“Wow, so you actually worked for Obama on his campaign in 2008!?” So gushed “Kristina Braverman,” played by Monica Potter, on last week’s episode of NBC’s Parenthood, a prime time drama about the extended, three-generation Braverman family in suburban San Francisco.
(A new episode airs tonight, Thursday, at 10 PM EDT/PDT, 9 PM CDT).
Actor James Woods, one of the few outspoken, persistent critics of the Obama Administration in Hollywood realizes that he’s jeopardizing his career given the suffocating left-wing political correctness that so dominates the entertainment industry.
After calling out President Obama for his rank hypocrisy in closing down the World War II Memorial but allowing a protest of illegal aliens to occur at the “closed” National Mall, Woods acknowledged he was jeopardizing his future by condemning Obama as a “true abomination.”
If you were hoping the Miley Cyrus VMAs fiasco reflected a temporary, er, lapse in the singer’s judgment, her new music video, “Wrecking Ball,” should demolish those hopes.
In the video released Monday, the former Disney darling donned a belly-baring top with underpants for a make-out session with a sledgehammer – before stripping naked. The song served as the second promotional single for Cyrus’ latest album “Bangerz,” set for release October 8.
Ready or not, here it comes: the TV fixation with sexual infidelity. The upcoming shows this fall more than confirm a lust for forbidden love on the screen – or so says The Hollywood Reporter.
The Hollywood Reporter (THR) revealed the trend in a recent article by citing shows such as Showtime’s “The Affair” and HBO’s “Open.” THR’s Lesley Goldberg highlighted the fascination, noting, “Forbidden love seems to be in the air at television networks as infidelity has become the latest theme to sweep development executives off their feet.”
Back to school is an exciting time of year – new classmates, new subjects, new books, new gender and a new court-invented right to use the boys or girls room, depending on how you currently “identify.”
Welcome to the brave new world of “the next civil-rights struggle.” From a California law decreeing that any student has the right to use any gender-specific restroom and play on any gender-specific sports team he or she (or she or he) wants, biology be d**ned, to LGBT activists counseling network honchos on more sensitive TV portrayals, transgender is all the rage among liberals and media types.
Conservative PR guru and Reagan biographer Craig Shirley has an excellent piece over at Breitbart in which he explains why it is utterly detestable that anti-American leftist Jane Fonda was cast as Nancy Reagan in the new Hollywood film Lee Daniels' The Butler, and not, it's not just her infamous pose with North Vietnamese anti-aircraft guns.
Fonda, Shirley notes, sought to slam the door on Vietnamese "boat people" who were fleeing the brutal Communist regime, while other Americans across the political spectrum -- Shirley commends leftie folk singer Joan Baez for her advocacy of the boat people -- stood up for human rights and for welcoming asylum seekers (emphases mine):
Marriage is anything but traditional – at least according to 'America’s Next Top Model’s' latest episode.
On The CW’s new show last Friday, model contestants posed for wedding photo shoots galore from nudist, shotgun, lesbian, and biker “marriages” to gay, objectophilia (in this case, exchanging vows with a TV), polygamous, and hip-hop unions. The show entitled, “The Girl Who Gets Married Again,” appeared to cover all bases in the wedding department – except for a traditional one (but, hey, that would scream boring, right?)
On Monday, TMZ, the entertainment outlet often panned by Rush Limbaugh as the primary news source for the low-information left, breathlessly reported that the family assisted by George Zimmerman was — buckle your seat belt — white.
Not just white, mind you, but WHITE, according to an article and tweet which labeled as such the victims of the car crash which Zimmerman and another man helped rescue.
When the first episode of your new show begins with a lesbian love scene, you know it’ll be an instant Hollywood and media hit.
“Orange Is the New Black,” just released as a Netflix webseries, is a raunchy dramedy about an educated white, ex-lesbian woman who gets involved with a drug ring and spends 15 months in a women’s prison. Judging from the first few episodes, the series promises to be chock-full of lesbian sex, nudity, druggies, transgenders and other decidedly tasteless content. And liberals in the media are lapping it up.
“America will never be destroyed from the outside,” President Abraham Lincoln once argued, explaining, “if we falter and lose our freedoms it will be because we destroyed ourselves.” Or rather, according to Hollywood’s latest masterpiece, “White House Down,” America’s suicide will arise from racist right-wing sociopaths, hateful bloggers, NSA hackers, and weapon-manufacturing companies – with ABC News reporting live.
Once again, Hollywood can’t bring itself to acknowledge America’s real enemies – the ones who actually kill American soldiers, diplomats and civilians. Instead, it turns fellow citizens with a differing view into bloody-minded monsters. In Whit House Down,” Columbia Picture’s new film directed by Roland Emmerich and written by James Vanderbilt, pro-military citizens and right-wingers – the destroyers of the peace – are the culprits.
Sawed off limbs, gouged out eyes, slashed throats, decapitation, disembowelment, cannibalism, human corpses used as fertilizer, graphic rape and blood splattering stabbings – just another day’s work for TV’s new favorite characters.
Serial killers area hot trend on TV these days. You can even watch your favorite serial killer hero doing all the above, 5 out of 7 days of the week – and then go out and emulate him. Currently there are 20 shows revolving around serial killers, seven of which premiered in the beginning of 2013.
After fretting that numerous government scandals were becoming a "big problem" for President Obama at the top of Friday's NBC Today, in the 7:30 a.m. ET half hour, correspondent Andrea Mitchell eagerly engaged in reporting that was more enjoyable, the promotion of a new Hollywood biopic of Hillary Clinton ahead of the former secretary of state's potential 2016 presidential run. [Watch the video after the jump]
Mitchell began the puff peice by proclaiming: "Hillary Clinton has been America's first lady a senator from New York, and most recently, secretary of state. But a new film called Rodham will focus on Hillary Rodham's days fresh out of law school." Mitchell's supposed news story devolved into entertainment gossip: "So who will play a young Hillary? Reports have linked some of Hollywood's hottest stars to the film, including Scarlet Johansson and Reese Witherspoon. A source close to the film wouldn't confirm that, but did tell NBC News Kerry Mulligan is being strongly considered for the role. The British actress most recently appeared in The Great Gatsby."
It's one thing, perhaps, for a major movie critic to grouse about product placement in a major motion picture and deem such an action a "sell out." But when a business writer does so, it kind of makes you scratch your head.
Even when TV shows are green-lighted in new and daring online forums, they still have a liberal bias! Emily Yahr of The Washington Post reports Amazon Studios has approved two new comedies, and one of them is “Alpha House,” a satire of a rental house of four oafish Republican senators "living like frat brothers" by liberal “Doonesbury” cartoonist Garry Trudeau. The headliner is John Goodman. The Post headline was “Fresh wit, streaming in.”
Yahr revealed there’s another conservative-bashing journalist in the show’s credits, longtime Newsweek senior editor Jonathan Alter, who convinced Trudeau to take his old network TV pilot idea out of mothballs:
Gay? Yes. Seductive and manipulative? Absolutely. Narcissistic sex addict? You bet. But a de facto child molester who had an affair with a minor? Nope, they left out that little detail about Liberace.
“Behind the Candelabra,” the new HBO film about the famous gay pianist that made waves at Cannes this month, covered all the depressing details about ‘Lee’s’ turbulent homosexual affair with a man 47 years his junior, but conveniently forgot to mention that Scott Thorson, the younger half of the duo, was still a minor at only 16 years old when the two met.
The Hollywood Left just can’t resist shoving its anti-conservative invective into prime time TV shows, even an over-the-top, melodramatic soap-opera with ludicrous plots like ABC’s Washington, DC-set Scandal, which has its season finale at 10 PM EDT/PDT tonight.
On last week’s episode, a lead character ominously warned that if the current Vice President, a conservative woman Republican, made it to the Oval Office, she “and her conservative overlords” will impinge on “the rights” of African-Americans and raise the specter of the devil.
The new Natalie Maines record is continuing to spur music writers to slam the "cowardice" of the country-music industry and the stuffiness of the country-music audience in the aftermath of Maines trashing President Bush at a London concert on the eve of the Iraq war.
On the NPR show "Fresh Air" on Wednesday, music critic Ken Tucker insisted Maines was just ahead of where the majority would arrive on Bush's wrong-headedness:
Christian Toto at Big Hollywood offered a review of the new Robert Redford movie "The Company You Keep." In short, he felt Redford bashed the profession of journalism, but couldn't quite do the same for violent leftists.
Redford plays a Weather Underground radical who changed his name and took up a new life as a defense attorney. This being Redford's movie, his character isn't really guilty of anything:
Bleeding-heart liberal Robert Redford is already the subject of early Oscar buzz. His much-hyped new film glamorizing the lives of Weather Underground domestic terrorists, "The Company You Keep," will be released in the U.S. next week. But peace-loving moviegoers should save their money and take a stand.
Hollywood's romanticizing of murderous radicals is an affront to decency. Redford and Company's rose-colored hagiography of bloodstained killers defiles the memory of all those victimized by leftwing militants on American soil.
Tonight’s episode of NBC’s Law & Order: Special Victims Unit will showcase failed Republican Missouri Senate candidate Todd Akin’s infamous remark that “if it’s a legitimate rape, the female body has ways to try to shut that whole thing down” so the woman would not get pregnant.
NBC’s promo for the March 27 episode touts a storyline “ripped from the headlines” with “words that set off a national controversy.” In the promo run at the end of last week’s show, a man on a witness stand, who is sporting a flag lapel pin, declares: “It’s nearly impossible for a victim of legitimate rape to become pregnant.” [UPDATED with a summary of what aired]
Another episode airs tonight of FX’s The Americans. Last week, the historic drama set in 1981, portrayed a successful KGB effort to discredit a Polish priest, who is leading an anti-Soviet liberation movement, by smearing him as a rapist during his visit to New York City. (“The Reagan administration doesn’t want a rapist leading the movement to push the Soviets out of Poland.”)
The March 13 installment of the series also featured an actual real-life clip of President Ronald Reagan hailing the people of Poland: “We, the people of the free world, stand as one with our Polish brothers and sisters.”
ESPN Pardon the Interruption co-host Michael Wilbon is no fan of comedian Seth MacFarlane's performance as emcee of Sunday night's Oscar awards. But rather than leave his criticisms confined to the merits of MacFarlane's performance, the liberal former Washington Post sports columnist whipped out the race card on Washington, D.C.'s ESPN 980, reports WTOP.com:
"They got tired of famous black people, so they've got to go get a white guy? Affirmative action Academy Awards host?" Wilbon said. "Is that what this is about? Really?"
HBO’s Sunday night dramady, Enlightened, is delivering something very rare: A true to life depiction of a journalist – specifically identified as a reporter for the Los Angeles Times – as a very obvious left-winger, one who cavorts with and reads books by far-left authors and goes to the newspaper newsroom wearing a “John Kerry for President” shirt. (video after the jump)
The Obama administration's assault on the Second Amendment in reaction to Newtown is not a serious solution. It's a Band-Aid on cancer. The NRA's call for armed guards in every school also misses the point. When is anyone going to get serious? The problem is violence, a violence of monstrous and horrific proportions that has infected America's popular culture.
The Hartford Courant reported on Sunday that during a search of Newtown grade-school killer Adam Lanza’s home after the shootings, “police found thousands of dollars worth of graphically violent video games.” Detectives are exploring whether Adam Lanza might have been emulating the shooting range or a video-game scenario as he moved from room to room at Sandy Hook Elementary.
KGB operatives infiltrated conservative media? Wednesday night’s episode of FX’s The Americans imagines that in 1981 a conservative magazine employed a journalist who was really a mole for the KGB. On the day of the assassination attempt on President Ronald Reagan, “Charles Duluth” of the “Conservative Statesman” magazine, proclaims to a KGB operative who he is helping: “Frankly, I hope the bastard bleeds to death on the operating table.”
The Americans is centered around husband and wife KGB sleeper agents (Matthew Rhys and Keri Russell as “Philip and Elizabeth Jennings”) who live with their kids as ordinary Americans in suburban Washington, DC when Reagan becomes President.
Last week’s second episode of The Americans (the third episode will run tonight, February 13, on FX), dramatically ended with a scene showing the horror realized by KGB operatives at the Soviet embassy in Washington, DC when they learn President Ronald Reagan intends to build “a ballistic missile shield” – aka the Strategic Defense Initiative. (video below)
The Americans is centered around husband and wife KGB sleeper agents (Matthew Rhys and Keri Russell as “Philip and Elizabeth Jennings”) who live with their kids as ordinary Americans in suburban Washington, DC when Ronald Reagan becomes President.
In a careless attempt to get a rise out of their readers, mainstream media outlets like the Washington Post and Esquire Magazine erroneously reported that the Navy SEAL credited with the assassination of Osama bin Laden had been unceremoniously stripped of health insurance following his retirement last September.
The story immediately went viral, thanks in large part to the tireless efforts of Ezra Klein and Sarah Kliff from the Post and their massive followings on Twitter. Former editor of the San Francisco Chronicle Phil Bronstein originally posted an 'exhaustively researched' article about it on Esquire's site. Upon its publication and online distribution however, some readers noticed just how rife with inaccuracies the story was. Former public affairs officer of the Department of Veteran Affairs Brandon Friedman was among them. (H/T - Twitchy)
FX’s new series which debuted Wednesday night, The Americans, is centered around husband and wife KGB sleeper agents who live with their kids as ordinary Americans in suburban Washington, DC when Ronald Reagan becomes President. Joe Weisberg, the creator and executive producer conceded to TV Guide that “this series, to a large extent, is told from the perspective of the KGB and the Soviets. We’re making them the sympathetic characters. I’d go so far as to say they’re the heroes.”
Yet, in the 95-minute pilot aired January 30, there were scenes which should hearten conservatives who believe in Reagan’s righteousness and the superiority of the United States.