Editor's Note: This post originally appeared at Andrew Breitbart's Big Hollywood.
The political thriller Fair Game premiered at Cannes today. (Pause for giant, collective yawn from Big Hollywood readers…)
The Sean Penn-Naomi Watts “starrer” (hey, it’s fun using unnecessarily awkward Variety-speak!) revisits the Valerie Plame Wilson scandal, an episode I’m not even going to bother recapping, because to do so would simply be coma-inducing for all of us. Besides, I already summed up the affair and dissected the screenplay’s political slant for Big Hollywood here. Suffice it to say, it’s a tale the Hollywood Left is hell-bent on getting Americans to care about.
As are its water-carriers in the media. In a deceptive puff piece an article last week for the Los Angeles Times, Rachel Abramowitz discusses the film and interviews its director Doug Liman. The first clue that we’re about to be sold a crockpot of hooey comes when she describes Valerie Plame as “the undercover CIA operative whose name was leaked to the media by the Bush White House in an effort to discredit her husband, former Ambassador Joe Wilson.”
Editor's Note: The following was originally posted to Andrew Breitbart's Big Hollywood blog on June 24. Perhaps of greatest note to NewsBusters readers is Tapson's reporting on the pronouncements of Daily Beast contributor and UC Riverside professor Reza Aslan that "There is no such thing as Sharia."
While Iranian-American protesters packed streetcorners in Westwood last Saturday afternoon in support of the revolution currently playing out in the streets of Tehran, an historical drama about stoning in Iran got underway at the Los Angeles Film Festival mere blocks away.
For the few who don’t know by now, The Stoning of Soraya M. is based on French-Iranian journalist Freidoune Sahebjam’s bestselling book, which relates the true story of a woman in a remote Iranian village, in the years after the 1979 Khomeini revolution, who is falsely accused of adultery and stoned to death by a mob desperate to cleanse themselves of this affront to their collective honor and to their religion. It’s not only a gripping story in its own right, but it shines a harsh spotlight on the almost unimaginable reality that the barbaric punishment of stoning still exists in the Iranian law code, despite a largely nominal 2002 moratorium, the result of pressure from Western human rights groups.
(Full disclosure, even though I’m not reviewing the film here: I’m close friends with the filmmakers Cyrus and Betsy Nowrasteh, I provided Mpower Pictures with a bit of research on the project, I’m friends with other cast and crew and producers associated with the film, and I think stoning is bad. So don’t take my word for it when I say SorayaBig Hollywood’s John Nolte will be the most important, affecting film you’ll see all year. Instead seek out the multitude of reviewers who recommend the film, including and then see it for yourself.)
Following Saturday’s screening was a panel discussion, not so much moderated as simply hosted by Iranian novelist Khaled Hosseini, author of the bestselling The Kite Runner, who personally selected the film for the L.A. Film Festival. The panel also included Soraya’s writer-director Cyrus Nowrasteh, starring actress Shohreh Aghdashloo, and Dr. Reza Aslan, billed as an Islamic scholar.