Movies

By Christian Toto | September 27, 2012 | 6:20 AM EDT

The late Andrew Breitbart wouldn't be surprised to learn 2012 was the year conservative films finally broke through.

He had a way of predicting media trends, sensing the Web-based technological revolution would let conservatives have a louder voice in the marketplace of ideas.

By Brent Bozell | September 15, 2012 | 8:09 AM EDT

Veteran reporter Sharon Waxman knew she’d found a new low. Reporting from the Toronto Film Festival, she revealed the viewpoint of director Nick Cassavetes, which she summarized in a headline: “Who Gives a Damn? Love Who You Want.” The topic was incest.

Hollywood’s march to tear down – to obliterate, really -- every boundary of sexual decency should compel even the harshest accusers of social conservatives like Rick Santorum to apologize profusely. They were wrong to mock conservatives for warning of the extremes, as we’re lurching so quickly and easily into the darkest “love who you want” extremes of the Lifestyle Left.

By Clay Waters | September 14, 2012 | 1:58 PM EDT

New York Times movie critic Jeanette Catsoulis demonstrated her simplistic liberal politics once again in her brief Friday review of the gay marriage documentary "The Right to Love," picking on mild concern from the subject's parents and grandparents as proving themselves "enemies of progress."

She found the movie itself "squishy" and the soundtrack "regrettably saccharine," but described left-wing MSNBC host Rachel Maddow as an "arrow of lucidity."

By Tim Graham | August 30, 2012 | 3:14 PM EDT

In a video interview, anti-Obama filmmaker and author Dinesh D’Souza told The Hollywood Reporter that MSNBC and other media outlets were “cowards” because they would not acknowledge his new documentary 2016: Obama’s America, despite the film’s emergence this last week in the Top Ten.

D’Souza said: “Look at MSNBC. You could watch that channel and not even know we have a film out – unless you saw a commercial that we’re running for our film. You look at Lawrence O’Donnell, you look at Rachel Maddow, you look at Chris Matthews. I mean, look at those cowards!”

By Tom Blumer | August 25, 2012 | 7:30 PM EDT

Box Office Mojo shows that "2016: Obama's America" was the fourth-highest grossing film on Friday, taking in $2.255 million, and trailing only "The Expendables 2," "The Bourne Legacy," and "Paranorman." What's more, its per-theatre gross of $2,067 is almost twice that of "Expendables," and well over double every other film in Friday's top ten.

The film also seems assured of becoming the highest grossing post-1982 political documentary coming from the political right.

By Christian Toto | August 7, 2012 | 11:32 PM EDT

The upcoming documentary "Occupy Unmasked" is getting the kind of promotional push too rarely received by right-of-center films.

The movie, directed by Steve Bannon and featuring the late Andrew Breitbart, tells the story of the chaotic, destructive Occupy Wall Street movement. The message hardly fits the standard theatrical template, which routinely sides with or sympathizes with the bedraggled protesters seeking their "fair" share of the one percent's cash.

By Clay Waters | July 2, 2012 | 3:52 PM EDT

New York Times movie critics Manohla Dargis and A.O. Scott held their annual joyless, ridiculously political summer movie conversation on the front of Sunday's Arts & Leisure, focusing on the glut of superhero movies: "Super-Dreams Of an Alternate World Order – The Modern Comic Book Movie Has Become a Hollywood Staple. But Exactly What Is It Selling?" Dargis managed to make a villain out of President Reagan, while Scott chimed in by complaining that movie superheroes are "avatars of reaction" and that the last X-Men movie was insufficiently attentive to the civil rights movement (really).

The reliably liberal Dargis also tried to ruin the summer movie seasons of 2008 and 2011, with lectures on "separate and unequal" roles for women in movies. On Sunday she made the same points, adding a hit on "the Reagan years" that seems there only to validate the conservative joke that liberals blame everything on Ronald Reagan.

By Kyle Drennen | May 23, 2012 | 4:37 PM EDT

In an interview she conducted with left-wing actor Sean Penn at the Cannes Film Festival that aired on Tuesday, Today co-host Ann Curry behaved like an adoring fan rather than a journalist: "And through all of these years and all these characters....You have trained us to believe you, to believe your transformation, almost instantly.  Do you accept that you are one of the greatest actors of our time?" [Listen to the audio or watch the video after the jump]

While discussing Penn's charity work in Haiti, Curry sycophantically proclaimed: "The people who work for you in Haiti have – some of them have called you a demanding boss. You have gotten angry yelling, "That's not good enough!"....Have you always had this moral outrage?"

By Paul Wilson | May 10, 2012 | 3:00 PM EDT

Hollywood celebrities exuberantly celebrated President Obama’s recent declaration of support for gay marriage. But Hollywood did not have to come out of the closet and support homosexuality – it has long used its influence to purposely swing public opinion in favor of homosexuality. 

For several decades, Hollywood has shown its overt support for homosexuality. Brokeback Mountain was nominated for Best Picture for its unabashedly sympathetic portrayal of a doomed gay relationship. Newt Gingrich’s half-sister officiated at a gay wedding on “Friends” in the 1990s. More recently, late night talk show host Conan O’Brian officiated at an actual gay wedding.

By Tim Graham | April 10, 2012 | 12:34 PM EDT

During the Holy Week before Easter in 2011, Brent Bozell noticed an "Easter bonnet of mud" timed to be thrown at Christians. One of those mudballs was thrown in Italy, a comedy movie called "Habemus Papam" (Latin for "we have a pope.") Franco Zeffirelli, the director of the TV miniseries “Jesus of Nazareth,” agreed Nanni Moretti's film was an insult to the Pope and the Catholic faithful. "It's a horrible cheap shot," Zeffirelli said. "I feel especially sorry for this pontiff, who may not be a crowd-pleaser, but who is very civilized and reasonable."

So it should not be surprising that National Public Radio would applaud its American release, timed once again on Good Friday. Openly gay movie critic Bob Mondello implausibly declared "There's nothing in 'We Have a Pope' that's likely to offend, much that will amuse and also quite a bit of effective design work."

By Clay Waters | March 28, 2012 | 1:35 PM EDT

Movie reviewer A.O. Scott on Wednesday applied his expertise to the scientific ssue of global warming and rising sea levels, in his sarcasm-laden review of "The Island President," a documentary about "climate change" and the danger it supposedly poses to the island of Maldives: "In Paradise, and Closer Than Ever to Disaster."

By Clay Waters | March 23, 2012 | 11:09 AM EDT

New York Times critic Jeannette Catsoulis didn't even try in her brief review to render an objective look at the pro-life movie "October Baby," as her copy seethed with anger and evident indignation that pro-lifers still existed in this day and age (note to Catsoulis: by some poll numbers, there are more pro-lifers that pro-abortion believers). Catsoulis's political views are of the simplistic left-wing variety, as she has demonstrated on several occasions in past reviews. She wrote in Friday's Times: