Even when the Washington Post is covering a Marxist, they have trouble putting an ideological label in the headline. On the front page of Monday’s Style section is a profile of Marxist rock guitarist Tom Morello, but the headline was bland: "Tom Morello, on Tour and on Message: Folk-Rock’s Nightwatchman Plays True to His Roots." Inside, the headline was simply "Tom Morello, Refocusing His Political Rage." Neither headline reflected that he prayed for President Bush’s death:
Onstage, when the Nightwatchman sang, "I pray that God himself will come and drown the president if the levees break again," the Jammin' Java crowd's attitude was chilling. People were praying.
So why isn’t that death-wish directly reflected in the headline, instead of simply being vaguely "On Message" with "Rage"?
The front of the Washington Post Style section on Saturday was dominated by two features on Hollywood stereotyping. At the bottom was Teresa Wiltz suggesting that Angelina Jolie playing Afro-Cuban Mariane Pearl in "A Mighty Heart" is somehow comparable to blackface minstrel shows. But that's not as odd as the top story by William Booth on stereotyped Arab villains, illustrated by the cartoon image of Jafar, the villainous vizier in the Disney cartoon "Aladdin." Earth to the Post: everyone in "Aladdin," heroes and villains, is Arab.
Booth's story actually only raised the issue of the opening song lyrics of "Aladdin," which joked about vicious ear-slicing barbarians, which the Arab-American activists successfully pressed Disney to remove. After that scrubbing, I imagine the children would also hear about "Ali Baba and the Forty Upstanding Merchants." The star of the Booth piece, retired professor Jack Shaheen, also deplored the Fox drama "24" as "the worst of smears" for portraying American Arabs as the terrorist next door. Booth began in Los Angeles:
Webster’s defines “conservatism” as meaning “marked by or relating to traditional norms of taste, elegance, style, or manners.” Sadly, today there are those who call themselves “conservative” who have no interest in preserving tradition, who uphold no standards on the question of taste, and who have no appetite for appearing the slightest bit fuddy-duddy on the question of manners.
This kind of conservative has embraced the anarchical libertarian worldview which on matters of traditional manners and tastes throws caution to the winds, embracing the notion that the “market” – society’s lowest common denominator on cultural issues -- should decide. And if this erosion of traditional values leads to the disintegration of the culture, so be it.
This might explain why a managing editor of National Review Online, a brand name synonymous with conservatism, would be arguing that the F-word is not indecent on national broadcast television in prime time; insists that the idea of “community standards” in matters of public morality is out of touch; and perhaps most surprisingly, mocks the idea that “the sanctity of children’s ears” is a defensible moral cause, as if innocent kindergarteners can’t handle full-fledged cussing binges.
Tim Graham appeared on "Live Desk w/Martha MacCallum" today to discuss what appears to be NBC paying for a post-incarceration interview with hotel heiress Paris Hilton. He joked: "It just sounds like a bad MTV reality show called Pimp My News."
It was bound to happen. A Sci Fi film is being produced presenting humans as the evil, alien aggressors invading a peace loving alien planet, the allegory, according to the producers, being a comment upon the "imperialism" of the United States. Innocent aliens being killed by evil, imperialist space faring humans and it appears to be all George Bush's fault... again.
Science Fiction has used the alien invasion over and over for decades supposedly as an allegorical statement about the human condition contemporary to the production of a given film. In "Independence Day" the aliens are here to destroy us. This film was ridiculously criticized as nothing but "American jingoism" with Americans imagining themselves the saviors of the world because, with the USSR fallen, Americans were the only remaining superpower. Conversely, in the classic 1951 film "The Day The Earth Stood Still", a friendly alien visitor to Earth is shot down by the evil military and it is we, rather than the aliens, who are the bad guys. This film was supposedly about the Cold War but at least we humans were characterized as simply fearful in the 50s classic. Perhaps that benefit of the doubt for humanity is now gone as far as this new cartoon is concerned?
USA Today reports on "Terra", a new cartoon with voice work from the likes of Danny Glover (no selling point for the film there!), Dennis Quaid, Ron Perlman, Luke Wilson, Amanda Peet, Rosanna Arquette and James Garner.
Sometimes, it’s a little tough for the Fox News-bashing left to stamp the Ailes Network with the Uniformly Right-Wing complaint. For example, it’s not every day that Fox News looks liberal on CNN. But I caught the new commercial for leftist propagandist Michael Moore’s new mockumentary "Sicko" on CNN late this morning. One of three ecstatic reviewers in the TV ad is Roger Friedman of FOXNews.com ("Brilliant!")
Is that one of those tricky studio edits that doesn’t really represent the critic’s opinion? Um, no. Friedman’s online review was a rave. It began: "Filmmaker Michael Moore's brilliant and uplifting new documentary, ‘Sicko,’ deals with the failings of the U.S. healthcare system, both real and perceived. But this time around, the controversial documentarian seems to be letting the subject matter do the talking, and in the process shows a new maturity."
It seems that Rosie did more on “The View” than lame Donald Trump imitations, belittle Elisabeth Hasselbeck (as well as Republicans in general) and advance ridiculous conspiracy theories that defy logic, not to mention physics. Rosie also controlled the issues discussed on the “The View,” and while she was on the show, certain issues were off limits...like heterosexual sex.
According to the TV Guide, during a June 13 appearance on the popular LA-based radio show “On-Air with Ryan Seacrest,” Barbara Walters revealed the control that Rosie wielded over the show's daily discussions. From the TV Guide (bold mine throughout):
In the past, Washington Post music reviewers have made no secret of their disdain of country music star Toby Keith's patriotic homegrown quasi-conservatism. But now that Keith is shying away, almost apologizing for his political scuffles with the Dixie Chicks and the late Peter Jennings, the Post seems to have a new-found respect for Keith as a musician and artist. Below the fold you'll see what I'm talking about, but let's start with two prime examples of the Post's past personal swipes at Keith.
Take this November 5, 2003, review by Bill Friskics-Warren, which front-loads a begrudgingly positive review with the obligatory "I can't stand this guy's politics, but he's a damn fine musician" lede:
Mireya Navarro of The New York Times took 32 paragraphs in her June 10 Fashion & Style section article to tell you what I'm about to in one sentence. (h/t Clay Waters of NB sister publication TimesWatch)
Liberal Hollywood doesn't feature women having abortions in TV and movies very often because it's bad to alienate a sizable chunk, if not an outright majority, of your audience who are pro-life.
Of course, you can't fault Hollywood for being pro-choice where it counts to them most. Choosing plotlines and conventional stories that boost the bottom line. That is, unless you're an artiste who is forever battling the crass capitalistic forces of banality, like say, Christopher Keyser. You know, the cinematic Michelangelo that gave us the late-1990s Fox drama 'Party of Five.' Navarro thought it important that we hear from him and other liberals in the industry who lament this one area where Hollywood remains mostly conservative, if only because they feel the heat rather than see the light.
Someone at the AP must really like Stephen Colbert. A bait-and-switch June 3 article was supposedly about a new book by Afghanistan-born author Khaled Hosseini, but gave readers stealth fanboy journalism that wrote a play by play of Colbert’s shtick without discussing the book. From the reporting, the BookExpo America breakfast was more like a segment of the “Colbert Report” than a national book fair discussion. Instead of any information about the book, it was line after line of Colbert coverage, "That Stephen Colbert sure is funny, and he sure has some funny ideas about books. Just ask "The Kite Runner" author Khaled Hosseini."
In the new 40th Anniversary Edition of Rolling Stone magazine, Editor Jann Wenner asks rocker-icon Bob Dylan, "Do you worry about global warming?" and Dylan responds: "Where's the global warming? It's freezing here."
The point is that Dylan was half-serious and questioning Wenner's liberal assumptions, as were a number of other 1960s rock icons who gave some startlingly sober answers to the hyper-idealized drivel regurgitated by Wenner and other questioners. (Hat tip to Cincinnati.com.) When asked his views about the 1960s, Director Steven Spielberg replied, "Just narcissism, a collective and personal narcissism."
News magazines love to float above the real news and focus on nebulous trends, and perhaps none are more nebulous than the sudden popularity of the "beta male," as represented by Al Gore. The "cultural dispatch" by writer Jennie Yabroff celebrates Gore as "the proto beta male" who’s "having the last laugh as a movie star, an ecosavant, a best-selling author, and a potential dark-horse presidential candidate."
Yabroff’s article in the June 4 edition was headlined "Betas Rule: What do Jim from 'The Office,' Shrek and Al Gore have in common? They're beta males—losers who are winning. Look out, alpha dogs." While the grasping, ambitious "alphas" are out, Gore and Bill Clinton are singled out as the hottest political embodiments of sensitively surrendering men, as if they have no ambitions at all:
Is Michael Moore a journalist? Well, he’s certainly just as one-sided and biased as many on the network news. So I guess he qualifies in that way.
One thing is certain. Moore, the director of the new anti-healthcare industry movie “Sicko,” thinks he qualifies. He said in the June 1 Entertainment Weekly that he embraces bias and one-sided story telling. “In my case, it’s going to take 20 or 30 years to figure out what I came up with, because while it’s journalism, it’s also satire couple with a large sprinkling of opinion to create a work of art,” said Moore.
“Entertainment Weekly's” online site, EW.com, is usually politics-free, but not this week. Who would have thought that EW's “Lost” blogger could inject a little Bush Derangement Syndrome into a review of the show's May 23 season finale? Somehow, writer Jeff Jensen managed to find a way (spoilers ahead).
In case you aren’t a “Lost” viewer, here’s what you need to know to help explain this article about the show's season closer entitled “Through The Looking Glass.” Ben, the leader of the Others, intercepted the retreating Losties to negotiate with their leader Jack. Three Losties stayed behind to attack the Others’ but were taken hostage in the process. Ben threatened to have them killed by their captors if Jack didn’t follow his demands. So, now that the scene is set up, here is the BDS in full glory (emphasis mine):
The international press is currently enthralled with the Cannes Film Festival, and the usual celebrity suspects who push the agenda of the Left at such events. Bradley Jacobs, an editor for "Us Weekly," appeared on Monday's "American Morning" and reported on two such celebrities and their current projects - Leonardo DiCaprio and Michael Moore. Jacobs was particularly enthusiastic about Moore and his last two film projects, and gushed, "I was a big fan and proponent of ‘Fahrenheit 9/11,' and I have to say that I thought ‘Sicko' was even better."
Jacobs, who was reporting live from Cannes, even went so far to make a personal appeal of sorts for "Sicko," the latest film from Moore.
Multichannel News magazine reports that the History Channel will air the documentary "Star Wars: The Legacy Revealed" on May 28 at 9 PM. But it has some unconventional movie pundits.
Eric J. Smith felt "History should be applauded for the diverse group of commentators it has drawn together. Politicians Nancy Pelosi and Newt Gingrich give their opinions alongside journalists Linda Ellerbee, Tom Brokaw and Dan Rather. And their voices are joined by intellectuals like Camille Paglia and Mary Henderson (author of Star Wars: The Magic of Myth), directors Peter Jackson and Kevin Smith and comedian Stephen Colbert."
Jonathan Last notes there's also Iranian commentary on the last installment of the series.
The “Weekly Standard” profiled libertarian-leaning conservative and political commentator turned documentarian Evan Coyne Maloney, whose new documentary about the leftist ideological indoctrination and pervasive political correctness in the US higher education system is called “Indoctrinate U”. Saturday May 19, CSPAN ran a segment about his film on the network’s “Washington Journal”, but CSPAN posts footage of the shows online (when they have it up, I'll post it. His spot is at the two-hour mark). You can see a clip of his film on YouTube as well as the film's website, Indoctrinate-U.com.
“Indoctrinate U” focuses on the pervasive trampling of free speech and thought on college campuses and traces the modern history of free expression on campuses from the ‘60s through today. The doc covers personal stories like “the Kafka-esque nightmare faced by Steve Hinkle, a student at California Polytechnic, whothe school attempted to sanction for placing a flier in the university's multicultural center announcing a speech by conservative African-American author, Mason Weaver.” It also features a professor who “excitedly tells the camera ‘whiteness is a form of racial oppression…treason to whiteness is loyalty to humanity’.”
The “Weekly Standard” highlighted what the documentary covers (my emphasis throughout):
What does it say when porn-peddler and sex-shop owner Larry Flynt treated Jerry Falwell’s death with more class than CNN? As Newsbusters reported yesterday, during “Anderson Cooper 360,” CNN used a still from an old protest video that had a large illustration of Jerry Falwell next to a large illustration of Hitler.
Despite being courtroom and media adversaries that was kicked into overdrive when Flynt ran a fake ad in “Hustler,” which claimed that Falwell’s first sexual experience was with his mother in an outhouse and resulted in a lawsuit producing a landmark First Amendment ruling by the US Supreme Court, allowing the parody of public figures, Flynt issued this surprisingly generous and thoughtful statement to "Access Hollywood" on May 15 (emphasis mine):
Dan Rather is hardly averse to posing for pictures
Dan Rather, the disgraced former CBS anchor who always denounced TV news for being too "soft," will soon be making his entertainment television debut:
There were gasps of surprise at ABC's fall-schedule announcement
this week when the veteran TV newsman popped up as an actor in clips
for "Dirty Sexy Money," a new drama about a wealthy, misbehaving New
The role wasn't exactly a stretch. Rather plays a reporter at a
fancy dinner party pressing a politician, portrayed by William Baldwin,
about his future political plans.
Rather initially said no when the show's executive producer and
director, Peter Horton, called to ask if he'd be interested. News
people occasionally pop up in fictional settings, like CNN's Christiane
Amanpour on Tuesday's "Gilmore Girls" series finale, but it is frowned
upon at CBS News--his former home for decades-- and Rather had never
The TV industry is a fickle business, just ask any veteran of the small screen. While most actors in Hollywood would probably tell you that they're at the mercy of you the viewing audience, blogger LaShawn Barber noticed that comedian George Lopez whipped out the race card to complain about his five-season-long show being canned by the alphabet network.
"TV just became really, really white again," complained Lopez, who was reacting to the premise of "Cavemen," the sitcom that will replace his show. "Cavemen" will basically transform the Geico commercial cavemen premise into a half-hour laugh riot (you can tell I suspect it will be even less funny than Lopez's show).
I want my MTV! Somewhere a soldier or sailor in Iraq or Afghanistan is probably thinking that today. According to the AP, on May 14, the Department of Defense blocked “worldwide” the US troops who use its networks and computers from accessing 12 popular websites that include, YouTube, MTV, MySpace, Blackplanet and Photobucket. The Defense Deparmene which the DoD said“take up a large amount of bandwidth, and others that can open up department computers to hackers and viruses.” (emphasis mine throughout)
US Forces Korea Commander (USFK) Gen. B.B. Bell explained in a memo sent out Friday that the new policy will not impact the military's ability to send and receive email, but the “Department of Defense has a growing concern regarding our unclassified DoD Internet, known as the NIPRNET. The Commander of DoD's Joint Task Force, Global Network Operations has noted a significant increase in the use of DoD network resources tied up by individuals visiting certain recreational Internet sites.”
A 12 year old girl is suing the Chicago Board of Education for negligence, false imprisonment and intentional infliction of emotional distress after a substitute teacher led her 8th grade class to watch the film Brokeback Mountain with the warning, "What happens in Ms. Buford's class stays in Ms. Buford's class," according to the lawsuit.
The teacher then proceeded to show the 8th grade elementary school class the R rated gay themed film; a film that garnered its rating for sexual content, language and drug use.
According to the suit, a substitute teacher introduced herself as Ms. Buford to Jessica's class at Ashburn Community Elementary School, 8300 S. St. Louis Ave. She then said, "What happens in Ms. Buford's class stays in Ms. Buford's class," the suit claims. Buford then had a student close the door, and started showing the controversial R-rated film, which features two men engaged in sex.
Diane Disney Miller, the only surviving child of Mickey Mouse creator Walt Disney, condemned a Palestinian rip-off that has been used to glorify terrorism and murder to children. She called the character, named Farfur, "pure evil." (h/t LGF)
Diane Disney Miller said she was disgusted that a rip-off of her father's iconic cartoon character was being used on a new Hamas TV show to encourage Palestinian children to take up arms against Israel and America.
"Of course I feel personal about Mickey Mouse, but it could be Barney as well,'' Ms Miller, 73, told the New York Daily News.
"It's not just Mickey, it's indoctrinating children like this, teaching them to be evil,'' said Ms Miller, who owns a winery in northern California.
Tonight's (May 8) episode of ABC's “Boston Legal,” the 10pm EDT/PDT drama set in an unorthodox Boston law firm, will seemingly take up the topic of a man “tortured” by the U.S. at Guantanamo Bay. The ABC.com summary of the plot relays that attorney “Alan Shore,” played by James Spader, “sues the United States on behalf of a client who was tortured for two years at a detention camp.” The title of the episode: “Guantanamo by the Bay.”
This will hardly be the first time the ABC show, starring William Shatner and Candice Bergen, has centered episodes around advancing liberal causes. See the January 17 NewsBusters posting: “ABC's 'Boston Legal' Takes Cheap Shots to the Right.” Also check a NewsBusters posting from March of 2006, “ABC's 'Boston Legal' Airs Anti-Bush Tirade, Takes Shot at FNC & Raises McCarthy Era,” which features two video clips.
Brent Bozell's culture column this week follows up on how the world of rap music will change in the wake of Don Imus getting canned for his rapper's language against the Rutgers women's basketball team. Russell Simmons, one of the founders of Def Jam Records, made waves by endorsing some voluntary steps toward better self-control:
He doesn’t advocate dropping this language altogether, which is unfortunate. Simmons concedes that millions of adults listen to unexpurgated rap CDs, and is unwilling to condemn it. Still, the move to take this off mainstream radio is a significant start. On “The O’Reilly Factor,” Simmons declared, “I think that children, and parents, and everyone else who doesn't really understand the hip-hop community should have a choice....we want people to choose what they want. And if you turn on mainstream radio, you shouldn't have to hear these words.”
Reminiscent of an earlier review of "Spider-Man 3" that complained about the American flag's cameo in the superhero blockbuster, Times of London film critic James Christopher added "Sunday School morality" as a black mark against the action flick.
This incessant Tom and Jerry action makes it impossible to actually
care. The Sunday School morality, and the inevitable flash of the
American flag, are perfectly irritating. It’s extraordinary how often
the third movie of a tent-pole franchise fails to deliver, in this case
by trying to deliver too much. It’s hardly the kiss of death for Raimi,
but with a budget as huge as his the pressure is surely on to pull in
more than $400 million.
That's much harsher than critic Leo Lewis, who said it was "disappointing" that director Sam Raimi was unable "to end the romp without a fleeting shot of the American flag."
Michelle Malkin noticed that comedian Roseanne Barr wrote recently on her blog that she's too biased against Israel to be hired for the Barbara Walters daytime gab-fest. Here's what Barr wrote:
In reality, I could never host that show, or any network show, because I have opinions that are not sanctioned by the powers that be who refuse to allow even one dissenting voice over the airwaves of television(in this a "free" country).
I truly believe that millions of jews are not zionists, and that even if they are, they do not support Israeli occupation. I believe that Jews all over this planet choose peace in the middle east over the never ending death machine of hatred and division and terror that exists there now.
The May 1 Variety reported that Warner Independent Pictures has snapped up the domestic distribution rights to Leonardo DiCaprio’s "documentary" "11th Hour," with Warner Brothers Pictures International scooping the overseas rights. The supposed documentary is produced and narrated by the former teen idol turned environmental activist, and based on what he said at a Natural Resources Defense Gala that I blogged about here at Newsbusters, the “message won’t be diluted by our having to yell over oil-company-funded ‘scientists’ .” It will be another so-called “documentary” disguised as propaganda (docuganda) like “An Inconvenient Truth” that is portrayed as legitimate evidence of anthropogenic global warming. Who needs to waste time endlessly debating AGW, when a slickly packaged promotional movie can change more minds? Variety describes the film:
Docu (sic) explores what it will take for humans to make a difference ecologically before it is too late. A variety of leading scientists, thinkers and leaders are interviewed in the film, including Stephen Hawking, former CIA topper James Woolsey and former Soviet president Mikhail Gorbachev.