Will this rap song with a positive message get any play in the MSM? Will a rapper that is telling kids to quit acting like a punk and grow up resonate?
Okay, I'm a nearly 50 year-old white dude, so you won't catch me trying to be "all that" with the kid's rap music. In fact, I hate the stuff. [I was listening to Beethoven, Glenn Miller, U2 and The Police today, if that helps pinpoint me] HOWEVER... and this is a big one, too... I am compelled to pass on the latest tune from Mr. Bomani D. Armah, the self-proclaimed "not a rapper" rapper.
You may recall the last time Mr. Armah appeared on Newsbusters? He wrote a tune that appeared on BET TV called "Read a Mo F***ing Book". It was a tune that featured Mr. Armah seeming to attack the thug lifestyle and telling black kids to read a "Mo F'ing" book, brush their teeth, wear deodorant and to raise their own children, etc. It raised quite a stir last year.
Mark Moring has an interesting read at Christianity Today's Web site. He recalls all the popular movies in 2007 that feature life-affirming responses to unexpected pregnancy in films such as "Knocked Up," "Waitress," "Juno," "Bella," and "August Rush.":
To some, it was a year of war movies and "statement" flicks—including In the Valley of Elah, Lions for Lambs, and Rendition. Meanwhile, David Poland of Movie City News declared 2007 "Oscar's Year of the Man," noting that of the top sixteen contenders for best picture, only three were headlined by women.
But others noticed a different trend: In some ways, 2007 was the Year of Pro-Life Cinema.
Ordinarily there wouldn't be a link between an awards ceremony and the anniversary of legally sanctioned abortion. But this was before "Juno."
Today marks the 35th anniversary of Roe v. Wade, the Supreme Court case which gave women access to legal abortions. This morning the Academy Award nominees were also announced, and "Juno," a movie in which a teenage girl chooses adoption over abortion, scored nominations for Best Actress, Best Original Screenplay, Best Director and Best Picture.
Unlike the sensitive folks over at Media Matters, we NewsBusters are a relatively thick-skinned lot. And no one's ever confused me with Gloria Steinem. So we're not going to overreact to Willie Geist's comment this morning and demand a Matthewsesque mea culpa.
However . . . Willie did manage to diss the intelligence of his compatriots on today's Morning Joe. A Friday show tradition is for Geist and MSNBC celebrity correspondent Courtney Hazlett [a personal fave in the genre for her intelligent perspective] to predict which movie will score best at the box office during the coming weekend. When Hazlett tapped Cloverfield, an action-horror flick in which things go horribly wrong for Manhattan, Geist reacted with, well, horror.
A few years back, I interviewed Michael Moore and asked him if Fahrenheit 9/11 should be considered a political advertisement, and if so, whether campaign finance laws should apply. Moore admitted the film contained his opinions, but that his film should be treated like an op-ed in the paper.
During the 2004 election, neither ads for the Bush-bashing Fahrenheit 9/11, nor the film itself were regulated under campaign finance laws.
Update (Jan. 7 | 14:30): This was mentioned earlier in the comments thread. You can see Maher's offensive comments beginning about 1:35 into the video posted on YouTube here.
Appearing on the Friday "Late Night with Conan O'Brien," comedian Bill Maher took repeated swipes at the Republican Party and conservatives as idiotic, bigoted, homophobic, you know, all the usual epithets.
Although his material was registering mostly nervous laughter from the audience, Maher plunged further into his assault on traditional values, attacking Christians, particularly Catholics, by insisting that one has to be "schizophrenic" to go about life normally for six days a week only to, on the seventh go to church and believe that when drinking communion wine one is drinking "the blood of a 2,000-year old space god."
Journalists often fret about Big Business. Yet their coverage leans so pro-union that they won't give the business side of the story - even when they ARE the business.
The writers' strike has cost the networks millions in lost ad revenue from the lack of new primetime and late-night shows. But now that late night lives again, the coverage is all about "awareness" of the writers' guild and the strike.
Once the late-night comedy shows returned January 2, a new controversy arose: guests who dared to cross the picket line to appear on the writer-less shows. One of those was Baptist preacher and GOP presidential candidate Mike Huckabee.
"I don't think Jesus would cross the picket line, no, I'm almost positive Jesus would be on our side," one striking writer said to CBS's January 3 "Early Show."
The World Entertainment News Network seems to have an unusual notion as to what transpired during World War II. In a story about actor Will Smith's supposed positive remarks about Adolf Hitler, WENN offers the following:
Hitler's totalitarian leadership as Fuhrer during 1934 until his eventual suicide in 1945 resulted in the persecution of an estimated six million Jews in the Holocaust, and his invasion of Poland in 1939 led to the start of the Second World War.
Actually Hitler's totalitarian leadership as Fuhrer resulted in the murder of an estimated six million Jews in the Holocaust. But why get technical about accurate terminology, eh? Unbelievable.
Meanwhile, in case you're wondering about Smith's comments, Eugene Volokh says "give him a break":
As Eat the Press has reported, NBC Nightly News has a famous new voice pitching Brian Williams at the program's introduction every night. It’s the actor Michael Douglas, best known as Aaron Sorkin’s liberal "American President" and as the evil Gordon Gekko character in the Oliver Stone Decade of Greed movie "Wall Street."
Douglas announces: "From NBC News world headquarters in New York, this is NBC Nightly News with Brian Williams."
It seemed a little under modulated on Debut Night, or maybe it just doesn’t match up to the James Earl Jones "This....is CNN" sonorous standard. But it’s easy to remember how much all the networks loved the Gordon Gekko line to sum up those greed-head Ronald Reagan 1980s, as we wrote in our newsletter at the time:
What is it with Hollywood liberals and their penchant for messing with my childhood heroes by making them shills for liberal storylines. First "GI Joe." Then "Knight Rider." What's next, "The A-Team"? Maybe. (h/t Perez Hilton)
Variety reported yesterday that John Singleton is on board to direct a silver screen adaptation of the 1980s TV action drama "The A-Team." This time it sounds like oil company executives may end up being the bad guys.
Hollywood doesn't learn. Even though the latest round of America-hating movies flopped, Project Greenlight producer Chris Moore will turn "A People's History of the United States" by pop historian and Karl Marx fanboy Howard Zinn into a TV miniseries and a feature-length documentary.
Zinn's 1980 book influenced a generation of students with its negatively-framed distortions of American history which minimized successes like WWII. It exchanged traditional history for marginal topics such as Great Railroad Strike of 1877, Joan Baez and Angela Davis while omitting Washington's Farewell Address, the Wright Brothers and the Normandy Invasion.
The December 10 Variety stated production begins in Boston this January. Ironically, it will use wealthy celebrities like Matt Damon, Danny Glover and Josh Brolin to convey the book's Marxist theory (bold mine):
Miniseries will center on the actors and musicians as they read from the books or perform music related to their themes: the struggles of women, war, class and race. (...)
"The Golden Compass" did not produce box-office gold during its first weekend.
While ranked #1 for the weekend, the movie which opened in 3,528 theaters, was lavishly produced and promoted, only took in in $26.1 million, according to Boxofficemojo.com. Studio New Line Cinema was hoping for returns in the $30 to $40 million range.
"Compass" drew the ire of many Christians because the movie is based on the first book in a trilogy called "His Dark Materials" by avowed atheist Philip Pullman, who has said publicly that his books are about killing God. In "USA Today," Rolf Mittweg of New Line Cinema conceded that the "religion controversy might have had an effect."
What is it with Johnny Depp and Victorian Era serial killers?
Six years ago the liberal Hollywood fixture played London police detective Frederick Abberline in "From Hell," a violent conspiracy theory-driven whodunnit about the 1888 murder spree of Jack the Ripper. In his newest big screen release, Depp stars as the title character in "Sweeney Todd," a film about a fictional 19th century London barber who kills his customer-victims using his barber's razor.
Pretty ghoulish stuff, of course, but according to Depp, such a monstrous character is also deserving of some empathy. Reports Tom O'Neil of the Los Angeles Times:
Who's Hollywood's latest Big Bad Villain? Private military contractors--giving rise to a new version of Derangement Syndrome: Blackwater Derangement Syndrome or BwDS.
Echoing lefty rage at Blackwater, TV shows from “Boston Legal” to “Jericho” have turned contractors into the bad guys.
NBC's upcoming two-hour movie/backdoor pilot “Knight Rider” is no different, but this time Michael Knight and KITT the talking car are "counteracting and preventing the damage done by private, covert military contractors.”
According to the November 29 Hollywood Reporter, television's latest venture into contractor bashing is this sequel to the campy '80s David Hasselhoff show. In the new movie, Michael Knight's son Mike Tracer (what, was Mike Gunn or Mike Bullitt too obvious? Was Mike Stone not manly enough?) is now driving KITT and fighting the real threat to the world—private military contractors (bold mine):
National Public Radio's arts-and-culture show "Fresh Air" recently displayed how its leftist ideology trumps artistic judgment, especially when it comes to movies designed to get America out of Iraq before our crazed soldiers senselessly kill more civilians. Film critic David Edelstein lauded Brian De Palma's new movie "Redacted" as a "laudable artistic response to an unpopular war," even as he conceded the movie is terrible as a work of art.
Edelstein knew some people hated the exploitative display of Iraqi corpses at the film's end, noting that De Palma thinks rubbing Americans' faces with the collateral damage will get us out of Iraq: "I think most Americans are immune to those techniques, but I respect his impulse. 'Redacted' is a crude piece of work but it's the kind of outright agitprop that rarely makes it to the big screen."
Edelstein also claims the movie centered around savage rape and murder by American troops isn't anti-troops: "But it's an act of sympathy to suggest that soldiers on their third tours of duty in a place where they have no knowledge of the culture, where they can't tell who's on their side and who wants to blow them up, stand a good chance of losing both their moral compass and their minds." Here's the transcript from the November 16 review:
Team Edwards, both eminently coiffed candidate John and his designated political hitter bride Elizabeth, on Wednesday, Novemeber 21st cancelled their scheduled appearance on The View, doing so, according to the UnDynamic Duo, to “honor the members of the Writers Guild of America”, who are currently on strike.
Not to be outpandered, Michelle Obama, wife of the incredibly audacious Barack, later that same day pulled out of her December 5th guest co-hosting duties.
Obviously, sucking up is more important than being sucked up to in Democratic presidential politics.
This is related to nearly every Donkey candidate promising to not participate in a scheduled December 10th CBS debate (moderated by the ratings Juggernaut Katie Couric) should their news writers decide to join their union brethren and sistren (one must be, in this age of PC, all-inclusive) and abandon that foundering network vessel to the waves unscribed.
On its Tabloid Tidbits blog page, MSNBC is taking potshots at both one time pinup boy Fabio and current left-wing, heartthrob George Clooney in a Hollywood smack 'em up two fer. Now, I'm as unconcerned over the entertainment media beating up the denizens of Hollyweird as anyone else -- especially when one of them is the uncouth, surly, leftist Clooney -- but this one strikes me as interesting for the reason they are attacking Fabio; because of his act of chivalry. I guess entertainment reporters think it is odd, funny or execrable when a man sticks up for the virtue of a woman, now 'a days? Sadly, it appears that acts of chivalry opens one up for ridicule in today's Hollywood. They just can't stand any exhibition of traditional manhood out there on the left coast.
The Tabloid Tidbits section goes for Fabio's throat with its very first line
In our never-ending quest to identify the worst - nay best - example of Bush Derangement Syndrome in the media, NewsBusters disrespectfully offers the following.
Even though George W. Bush is not an actor, he not only made a listing of Hollywood's coldest people, he topped it.
You've got to be kidding!
As reported by the Associated Press Wednesday (h/t NB reader tracyz20, emphasis added):
The online magazine Film Threat placed Bush at the top of its "Frigid 50," an annual ranking of the "least-powerful, least-inspiring and least-intriguing people in Hollywood" in contrast to the "hot" lists that celebrity magazines often compile.
Thinking the AP must have been mistaken, I ambled over to Film Threat's website, and confirmed the lunacy (emphasis added):
Remember those anti-war Iraq movies Hollywood was crowing about this summer? Turns out that crowing was more than a little premature: they've been spectacular bombs at the box office:
The wave of recent films set against the backdrop of war in Iraq and post-9/11 security has failed to win over film-goers keen to escape grim news headlines when they go to the movies, analysts say. [...]
Almost without exception, however, the crop of movies have struggled to turn a profit at the box-office and in many cases have received a mauling from unimpressed critics as well.
"Rendition," a drama starring Reese Witherspoon and Jake Gyllenhaal about the CIA's policy of outsourcing interrogation of terror suspects, has taken just under 10 million dollars at the box office, a disastrous return.
As part of the publicity push for their left-wing movie Lions for Lambs, Robert Redford, Meryl Streep, and Tom Cruise sat down with Time’s Richard Corliss for an article titled "The Lions Roar." But these lions have a very typical Hollywood Left message. In America, it’s very tough to speak out against war. "Standing up is very, very difficult," said Streep. "We vilify the people that do speak up. You're told you're not supporting the troops." Redford added: "If you're against us, you're not patriotic." They also say the American people don’t care so much about war as they do about celebrity dirt, and according to Streep, we face the tragedy of the unheeded peace-loving left: "we went forward, in the face of all sorts of warnings that are now proven to be the truth. Americans have been anesthetized by good fortune."
Yesterday we were griping about the way NBC's "Green Week" crusade had infiltrated a perfectly good NFL football game. Today brings news that not even the presumably politics-free "Dancing With the Stars" is immune from BDS.
"Morning Joe" today twice rolled tape from last night's "Dancing with the Stars" in which Len Goodman, a Brit who is the head judge, managed to sneak in a shot at President Bush. He was speaking to a dancing pair, apparently after their performance.
With Update- Welcome Wonkette Readers
The new album from The Eagles, Long Road Out of Eden, is just one long, sustained attack on the integrity of the United States and is as bad as any loud-mouthed Dixie Chicks diatribe. With songs prosaically about Global Warming and the evil American “empire,” seemingly the only one of the band who just wanted to entertain the fans was Joe Walsh, the others too puffed up with their own sense of superiority to bother. Unfortunately, what we have here just another exclamation from pampered rock stars that they are smarter, more environmentally friendly and more caring than the rest of us... but be sure and buy more albums for gifts folks! This album should have been titled “Long Trip to the Bank” because for much of it the band seems to be on autopilot and too much of it seems like a cynically geared ploy to sell plastic as opposed to a solid attempt to entertain. It seems that they consciously wrote this one to appeal to sectors of the radio market -- the country market, adult contemporary -- so much so that the album lacks freshness. Several of the songs are so obviously written to have a country sound in an effort to get airplay on America’s country stations, for instance, that it’s a bit hard to get past the obvious ploy to enjoy the tunes.
The radical-left Pacifica Foundation's radio stations -- in Berkeley, Los Angeles, Houston, Washington, and New York -- draw about a million dollars a year in federal grants through the Corporation for Public Broadcasting. What they put on the air can be some pretty strange brew.
On Friday's "Democracy Now" show -- as they led into a discussion of how viciously demagogic and racist were the opponents of New York Gov. Eliot Spitzer's plan to grant driver's licenses to illegal immigrants -- a rapper blaming the 9-11 attacks as government-detonated was aired. It caught my attention because you seldom hear the words "popping and locking" followed by "Wolfowitz doctrine." The rapper is named Immortal Technique.
In a political act loaded with cultural symbolism, Senator Hillary Clinton endorsed an effort to earmark a million taxpayer dollars for a museum in Bethel, New York celebrating the circus of 1969, the Woodstock music festival. Other senators smelled the pork and successfully voted to remove it.
The tie-dyed, drug-soaked post-war babies that populated that muddy plain are now approaching Social Security age, and the aging hippies that made their way into the establishment want to imbue the notorious excesses of their youth with respectability. The New York Times said the Bethel complex would be "what Cooperstown is to baseball" – a hippie Hall of Fame.
I liked that music. I still do. Then as now, I simply ignored the cultural and political messages. Many others didn’t.
The bohemian worldview of Woodstock Nation is in some ways dominant, and in some ways passe in our popular culture. Hallucinogenic drugs are no longer the rage, but the "free love" spirit of "if it feels good, do it" still runs strong, especially in our entertainment world. And yet, burbling beneath a noisy culture of sexual excess and self-love, there’s a quiet undercurrent in our movies carrying subtle, and even obvious pro-life themes.
Even a stopped clock is right twice a day, the old saying goes. It's certainly applicable to liberal talk show host Bill Maher, who got a taste of venom from the far-left 9/11 conspiracy crowd during a recent taping of his "Real Time" program before a live studio audience.
NewsBusters readers are well aware of the recent controversy involving Al Gore’s schlockumentary “An Inconvenient Truth.”
A few weeks ago, a British judge cited nine errors in the film. Team Gore responded Thursday in a rebuttal published at the Washington Post’s Fact Checker blog.
Now, famed climate change skeptic Christopher Monckton, in a detailed report published by the Science and Public Policy Institute, not only refuted Gore’s defense of the movie's contents, but also listed a total of 35 errors in the award-winning abomination responsible for most of the global warming hysteria sweeping the planet (emphasis added):
I'd love to spare you the Gore-y details about his plans for higher taxes, new global regulations billions of dollars in new spending or the devastation of the American economy, but that's what he's got in store for us all.