most wicked organizations on the planet is pleased by anything. But how could America’s teachers unions not have been thrilled with the news that Davis Guggenheim’s damning indictment of the devastation they have brought down upon America’s public school system and millions upon millions of children was snubbed by the Academy this morning?
MTV "broadcast[s] the fact that it is underage teenagers that they are putting on the air" portraying sexually active teens. "Guess what... it's rated TV-MA. That's the highest rating you can get on television," Bozell noted [video follows after page break; click here for MP3 audio]:
Wesley Snipes is in jail. That’s right, Blade is behind bars. Passenger 57 is now known as Inmate 224567.
And this friends, is a travesty.
It’s not just a travesty because we’re going to have to wait at least three years for the next poorly conceived direct-to-video action film starring the Shotokan Karate master. It’s a travesty because of the deafening silence surrounding his trial and incarceration.
Julia Roberts may have been crowned best actress in 2000 for her performance in (and as) "Erin Brockovich", but the film did what politically-loaded Hollywood products often do: it distorted the facts, and may have done more harm than good to the town of Hinkley, CA.
The film followed Brockovich as she led a class-action suit against Pacific Gas & Electric for releasing hexavalent chromium, or chromium 6, a cancer-causing toxin, into the water supply in Hinkley. PG&E eventually went to arbitration, and awarded a record-$333 million in damages to residents of the town.
But now, 10 years after Roberts's award-winning performance, and 17 years after the actual suit, cancer rates in Hinkley are unremarkable. In fact, they are lower than would normally be expected. The Associated Press reported Monday:
As NB's Noel Sheppard noted on Sunday, the new film "Fair Game" is so full of falsehoods and is such an affront to historical accuracy that even the Washington Post's editorial staff felt obligated to debunk the many untruths it presents.
I'll admit it, like millions of other Americans, I'm a sucker for cheesy occupation-based reality shows. I love History Channel's Pawn Stars and American Pickers, as well as A&E's Billy the Exterminator and Dog the Bounty Hunter. I watch them because they're entertaining and full of colorful characters, not in the expectation of some insightful commentary on America's real or imagined economic and social woes.
But for some reason, Washington Post Style section contributor Hank Stuever is disappointed that A&E's new reality show "Storage Wars," which debuts tonight, doesn't explore those issues to his satisfaction:
Those Tea Partiers – is there anything in this nation they can’t spoil? They’ve already gummed up the president’s agenda with their rallies and signs and voting. Now, they’re trying to ruin “Dancing with the Stars!”
So says the left and many in the media agree. Now that newly resurgent conservatives have handed them a crushing mid-term defeat, liberals are seeing nefarious Tea Party plots everywhere – including in silly entertainment shows. And they’re taking plenty of shots at Bristol and, predictably, her mother.
Sarah Palin’s daughter Bristol, 20, has done remarkably well in this season’s “Dancing with the Stars” competition on ABC. As she’s advanced from week to week, buoyed by viewer voting, entertainment reporters and liberals have become increasingly frustrated.
Barack Obama is quickly becoming the Paul Reiser of presidents. To a reader of the Huffington Post (where Reiser contributes) that might sound like a good thing. However, to those who are unfamiliar with the liberalism of Reiser and only know him by the 90's sitcom Mad About You—it’s not.
Regardless of its quality, “Harry Potter and the Deathly Hallows: Part I” will likely become a huge blockbuster. It’s the seventh film chronicling the long-running book series about a wizard named Harry Potter and his two best friends. The final book of the series was split into two films and the second part will be released in July 2011.
Today's Washington Post "Free for All" section included a letter to the editor from one R.E. Pound, a CIA veteran who retired after 33 years of service in 2009, some 31 years after being outed in a book as an operative. Pound took to task former CIA operative Valerie Plame for her "ludicrous" claim "that the exposure [of her identity] forced an end to her career in intelligence."
After all, Pound conducted an investigation "charged with looking into possible damage in one location caused by Valerie Plame's outing."
"There was none," Pound noted, and complained that the claims of the new "Fair Game" film "devalue the resolve of the officers who have overcome truly dangerous exposure, and they cheapen the risk from laying bare their very real achievements."
Here's the letter in full as published in the November 12 paper:
Samuels made her complaint in light of NBC's cancellation of it's ratings-plagued spy series, "Undercovers," which featured a black actor and actress in the lead roles as glamorous and deadly CIA agents:
The director of the new film "Fair Game" - released Friday - is either blatantly dishonest, or astoundingly lazy. The movie, starring Sean Penn as former U.S. diplomat Joe Wilson and Naomi Watts as his embattled wife, CIA agent Valerie Plame, makes a number of claims on controversial issues that are demonstrably false.
The Daily Caller's Jamie Weinstein did the legwork in demonstrating just how far from the truth some of the film's central claims are. Chief among them, perhaps unsurprisingly, is that Scooter Libby, Vice President Dick Cheney's chief of staff, and other White House officials exerted political pressure on intelligence officials to cherrypick intelligence favorable to claims that Iraq possessed weapons of mass destruction.
In the new issue of Vanity Fair, legendary singer Cher dished about her feelings on Sarah Palin and Arizona governor Jan Brewer. And – surprise! – she’s not a fan of either.
“I got so obsessed with [C-SPAN] that it was kind of interfering with my life,” Cher told the magazine. “Sarah Palin came on, and I thought, Oh, f---, this is the end. Because a dumb woman is a dumb woman.”
The “I Got Your Babe” singer was even harsher on Brewer, who spearheaded the recent immigration crackdown in Arizona.
“She was worse than Sarah Palin, if that is possible,” said Cher. “This woman was like a deer in headlights. She’s got a handle on the services of the state, and I would not let her handle the remote control.”
Actor and former Obama White House staffer Kal Penn joined Alyssa Milano and a handful of other actors in a short video urging "Funny or Die" website visitors to take time to vote next Tuesday, comparing the time it would take to do so with "much worse ways to spend 10 minutes," like "talk[ing] to your parents about the first time they had sex." [h/t blogger Robert Stacy McCain]
"That is a long ten minutes," Eric McCormack deadpanned in response.
But far from being a simple "do your civic duty and vote" PSA, the video skews leftward, taking thinly-veiled swipes at social conservatives and Tea Party voters.
It takes about ten minuts to "listen to your stupid uncle talk about the dangers of gay marriage," actor Eriq LaSalle noted.
It’s hard to tell what the end goal of HBO “Real Time” host Bill Maher’s is with his constant barrage of elitist shots at the American public. Does he think demeaning the average citizens is the best way to win people over on whatever issue he is carping about on that given day?
When word hit that Zack Snyder would be directing a Christopher Nolan produced, David Goyer written version of “Superman,” many a geek heart rejoiced. Images of super slo-mo action, desaturated color palettes, and snappy and powerful one-liners filled our heads. All was good in the Geekosphere.
Then, alas, came word that the script for the film was “a mess.” The oddly named “Vulture” dropped the bomb that Snyder had been hired because the studio wanted a director capable of putting together a hacky “rush job” so Warner Brothers could keep the rights to the Man of Steel. Director Darren Aronofsky, fresh off the buzz of his upcoming film “The Black Swan” passed on the project because it was in such disarray and reeked of a studio cash grab…. Great Ceasar’s ghost, what’s going on here?
If you haven’t been reading Big Hollywood, or living on Planet Earth, you might not know that Hollywood has a leftist bent to it. You also may not know that the Hollywood press is just as corrupt, self-serving and leftist as their cousins in the mainstream media. The reports of “Superman’s” death are greatly exaggerated. This is nasty spin, aimed to take down two of Hollywood’s new school power players while boosting up a critical darling who has little appeal outside the coastal critics community. It also has a lot to do with politics and ideology.
The only way it gets worse than reading the latest pinko missive by Robert Redford on the Huffington Post would be if Michael Moore was checking your prostate at the same time and muttering, “No, no, no, that doesn’t feel right at all.”
Redford used to be a movie star and heartthrob until he began noticeably wizening in the 80’s (watch 1992’s Sneakers; Redford’s got more loose skin going on than Ed Gein’s basement). After that, he largely moved on to directing crappy movies about how America sucks that no one watches, like 2007’s Lions For Lambs, and lecturing the rest of us about how we have failed to live up to his expectations.
His current bugaboo is that evil companies are engaged in the political process. Redford warns:
During Monday's CBS Early Show, a promo ran for the network's new daytime show, 'The Talk,' based on ABC's 'The View.' The show features former Early Show co-host Julie Chen and five other well-known women chattering about topics of the day.
At one point in the ad, fellow host and actress Leah Remini declares of Chen: "Julie, very smart. Makes me feel stupid." On the May 22, 2008 Early Show, Chen mistakenly placed Hawaii in the Atlantic Ocean.
The promo begins with Chen claiming another show co-host, Sharon Osbourne, wife of rocker Ozzy Osbourne, to be "the most real person I know."
We may have just found the outer edge of the Hollywood taste envelope, all thanks to Andy and Larry Wachowski, the creators of The Matrix. Formerly known as the Wachowski Brothers - that is, until Larry decided after making zillions of dollars and gaining millions of slobbering fans that the only thing standing between him and true happiness was his penis - this pair's latest project, Cobalt Neural 9, appears to be repelling even the jaded mandarins of Hollywood.
Oh, it's not because the content of CN9 will be vacuous, foul and outright evil, though it is. It's because no one in Tinseltown thinks the movie will make any money.
So what is CN9 about? Well, it appears to mix condemnation of the Iraq War, a healthy dose of gay sex, naturally, a plot to assassinate George W. Bush. Sounds less like a hit movie than the agenda for a Daily Kos staff meeting.
What – was Janeane Garofalo busy this week? If not, she has some real competition in the "lefty comic making outrageous statements" category.
On HBO’s Oct. 1 “Real Time with Bill Maher,” during the “Overtime” segment available on HBO.com, left-wing comedian David Cross of “Arrested Development” fame appeared to offer his view on issues of the day. This segment of the program is produced generally to answer viewer emailed questions. One of those questions was if people in the media “should be held more legally accountable for presenting false or misleading information.”
The host, Bill Maher likened that scenario to the system in place in the United Kingdom. However in the United States, Americans are protected by the First Amendment and he explained the legal implications of speech in the U.K. compared to the U.S. But in Cross’ estimation, that protected right is somehow wrong. He named two Fox News Channel hosts, Bill O’Reilly and Sean Hannity, and declared he would like to see them taken off of the airwaves although he wasn’t clear about what “false or misleading information” they may have presented that would warrant this action.
“I think so, absolutely, and I say that as somebody who would like to see Bill O’Reilly and Sean Hannity off the air, you know,” Cross declared with an approving response from the audience. “So, I think to -- it’s just part of the job. It should be part of the job, you know, if you knowingly do that, then absolutely you should lose your job. We don’t get to, you know, lie and make up things in our jobs, you know. And nobody really does.”
Oliver Stone is discovering one of the many joys of capitalism: without it, he would never be able to make such flashy, well-produced films bashing capitalism!
Stone's latest film, "Wall Street: Money Never Sleeps", may have replaced Charlie Sheen, star of the original, with a younger Shia LaBeouf, but it's still as hypocritically anti-capitalist as the original.
According to the Hollywood Reporter, "Money Never Sleeps" would not have been able to muster a sufficient budget without massive product placement campaigns. The film benefitted "enormously" from the advertising technique, Stone admitted (h/t Big Hollywood headlines).
The internet is abuzz with praise for the new documentary that points out the many faults of public education, Waiting for Superman. With positive reviews from both the Huffington Post on the Left as well as the New York Poston the Right, it makes one wonder, how could this be? It appears that this film has single-handedly done what President Obama could not do to save his own life: bring the Left and Right together on a single issue.
It is refreshing that the film's director, Davis Guggenheim (who directed An Inconvenient Truth), is able to put politics aside to see the destructive nature of teachers unions. Guggenheim put his own kids through private school but realizes that not everyone can afford such a luxury. Here, he sets out to tackle the real problems that have long plagued public school systems: teachers unions. Though, he is careful to say that he isn't bashing unions in general.
Guggenheim sees that not everything has to be a political football, which is why we should applaud him for taking a bipartisan approach. However, some feel that the response to the film shows the true, negative colors of conservatives. Liberal Patrick Goldstein comments in the Los Angeles Times: