Movies

By Tim Graham | April 20, 2013 | 10:40 AM EDT

Christian Toto at Big Hollywood offered a review of the new Robert Redford movie "The Company You Keep." In short, he felt Redford bashed the profession of journalism, but couldn't quite do the same for violent leftists.

Redford plays a Weather Underground radical who changed his name and took up a new life as a defense attorney. This being Redford's movie, his character isn't really guilty of anything:

 

By Michelle Malkin | April 1, 2013 | 7:03 PM EDT

Bleeding-heart liberal Robert Redford is already the subject of early Oscar buzz. His much-hyped new film glamorizing the lives of Weather Underground domestic terrorists, "The Company You Keep," will be released in the U.S. next week. But peace-loving moviegoers should save their money and take a stand.

Hollywood's romanticizing of murderous radicals is an affront to decency. Redford and Company's rose-colored hagiography of bloodstained killers defiles the memory of all those victimized by leftwing militants on American soil.

By Ken Shepherd | February 27, 2013 | 4:15 PM EST

ESPN Pardon the Interruption co-host  Michael Wilbon is no fan of comedian Seth MacFarlane's performance as emcee of Sunday night's Oscar awards. But rather than leave his criticisms confined to the merits of MacFarlane's performance, the liberal former Washington Post sports columnist whipped out the race card on Washington, D.C.'s ESPN 980, reports WTOP.com:

"They got tired of famous black people, so they've got to go get a white guy? Affirmative action Academy Awards host?" Wilbon said. "Is that what this is about? Really?"

By Clay Waters | February 26, 2013 | 10:51 AM EST

New York Times reporter Jennifer Steinhauer missed the point in her Tuesday take on Michelle Obama's "star turn" on Oscar night to announce the award for best picture at the Academy Awards, "A Tale of Secret Talks and Intrigue Behind Michelle Obama's Oscars Appearance."

She may not have walked the red carpet, but Michelle Obama -- all bangs and biceps and bling -- had her own star turn during Sunday night’s Academy Awards ceremony, when she announced the winner for best picture via satellite from the White House.

By Clay Waters | February 25, 2013 | 1:39 PM EST

In the aftermath of the Oscars, New York Times fashion reporter Eric Wilson bizarrely documented an example of "feminine repression" on the red carpet in Monday's arts section. Almost as silly was a Critics' Notebook from the painfully political movie review duo Manohla Dargis and A.O. Scott, who delivered the shocking news that Hollywood movies are less than historically reliable, while comparing Obama to President Lincoln.

By Clay Waters | February 11, 2013 | 3:10 PM EST

Larry Rohter, who was perhaps the New York Times' most biased reporter during the 2008 campaign (beating some stiff competition) now works the foreign arts beat. In a Sunday Arts & Leisure profile of Pablo Larrain, director of the movie "No," about the 1988 vote that ended the long dictatorship of Gen. Augusto Pinochet, Rohter actually compared Pinochet indirectly to the Tea Party and the libertarian industrialists, the Koch brothers.

By Kyle Drennen | February 7, 2013 | 11:29 AM EST

In an interview with Pattie Mallette, mother of pop star Justin Bieber, on Thursday's NBC Today, co-host Savannah Guthrie worried about Mallette's producing role in an upcoming film: "...you wanted to talk about your involvement in a movie called Crescendo....[which] tells the story of Beethoven's mother, who, while she was pregnant, attempted to have an abortion and even attempted suicide....it's a movie with a decidedly pro-life/anti-abortion purpose." [Listen to the audio or watch the video after the jump]

Guthrie invited Mallette to distance herself from that purpose: "But you feel like people, as I understand it, are getting the wrong message about what you are trying to say by your participation?" Mallette replied: "Yeah, I don't feel that it is a pro-life message. I mean, people are going to get from it what they want to. It's just – it's a true story, it's a historical piece." Guthrie pressed further: "Do you feel misled at all by the producers of the film? I mean, if the film has this message and its goal is to – is an anti-abortion message, I mean, are you okay with that? I guess I'm confused about what your position is."

By Clay Waters | January 29, 2013 | 1:56 PM EST

New York Times Jerusalem bureau chief Jodi Rudoren, who has courted controversy from pro-Israel conservatives during her brief tenure, appeared in the Sunday Arts section to express concern over the muted reception in Israel to the new documentary "The Gatekeepers," an unflattering look back at Israel's Shin Bet, the country's security service: "'Most Israelis Are Not Listening.' – Little impact at home for an Oscar-nominated film." The film is also a loaded call for Israeli Jews to withdraw from the West Bank.

By Randy Hall | January 24, 2013 | 8:51 PM EST

Several actors attending the Sundance Film Festival through Jan. 27 in Park City, Utah, have stated that Hollywood has played a part in the recent spate of gun violence through the production of violent films and video games. However, one actor has suggested an unusual solution to the problem.

Alexander Skarsgard, who fired all sorts of weapons at alien invaders in the "Battleship” movie and is a big player in the violent vampire series “True Blood,” said that it may be time to revisit the Second Amendment because the discussion about it “is ridiculous to me.”

By Ken Shepherd | January 18, 2013 | 11:25 AM EST

"The far left is making [the average American gun owner and NRA member] a villain for abiding by your Second Amendment rights," and they're finding willing accomplices in supposedly objective journalists like Bob Schieffer, Brent Bozell argued on the January 17 edition of Fox News Channel's Hannity. The Media Research Center president was reacting to a soundbite in which the CBS anchor compared the political challenge of President Obama taking on the NRA to defeating the Third Reich in World War II.

"Surely passing civil rights legislation as Lyndon Johnson was able to do, and before that, surely defeating the Nazis was a much more formidable task than taking on the gun lobby," Schieffer noted on January 16 shortly after President Obama's press conference on gun control. "This is a turning point in this country.," Schieffer insisted, concluding, "Unless we figure out a way to make sure that something like Newtown never happens again, we're not the country that we once were." [watch the full Hannity "Media Mash" segment below the page break]

By Clay Waters | January 17, 2013 | 3:24 PM EST

New York Times movie critics A.O. Scott and Manohla Dargis team up for next Sunday's edition (posted early online) to once again pour their peculiar brand of pretentiousness over the latest crop of innocent films: "Movies in the Age of Obama."

In the summer of 2011, Dargis lamented "the symbolic phallus" present in the form of a rifle in a Western. Last July she managed to make a villain out of President Reagan, while Scott chimed in by complaining that movie superheroes were "avatars of reaction" and that the last X-Men movie was insufficiently attentive to the civil rights movement.

By Matthew Philbin | January 16, 2013 | 9:32 AM EST

There was another theater massacre last weekend. Casualties ran to nearly 200. Victims were incinerated, bludgeoned, beaten, stabbed, pulled apart by cars (really) and, oh yes, gunned down by the dozen.

It all happened on the screen, to fictional characters. But when Hollywood stars begin demanding gun control for the rest of us, as many have in the wake of the Sandy Hook shooting, it’s worth taking a hard look at the violence they portray and often glamorize. (video after the break)