The actor famously dubbed guns “cowardly killing machines,” turning his own gun collection into art work in the process. Now, Sean Penn is prepping his latest film, a revenge saga with guns a-blazing according to the film’s new trailer.
The Drudge Report noticed the New York Times suggested a new leftist documentary honoring Edward Snowden “Tests Hollywood Obama Backers,” as in Harvey Weinstein, who often promotes his films by taking them into the Obama White House for a screening. Probably not this time! Michael Cieply reported in the Times:
“As I saw the promise of the Obama administration betrayed, and walked away from,” says Mr. Snowden, referring to drone strikes and invasive monitoring by the National Security Agency, “it really hardened me to action.”
Lauren Tuck unleashed against superhero-themed T-shirts that are supposedly "displaying blatantly sexist messages" in a Wednesday post in Yahoo's Style section. Tuck cited a blogger who ranted against one such shirt at Walmart that features the slogan, "Training to be Batman's Wife." The writer not only targeted "chauvinistic apparel" involving DC Comics characters, but also two shirts related to Marvel Comics' "The Avengers" series.
The Hollywood Reporter announced that Jon Stewart’s new film “Rosewater” debuted at the Telluride Film Festival in Colorado. Their headline was “'Rosewater' Director Jon Stewart Receives Hero's Welcome.”
Apparently, Stewart is a hero when he shows up at film festivals where liberals cluster. Or he’s a hero for regularly banging away at Fox News on “The Daily Show.” Or he’s a hero for having a sense of nuance about the “greatly differing worldviews” in Iran. Writer Scott Feinberg does proclaim he’s a “fan of @BarackObama” on his Twitter bio.
Embodying the old Hollywood joke “I’ve always wanted to direct,” Comedy Central star Jon Stewart took an entire summer off last year to direct a film called “Rosewater” about Newsweek reporter Maziar Bahiri being abducted in Iran. In an early review in The Hollywood Reporter, film critic Todd McCarthy implies it’s a direct-to-video dud.
Only Stewart’s adoring liberal fans make this film worth any notice, he wrote. The atrocities of ISIS make the idea of being held hostage in Tehran lack a sense of compelling urgency and feels like a “sideshow” on the current scene in the Middle East (trailer below):
With his approval numbers sinking to 39 percent a week ago, according to the Gallup tracking poll, President Obama isn't alone in having a bad summer. So is
Dinesh D’Souza’s new movie was finally noticed in The New York Times Friday – on the front page. The news story was “Heady Summer, Fateful Fall for a Conservative Firebrand.” Notice how “fall” had two meanings?
The Times has failed to notice Michael Moore’s nasty divorce and how his hypocrisy about wealth has been revealed. But D’Souza is front-page fodder mostly for his admitted violation of campaign-finance laws:
Hardball host Chris Matthews is quite the cinemaphile, frequently working movie references into his banter on the MSNBC program. So it was rather surprising when the MSNBC anchor made a whopper of a gaffe on his July 24 program regarding an iconic moment in the climactic lightsaber duel in the middle chapter of the original Star Wars trilogy, The Empire Strikes Back. It seems Matthews remembers Luke Skywalker losing the duel when Darth Vader cut of his arm, not merely his right hand.
The botched movie reference was made by Matthews as he relayed how the fictional villain has a higher favorability rating (58 percent) than any real-life 2016 presidential prospect, including Hillary Clinton (55 percent). Here's the relevant transcript (video follows page break):
Fred Thompson, a former senator and presidential candidate who returned to an acting career, granted an interview to The Hollywood Reporter to promote his new movie “Persecuted,” the story of a televangelist framed for murder by powerful government officials.
Thompson acknowledges that conservatives in Hollywood have “a tougher road to travel” and try not to advertise their political views:
The abortion industry did its best to pitch the movie Obvious Child as an “unapologetic” but “hilarious” romantic comedy about abortion, even as the director and star eschewed such a depiction. And therein lies the irony.
Abortion proponents want desperately to remove the stigma surrounding abortion, and they desperately hoped Obvious Child would be a “game-changing” vehicle to entice and persuade pop culture.
Would right-wingers like a larger presence in mainstream news and entertainment media, or would they rather grumble about the MSM’s liberal bias while patronizing conservative media outlets? To American Prospect blogger Paul Waldman, it’s clear that the second is correct.
Waldman’s peg for his Wednesday post was a National Review piece by editor and publisher Adam Bellow on the need for a conservative counterculture that would produce novels, movies, music, and so on. Apropos of Bellow’s comment that it’s too bad righties have “hived ourselves off into our own politicized media bubble,” Waldman snipes that conservatives want very much to stay inside said bubble, even though it leaves them prone to “all kinds of pathological beliefs and behaviors.”
It would have been shocking if the abortion comedy Obvious Child hadn’t been celebrated on Melissa Harris-Perry’s weekend show on MSNBC. But the spin on Sunday morning’s program could not have been expected.
“MHP” wanted to know if abortion opponents just couldn’t handle the uncomfortable truth about women’s sexuality and how women’s bodies operate. She asked Obvious filmmaker Gillian Robespierre if her abortion comedy could be a good educational “tool” for mothers to share with their daughters as they mature, and the answer led to the term “laminated uterus.” (Video below)