Get with the times and be gay, Salon.com urged Disney on Saturday. The liberal site ran Renee Davidson’s piece “Why are there no gay Disney characters?” which ominously warned that if Disney doesn’t start pushing LGBT imagery, then Mickey Mouse and his pals run the risk of going out of date.
"The animation giant has never featured an openly gay character in any of its multimillion dollar films or cartoons,” Davidson lamented, “let alone present a (genuine) same-sex kiss.” CitingArchie Comic’s recent money-making decision to portray it’s first “gay kiss,” Davidson was eager to see the House of Mouse follow suit and start writing “openly gay characters.” Otherwise, Davidson suggested, Disney might become what Archie Comic’s CEO Jon Goldwater calls “an anachronism.”
The Hollywood Reporter relayed on Thursday that “Mere days after the Academy Awards, ABC Studios has bought rights to David France’s film,” How to Survive a Plague, a hard-left documentary on AIDS activism in the Reagan years, when the Left claimed Reagan wanted them all to die off, in contradiction to the facts. They’re thinking a miniseries.
France made an odd comparison: “ABC is the network of Roots.” Perhaps then, the men with AIDS are Kunta Kinte, and Ronald Reagan is the slave master?
In the movie, the Muppets are out to save their studio and prevent Richman from destroying it to drill for oil. “Follow the Money” host Bolling said at the end of his segment, “We’re teaching our kids class warfare. What are we, communist China?” Apparently this expression of exasperation caused HuffPo to say he went “McCarthy” on the movie.
While millions of Americans are grappling with employer-provided health insurance that covers less and costs more, one surprising group is benefiting as of late - transgendered people.
That's according to an Associated Press report [by Lisa Leff] which found that big name companies like Coca-Cola, Campbell Soup and Walt Disney [!] have expanded their insurance coverage to meet the needs of transgender workers.
Cable television is a minefield of unspeakable raunch for children, who, like it or not, freely roam the hallways of this medium at night. The Parents Television Council has issued its list of the Top 10 Worst Cable TV Shows for Kids. One hopes that someone out there is shocked.
Leading the list is Comedy Central and its vile celebrity roasts. These mean-spirited and vile knockoffs are nothing like the side-splitting, kid-because-we-love Dean Martin roasts of the Seventies.
August’s roast of Joan Rivers was the ugliest yet. Rivers came out on stage holding hands with six little kids of different nationalities and joked that Brad Pitt and Angelina Jolie were having a yard sale. She shoved the kids and snapped: "All right, kids, go make jewelry!" Behind the kids' backs, she flipped a middle finger and said: "I hate children."
Former Clinton Administration officials and liberal news media personalities who have been sharply critical of the "The Path to 9/11" miniseries fail to point out that top executives, editors and researchers connected with the docudrama ,who are actually quite left of center themselves, were supportive of the project, according to a new film that explores the controversy.
"The Path to 9/11" is a two part ABC television miniseries that aired on Sept. 10 and 11 in 2006. It is based in part on the 9/11 commission report and presents viewers with a dramatization of the events that lead up to the terrorist attacks in New York and Washington D.C. in 2001. The film highlights the U.S. government's ineffective response to terrorism in the 1990s and in the first few months of the Bush administration.
To suggest the "The Path" was conceived for the purpose of singling out and smearing the former president as part of a "right wing hit piece" aimed against the former president simply does not square with reality, since the project was launched and conceived by several openly liberal ABC executives the new film explains.
On The Situation Room today, CNN anchor Wolf Blitzer made a surprising admission to, of all people, real estate entrepreneur Donald Trump:
BLITZER: What do you think of his (Obama's) decision to pick Joe Biden as his running mate?
TRUMP: I really don't know Senator Biden but I know one thing. He's run a number of times for president. He's gotten less than 1 percent of the vote each time. And that's a pretty tough thing. You know, he's also been involved in pretty big controversy like plagiarism in college and various other things. That's a pretty big statement. So perhaps you change over a period of time. But when you plagiarize, that's a very bad statement. That hasn't been brought up yet, but I'm sure at some point it will. I'm sure that Sarah Palin will bring it up in a debate or somebody's going to bring it up.
BLITZER: Are you talking about plagiarism when he was running for president?
TRUMP: No, I'm talking about when he was a college student as I understand it, and this was a big issue originally but he supposedly plagiarized as a college student. That's a pretty serious charge.
BLITZER: I don't remember that. We'll check it out. But maybe you obviously have a better memory about that.
President Clinton failed to move aggressively against Osama Bin Laden and other terrorists in 1990s because he needed to keep his approval ratings high to avoid impeachment, a new documentary on the 9/11 attacks suggests.
A detailed historical account of the tepid U.S. response to terrorist activity throughout the 1990s that lead up to the terrorist strikes on the American homeland in 2001 has been withheld from the public until now thanks to the "Clinton Machine," John Ziegler, the film's writer and director, maintains.
In 2006 the Disney/ABC television network was set to broadcast a two-night, prime time mini-series entitled: "The Path to 9/11" on Sept. 10 and Sept. 11. The critically acclaimed production was based in part on the 9/11 commission report and presents viewers with a dramatization of the events that lead up to the terrorist attacks in New York and Washington D.C. in 2001.
The film highlights the U.S. government's ineffective response to terrorism in the 1990s and in the first few months of the Bush administration.
On CNN's American Morning today, White House correspondent Suzanne Malveaux reported on Barack Obama's campaigning in Virginia. Afterwards, anchor Kiran Chetry had a question:
CHETRY: All right. And Suzanne, what's on tap for the campaign today? And please tell me it's not lipstick again.
MALVEAUX: Let's hope not. He's going to be in Norfolk, Virginia. That is in southeast Virginia, and it's home to the world's largest Naval base. It's one of the most competitive areas that the Democrats and Republicans are fighting over. It's a critical piece of property, piece of land there with folks in Virginia, and they want those voters.
In his latest culture column, Brent Bozell welcomes the Supreme Court's decision to take up the case of whether "fleeting" profanities on television can lead to fines for the networks that air them without using the five-second delay button. Brent contends that Hollywood doesn't merely want to escape fines for unexpected outbursts of profanity. It wants the inalienable right to air them without any public or governmental action:
The point is: Hollywood wants to air them. To them, it’s all a waste of money to spare the benighted rabble in the little villages who haven’t learned to stop worrying and love the F-bomb.
Out in America, voters still have the common sense to believe that profanities aren’t the kind of speech that you wave the flag over, as if “fleeting” profanity was a cause as American as apple pie. Most Americans think that the quality of entertainment is in steep decline.
A critically acclaimed, widely viewed docudrama that ties in the 1993 World Trade Center bombing with the 9/11 attacks has not been released on DVD because the Walt Disney Company’s chief executive officer is protecting Hillary Clinton’s presidential campaign, and her husband’s legacy, a mutual fund manger argued at the company’s annual shareholder meeting last week.
Disney’s unwillingness to make the film available on DVD suggests Chief Executive Officer Robert Iger is working to advance his own political interests at the expense of shareholders, Tom Borelli, a portfolio manager with the Free Enterprise Action Fund contends. Iger has been a consistent and steady contributor to Sen. Clinton (D-N.Y.), Borelli pointed out. He also asked Disney officials to explain why they have thus refused to sell the film rights to Lionsgate.
Radio Disney is bleeping "God" from ad copy for the upcoming movie "The Ten Commandments."
The folks at Liberty Counsel sent out notices on Monday and Tuesday of this week letting people know about a copy of an email they had in which a Radio Disney representative was advising a media buyer to delete the words "chosen by God" in ad copy for the movie "The Ten Commandments" which opens on October 19. To see the email, and also the petition that Liberty Counsel has to get Radio Disney to reconsider this decision you can click here.
Reacting to an MRC press release, Chicago Sun-Times critic Richard Roeper lashed out at MRC President Brent Bozell and Culture and yours truly for applauding the record-breaking viewer numbers racked up by Disney Channel’s "High School Musical 2." Roeper makes the nonsensical argument that Disney is known for wholesome stuff, so what’s the big deal? But then he wraps up his piece with this shot: