Traditional media weren’t the biggest fans of the movie “Atlas Shrugged: Part I” when it was released in April 2011. With “Atlas Shrugged Part II: The Strike” set to hit theaters on Oct. 12, it’ll be hard to top the derision of the last movie. Most reviews of the first film were short and to the point – this movie was terrible because conservatives, more specifically the Tea Party, will like it.
National Geographic's cable television channel is defending its decision to air a new live-action movie entitled "Seal Team Six: The Raid on Osama Bin Laden," which focuses on the May 2011 operation that led to the death of the world's most wanted terrorist right before the November election. And if you miss the first showing, you'll be able to catch it on Netflix starting on Monday, still with plenty of time to vote the following day.
"This is a story people have been waiting to witness for themselves, and we feel the combined force of the National Geographic Channel and Netflix will ensure that everyone has the chance at a glimpse inside the heroic efforts of that courageous team of SEALs," according to a press release from the network.
New York Times movie critic A.O. Scott didn't much like "Won't Back Down," about two mothers fighting uncaring teachers and immovable bureaucracy (including the teachers' union) in an inner city school. Scott, a liberal, ironically warned that pious expressions of concern for 'the children' are usually evidence of a political agenda in overdrive" (as if liberals never bleat about "the children"!) The Times much preferred a left-wing propaganda piece on Occupy Wall Street.
Scott, who in 2004 praised left-wing filmmaker Michael Moore as "a credit to the republic" in his review of "Fahrenheit 9-11," wrote on Friday:
It’s surprising that Hollywood would make a film that sympathetically argues for school choice, the movie Won’t Back Down, starring accomplished actresses Viola Davis and Maggie Gyllenhaal. It’s not surprising that liberal Washington Post film critic Ann Hornaday would then offer a withering one-star review that seemed more like a political judgment than an artistic estimate.
Hornaday huffed: “More than a portrait of spontaneous motherly outrage, it becomes clear that the movie has been designed as an anti-union, pro-charter screed, the fictional counterpart to the 2010 documentary Waiting for Superman.”
The late Andrew Breitbart wouldn't be surprised to learn 2012 was the year conservative films finally broke through.
He had a way of predicting media trends, sensing the Web-based technological revolution would let conservatives have a louder voice in the marketplace of ideas.
Veteran reporter Sharon Waxman knew she’d found a new low. Reporting from the Toronto Film Festival, she revealed the viewpoint of director Nick Cassavetes, which she summarized in a headline: “Who Gives a Damn? Love Who You Want.” The topic was incest.
Hollywood’s march to tear down – to obliterate, really -- every boundary of sexual decency should compel even the harshest accusers of social conservatives like Rick Santorum to apologize profusely. They were wrong to mock conservatives for warning of the extremes, as we’re lurching so quickly and easily into the darkest “love who you want” extremes of the Lifestyle Left.
New York Times movie critic Jeanette Catsoulis demonstrated her simplistic liberal politics once again in her brief Friday review of the gay marriage documentary "The Right to Love," picking on mild concern from the subject's parents and grandparents as proving themselves "enemies of progress."
She found the movie itself "squishy" and the soundtrack "regrettably saccharine," but described left-wing MSNBC host Rachel Maddow as an "arrow of lucidity."
In a video interview, anti-Obama filmmaker and author Dinesh D’Souza told The Hollywood Reporter that MSNBC and other media outlets were “cowards” because they would not acknowledge his new documentary 2016: Obama’s America, despite the film’s emergence this last week in the Top Ten.
D’Souza said: “Look at MSNBC. You could watch that channel and not even know we have a film out – unless you saw a commercial that we’re running for our film. You look at Lawrence O’Donnell, you look at Rachel Maddow, you look at Chris Matthews. I mean, look at those cowards!”
Box Office Mojo shows that "2016: Obama's America" was the fourth-highest grossing film on Friday, taking in $2.255 million, and trailing only "The Expendables 2," "The Bourne Legacy," and "Paranorman." What's more, its per-theatre gross of $2,067 is almost twice that of "Expendables," and well over double every other film in Friday's top ten.
The film also seems assured of becoming the highest grossing post-1982 political documentary coming from the political right.
The upcoming documentary "Occupy Unmasked" is getting the kind of promotional push too rarely received by right-of-center films.
The movie, directed by Steve Bannon and featuring the late Andrew Breitbart, tells the story of the chaotic, destructive Occupy Wall Street movement. The message hardly fits the standard theatrical template, which routinely sides with or sympathizes with the bedraggled protesters seeking their "fair" share of the one percent's cash.
New York Times movie critics Manohla Dargis and A.O. Scott held their annual joyless, ridiculously political summer movie conversation on the front of Sunday's Arts & Leisure, focusing on the glut of superhero movies: "Super-Dreams Of an Alternate World Order – The Modern Comic Book Movie Has Become a Hollywood Staple. But Exactly What Is It Selling?" Dargis managed to make a villain out of President Reagan, while Scott chimed in by complaining that movie superheroes are "avatars of reaction" and that the last X-Men movie was insufficiently attentive to the civil rights movement (really).
The reliably liberal Dargis also tried to ruin the summer movie seasons of 2008 and 2011, with lectures on "separate and unequal" roles for women in movies. On Sunday she made the same points, adding a hit on "the Reagan years" that seems there only to validate the conservative joke that liberals blame everything on Ronald Reagan.
In an interview she conducted with left-wing actor Sean Penn at the Cannes Film Festival that aired on Tuesday, Today co-host Ann Curry behaved like an adoring fan rather than a journalist: "And through all of these years and all these characters....You have trained us to believe you, to believe your transformation, almost instantly. Do you accept that you are one of the greatest actors of our time?" [Listen to the audio or watch the video after the jump]
While discussing Penn's charity work in Haiti, Curry sycophantically proclaimed: "The people who work for you in Haiti have – some of them have called you a demanding boss. You have gotten angry yelling, "That's not good enough!"....Have you always had this moral outrage?"