Traditional media weren’t the biggest fans of the movie “Atlas Shrugged: Part I” when it was released in April 2011. With “Atlas Shrugged Part II: The Strike” set to hit theaters on Oct. 12, it’ll be hard to top the derision of the last movie. Most reviews of the first film were short and to the point – this movie was terrible because conservatives, more specifically the Tea Party, will like it.
The New York Times on Friday finally deigned to review the movie “Atlas Shrugged,” based on the novel by Ayn Rand, a heroine to libertarians and objectivists in particular. New critic Carina Chocano (like the rest of the critics, who weighed in two weeks ago) was scathing on the movie’s flaws and clearly disdained its politics: “A Utopian Society Made Up of Business Moguls in Fedoras.”
Could anyone have guessed, way back when it was published in 1957, that “Atlas Shrugged,” Ayn Rand’s grandiloquent doorstop of a masterwork, would one day reach the big screen as high-camp comedy? Because stilted prose and silly plotting notwithstanding, Rand’s unrelentingly popular book has exerted a powerful ideological hold on the culture, an influence that has only intensified in recent years with the emergence of the Tea Party. Still, for unintentional yet somehow boring hilarity, the novel can’t touch the cinematic adaptation, which shifts the action to 2016 and presents Rand’s ham-fisted fable of laissez-faire capitalism as something C-Span might make if it ever set out to create a futuristic, proto-libertarian nighttime soap. In the 1980s.
Twenty-nine years after her death, novelist Ayn Rand is coming to a theater near you. After many failed attempts, her 1957 novel "Atlas Shrugged" has been made into a film.
In an age when overspending, overreaching, higher-taxing and overregulating government increasingly strangles the private sector, robbing us of our liberties and transforming the country into the model of a socialist state, Rand's story reminds us how far ahead of her time she was and just how dangerous a time we live in now.